18
The apartment building where Cal Moore had lived was a three-story affair that stuck out on Franklin about the same way cabs do at the airport. It was one of the many stuccoed, post-World War II jobs that lined the streets in that area. It was called The Fountains but they had been filled in with dirt and made into planters. It was about a block from the mansion that was headquarters for the Church of Scientology and the complex’s white neon sign threw an eerie glow down to where Bosch was standing on the curb. It was near ten o’clock, so he wasn’t worried about anyone offering him a personality test. He stood there smoking and studying the apartment building for a half hour before finally deciding to go ahead with the break-in.
It was a security building but it really wasn’t. Bosch slipped the lock on the front gate with a butter knife he kept with his picks in the glove compartment of the Caprice. The next door, the one leading to the lobby, he didn’t have to worry about. It needed to be oiled and showed this by not snapping all the way closed. Bosch went through the door, checked a listing of tenants and found Moore’s name listed next to number seven, on the third floor.
Moore’s place was at the end of a hallway that split the center of the floor. At the door, Harry saw the police evidence sticker had been placed across the jamb. He cut it with the small pen knife attached to his key chain and then knelt down to look at the lock. There were two other apartments on the hallway. He heard no TV sound or talking coming from either. The lighting in the hall was good, so he didn’t need the flashlight. Moore had a standard pin tumbler dead bolt on the door. Using a curved tension hook and saw-tooth comb, he turned the lock in less than two minutes.
With his handkerchief-wrapped hand on the knob ready to open the door, he wondered again how prudent he was in coming here. If Irving or Pounds found out, he’d be back on the street in blue before the first of the year. He looked down the hall behind him once more and opened the door. He had to go in. Nobody else seemed to care what had happened to Cal Moore and that was fine. But Bosch did care for some reason. He thought maybe he would find that reason here.
Once inside the apartment, he closed and relocked the door. He stood there, a couple of feet inside, letting his eyes adjust. The place smelled musty and was dark, except for the bluish-white glow of the Scientology light that leaked through the sheer curtains over the living room window. Bosch walked into the room and switched on the lamp on an end table next to an old misshapen sofa. The light revealed that the place had come furnished in the same decor it had maybe twenty years ago. The navy blue carpet was worn flat as Astroturf in pathways from the couch to the kitchen and to the hallway that went off to the right.
He moved farther in and took quick glances in the kitchen and the bedroom and the bathroom. He was struck by the emptiness of the place. There was nothing personal here. No pictures on the walls, no notes on the refrigerator; no jacket hung over the back of a chair. There wasn’t even a dish in the sink. Moore had lived here but it was almost as if he hadn’t existed.
He didn’t know what he was looking for, so he started in the kitchen. He opened cabinets and drawers. He found a box of cereal, a can of coffee and a three-quarters-empty bottle of Early Times. In another cabinet he found an unopened bottle of sweet rum with a Mexican label. Inside the bottle was a stalk of sugar cane. There was some silverware and cooking tools in the drawers, several books of matches from Hollywood area bars like Ports and the Bullet.
The freezer was empty, except for two trays of ice. On the top shelf in the refrigerator section below there was a jar of mustard, a half-finished package of now-rancid bologna and a lone can of Budweiser, its plastic six-pack collar still choking it. On the lower shelf on the door was a two-pound bag of Domino sugar.
Harry studied the sugar. It was unopened. Then he thought, What the hell, I’ve come this far. He took it out and opened it and slowly poured it into the sink. It looked like sugar to him. It tasted like sugar to him. There was nothing else in the bag. He turned on the hot water and watched as the white mound was washed down the drain.
He left the bag on the counter and went into the bathroom. There was a toothbrush in the holder, shaving equipment behind the mirror. Nothing else.
In the bedroom Bosch first went into the walk-in closet. An assortment of clothes was on hangers and more filled a plastic laundry basket on the floor. On the shelf there was a green plaid suitcase and a white box with the word “Snakes” printed on it. Bosch first dumped the basket over and checked the pockets of the dirty shirts and pants. They were empty. He picked through the hanging clothes until he reached the back of the closet and found Moore’s dress uniform wrapped in plastic. Once you left patrol, there was really only one reason to save it. To be buried in. Bosch thought saving it was a bad omen, a lack of confidence. As required by the department, he kept one uniform, to be worn in time of civil crisis such as a major earthquake or riot. But he had dumped his dress blues ten years ago.
He brought down the suitcase; it was empty and smelled musty. It had not been used for some time. He pulled down the boot box but could tell it was empty before he opened it. There was some tissue paper inside it.
Bosch put it back up on the shelf, remembering how he had seen Moore’s one boot standing upright on the tile in the bathroom at the Hideaway. He wondered if Moore’s killer had had difficulty pulling it off to complete the suicide scene. Or had he ordered Moore to take it off first? Probably not. The blow to the back of the head that Teresa found meant Moore probably hadn’t known what hit him. Bosch envisioned the killer, his identity cloaked in shadow, coming up from behind and swinging the stock of the shotgun against the back of Moore’s head. Moore goes down. The killer pulls off the boot, drags him into his bathroom, props him against the tub and pulls both triggers. Wipe off the triggers, press the dead man’s thumb against the stock and rub his hands on the barrels to make convincing smears. Then set the boot upright on the tile. Add the splinter from the stock and the scene was set. Suicide.
The queen-sized bed was unmade. On the night table was a couple of dollars in change and a small framed photograph of Moore and his wife. Bosch bent over and studied it without touching it. Sylvia was smiling and appeared to be sitting in a restaurant, or perhaps at a banquet table at a wedding. She was beautiful in the picture and her husband was looking at her as if he knew it.
“You fucked up, Cal,” Harry said to no one.
He moved to the bureau, which was so old and scarred by cigarettes and knife-cut initials that the Salvation Army might even reject it. In the top drawer were a comb and a cherrywood picture frame lying face down. Bosch picked up the frame and saw that it was empty. He considered this for a few moments. The frame had a floral design carved into it. It would have been expensive and obviously did not come with the apartment. Moore had brought it with him. Why was it empty? He would have liked to be able to ask Sheehan if he or anybody else had taken a photograph from the apartment as part of the investigation. But he couldn’t without revealing he had been here.
The next drawer contained underwear and socks and a stack of folded T-shirts, nothing else. There were more clothes in the third drawer, all having been neatly folded at a laundry. Beneath a stack of shirts was a skin magazine which announced on the cover that nude photos of a leading Hollywood actress were provided inside. Bosch leafed through the magazine, more out of curiosity than belief there would be a clue inside. He was sure the magazine had been pawed over by every dick and blue suit who had been in the apartment during the investigation into Moore’s disappearance.