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“Well, I did.”

“Thank you.”

“Are you hung up on the past, too, Harry?”

He didn’t answer.

“I guess we all are. What’s that saying? Through studying the past we learn our future. Something like that. You seem to me to be a man still studying, maybe.”

Her eyes seemed to look into him. They were eyes with great knowledge. And he realized that for all of his desires the other night, she did not need to be held or healed of pain. In fact, she was the healer. How could Cal Moore have run from this?

He changed the subject, not knowing why, only that he must push the attention away from himself.

“There’s a picture frame in the bedroom. Carved cherrywood. But no picture. You remember it?”

“I’ll have to look.”

She stood, leaving her husband’s suit on the chair, and moved into the bedroom. She looked at the frame in the top drawer of the bureau a long time before saying she didn’t recognize it. She didn’t look at Bosch until after she said this.

They stood there next to the bed looking at each other in silence. Bosch finally raised his hand, then hesitated. She took a step closer to him and that was the sign that his touch was wanted. He caressed her cheek, the way she had done it herself when she had studied the photograph earlier and thought she was alone. Then he dropped his hand down the side of her throat and around the back of her neck.

They stared at each other. Then she came closer and brought her mouth up to his. Her hand came to his neck and pulled him to her and they kissed. She held him and pressed herself against him in a way that revealed her need. He saw her eyes were closed now and at that moment Bosch realized she was his reflection in a mirror of hunger and loneliness.

They made love on her husband’s unmade bed, neither of them paying mind to where they were or what this would mean the next day or week or year. Bosch kept his eyes closed, wanting to concentrate on other senses-her smell and taste and touch.

Afterward, he pulled himself back, so that his head lay on her chest between her freckled breasts. She had her hands in his hair and was drawing her fingers through the curls. He could hear her heart beating in rhythm with his.

19

It was after oneA.M. by the time Bosch turned the Caprice onto Woodrow Wilson and began the long, winding ascent to his house. He saw the spotlights tracing eights on the low-lying clouds over Universal City. On the road he had to navigate his way around cars double-parked outside holiday parties and a discarded Christmas tree, a few strands of lonely tinsel still clinging to its branches, that had blown into his path. On the seat next to him were the lone Budweiser from Cal Moore’s refrigerator and Lucius Porter’s gun.

All his life he believed he was slumming toward something good. That there was meaning. In the youth shelter, the foster homes, the Army and Vietnam, and now the department, he always carried the feeling that he was struggling toward some kind of resolution and knowledge of purpose. That there was something good in him or about him. It was the waiting that was so hard. The waiting often left a hollow feeling in his soul. And he believed people could see this, that they knew when they looked at him that he was empty. He had learned to fill that hollowness with isolation and work. Sometimes drink and the sound of the jazz saxophone. But never people. He never let anyone in all the way.

And now he thought he had seen Sylvia Moore’s eyes. Her true eyes, and he had to wonder if she was the one who could fill him.

“I want to see you,” he had said when they separated outside The Fountains.

“Yes,” was all she said. She touched his cheek with her hand and got into her car.

Now Bosch thought about what that one word and the accompanying touch could mean. He was happy. And that was something new.

As he rounded the last curve, slowing for a car with its brights on to pass, he thought of the way she had looked at the picture frame for so long before saying she did not recognize it. Had she lied? What were the chances that Cal Moore would have bought such an expensive frame after moving into a dump like that? Not good, was the answer.

By the time he pulled the Caprice into the carport, he was full of confusing feelings. What had been in the picture? What difference did it make that she had held that back? If she did. Still sitting in the car, he opened the beer and drank it down quickly, some of it spilling onto his neck. He would sleep tonight, he knew.

Inside, he went to the kitchen, put Porter’s gun in a cabinet and checked the phone machine. There were no messages. No call from Porter saying why he had run. No call from Pounds asking how it was going. No call from Irving saying he knew what Bosch was up to.

After two nights with little sleep, Bosch looked forward to his bed as he did on few other nights. It was most often this way, part of a routine he kept. Nights of fleeting rest or nightmares followed by a single night when exhaustion finally drove him down hard into a dark sleep.

As he gathered the covers and pillows about him, he noticed there was still the trace of Teresa Corazón’s powdery perfume on them. He closed his eyes and thought about her for a moment. But soon her image was pushed out of his mind by Sylvia Moore’s face. Not the photo from the bag or the night stand, but the real face. Weary but strong, her eyes focused on Bosch’s own.

The dream was like others Harry had had. He was in the dark place. A cavernous blackness enveloped him and his breath echoed in the dark. He sensed, or rather, he knew in the way he had knowledge of place in all his dreams that the darkness ended ahead and he must go there. But this time he was not alone. That was what was different. He was with Sylvia, and they huddled in the black, their sweat stinging their eyes. Harry held her and she held him. And they did not speak.

They broke from each other’s embrace and began to move through the darkness. There was dim light ahead and Harry headed that way. His left hand was extended in front of him, his Smith amp; Wesson in its grasp. His right hand was behind him, holding hers and leading her along. And as they came into the light Calexico Moore was waiting there with the shotgun. He was not hidden, but he stood partially silhouetted by the light that poured into the passage. His green eyes were in shadow. And he smiled. Then he raised the shotgun.

“Who fucked up?” he said.

The roar was deafening in the blackness. Bosch saw Moore’s hands fly loose from the shotgun and up away from his body like tethered birds trying to take flight. He back-stepped wildly into the darkness and was gone. Not fallen, but disappeared. Gone. Only the light at the end of the passage remained in his wake. In one hand Harry still gripped Sylvia’s hand. In the other, the smoking gun.

He opened his eyes then.

Bosch sat up on the bed. He saw pale light leaking around the edges of the curtains on the windows facing east. The dream had seemed so short, but he realized because of the light he had slept until morning. He held his wrist up to the light and checked his watch. He had no alarm clock because he never needed one. It was six o’clock. He rubbed his face in his palms and tried to reconstruct the dream. This was unusual for him. A counselor at the sleep dysfunction lab at the VA had once told him to write down what he remembered from his dreams. It was an exercise, she said, to try to inform the conscious mind what the subconscious side was saying. For months he kept a notebook and pen by the bed and dutifully recorded his morning memories. But Bosch had found it did him no good. No matter how well he understood the source of his nightmares, he could not eliminate them from his sleep. He had dropped out of the sleep deprivation counseling program years ago.

Now, he could not recapture the dream. Sylvia’s face disappeared in the mist. Harry realized he had been sweating heavily. He got up and pulled the bed sheets off and dumped them in a basket in the closet. He went to the kitchen and started a pot of coffee. He showered, shaved and dressed in blue jeans, a green corduroy shirt and a black sport coat. Driving clothes. He went back to the kitchen and filled his Thermos with black coffee.