“And the media?”
“Everyone came, including the New York Times and the BBC.”
Just then, Hannah’s mobile phone chimed. It was a text from Alain Lambert at the Interior Ministry. Reading it, she frowned.
“What does it say?” asked Rachel.
“Just Alain being Alain.”
Hannah placed the mobile on her desk and, gathering her papers, went out. Rachel Lévy waited until she was gone before picking up the mobile and entering Hannah’s not-so-secret security code. The text from Alain Lambert appeared, four words in length.
BE CAREFUL MY DEAR. .
The Weinberg Center had insufficient space for a formal auditorium, but the room on its uppermost floor was one of the finest in the Marais. A row of greenhouse-like windows gave it a magnificent view across the rooftops toward the Seine, and upon its walls hung several large black-and-white photographs of life in the district before the morning of Jeudi Noir. All those depicted had perished in the Holocaust, including Isaac Weinberg, who had been photographed in his library three months before disaster struck. As Hannah passed the picture, she trailed a forefinger over its surface, as she had touched the brushstrokes of the van Gogh. Only Hannah knew of the secret connection between the painting, her grandfather, and the center that bore his name. No, she thought suddenly. That wasn’t quite true. The restorer knew of the connection, too.
A long rectangular table had been placed atop a raised platform in front of the windows, and two hundred chairs had been arranged on the open floor like soldiers on a parade ground. Each of the chairs was occupied, and another hundred or so spectators lined the rear wall. Hannah took her assigned seat — she had volunteered to serve as a separation barrier between Goldman and Strauss — and listened as Rachel Lévy instructed the audience to silence their mobile phones. Finally, her turn came to speak. She switched on her microphone and looked down at the first line of her opening statement. It is a national tragedy that a conference such as this is even taking place. . And then she heard the sound in the street below, a popping, like the snap of firecrackers, followed by a man shouting in Arabic.
“Khaybar, Khaybar, ya-Yahud!”
Hannah stepped from the platform and moved quickly to the floor-to-ceiling windows.
“Dear God,” she whispered.
Turning, she shouted at the panelists to move away from the windows, but the roar of the detonation swallowed her warning. Instantly, the room was a tornado of flying glass, chairs, masonry, articles of clothing, and human limbs. Hannah knew she was toppling forward, though she had no sense of whether she was rising or falling. Once, she thought she glimpsed Rachel Lévy spinning like a ballerina. Then Rachel, like all else, was lost to her.
At last, she came to rest, perhaps on her back, perhaps on her side, perhaps in the street, perhaps in a tomb of brick and concrete. The silence was oppressive. So, too, was the smoke and the dust. She tried to wipe the grit from her eyes, but her right arm would not respond. Then Hannah realized she had no right arm. Nor did she seem to have a right leg. She turned her head slightly and saw a man lying beside her. “Professor Strauss, is that you?” But the man said nothing. He was dead. Soon, thought Hannah, I’ll be dead, too.
All at once she was frightfully cold. She supposed it was the loss of blood. Or perhaps it was the breath of wind that briefly cleared the black smoke from in front of her face. She realized then that she and the man who might have been Professor Strauss were lying together amid the rubble in the rue des Rosiers. And standing over them, peering downward over the barrel of a military-style automatic rifle, was a figure dressed entirely in black. A balaclava masked the face, but the eyes were visible. They were shockingly beautiful, two kaleidoscopes of hazel and copper. “Please,” said Hannah softly, but the eyes behind the mask only brightened with zeal. Then there was a flash of white light, and Hannah found herself walking along a hallway, her missing limbs restored. She passed through the door of her childhood bedroom and groped in the darkness for the van Gogh. But the painting, it seemed, was already gone. And in a moment Hannah was gone, too.
2
RUE DE GRENELLE, PARIS
LATER, THE FRENCH AUTHORITIES WOULD determine that the bomb weighed in excess of five hundred kilograms. It had been contained in a white Renault Trafic transit van and was detonated, according to numerous security cameras along the street, at ten o’clock precisely, the scheduled start time of the Weinberg Center conference. The attackers, it seemed, were nothing if not punctual.
In retrospect, the weapon was unnecessarily large for so modest a target. The French experts concluded that a charge of perhaps two hundred kilograms would have been more than sufficient to level the offices and kill or wound all those inside. At five hundred kilograms, however, the bomb toppled buildings and shattered windows the entire length of the rue des Rosiers. The shock wave was so violent — Paris actually recorded an earthquake for the first time in longer than anyone could remember — that the damage extended belowground as well. Water and gas mains cracked throughout the arrondissement, and a Métro train jumped the tracks while approaching the station at the Hôtel de Ville. More than two hundred passengers were injured, many severely. The Paris police initially thought the train had been bombed, too, and in response they ordered an evacuation of the entire Métro system. Life in the city quickly ground to a halt. For the attackers, it was an unexpected windfall.
The enormous force of the blast dug a crater in the rue des Rosiers twenty feet in depth. Nothing remained of the Renault Trafic, though the left rear cargo door, curiously intact, was found floating in the Seine near Notre-Dame, having traveled a distance of nearly a kilometer. In time, investigators would determine that the vehicle had been stolen in Vaulx-en-Velin, a bleak Muslim-majority suburb of Lyon. It had been driven to Paris on the eve of the attack — by whom, it was never established — and left outside a kitchen-and-bath store on the boulevard Saint-Germain. There it would remain until ten minutes past eight the following morning, when a man collected it. He was clean-shaven, approximately five foot ten inches in height, and was wearing a billed cap and sunglasses. He drove the streets of central Paris — aimlessly, or so it appeared — until nine twenty, when he picked up an accomplice outside the Gare du Nord. Initially, the French police and intelligence services operated under the assumption that the second attacker was male, too. Later, after analyzing all available video images, they concluded that the accomplice was in fact a woman.
By the time the Renault reached the Marais, both occupants had concealed their faces with balaclava masks. And when they emerged from the vehicle outside the Weinberg Center, both were heavily armed with Kalashnikov assault rifles, handguns, and grenades. The center’s two security guards were killed instantly, as were four other people who had yet to be cleared into the building. A passerby bravely attempted to intervene and was mercilessly slaughtered. The remaining pedestrians in the narrow street wisely fled.
The gunfire outside the Weinberg Center ceased at 9:59:30, and the two masked attackers moved calmly west along the rue des Rosiers to the rue Vieille-du-Temple, where they entered a popular boulangerie. Eight customers were waiting in an orderly queue. All were killed, including the woman behind the counter, who pleaded for her life before being shot several times.
It was at that instant, as the woman was collapsing to the floor, that the bomb inside the van exploded. The force of the blast shattered the windows of the boulangerie, but otherwise the building remained undamaged. The two attackers did not immediately flee the carnage they had inflicted. Instead, they returned to the rue des Rosiers, where a single surviving security camera recorded them moving methodically through the debris, executing the wounded and the dying. Among their victims was Hannah Weinberg, who was shot twice despite the fact that she had almost no chance of survival. The attackers’ cruelty was matched only by their competence. The woman was seen calmly clearing a jammed round from her Kalashnikov before killing a badly wounded man who, a moment earlier, had been seated on the fourth floor of the building.