A raven flapped out of one of the piñons with a raucous caw. A second later a cloud of the black scavenger birds erupted from the arroyo in an explosion of flapping. McKee stood a moment feeling simultaneously weak from the sudden start and foolish at his skittishness. He trotted to the top of the ridge to see what had attracted the scavengers.
In the arroyo bend, against the perpendicular wall of eroded sandstone, Ben Yazzie had built a third pole sheep corral. In it were bodies of five rams with the heavy dark wool of Merinos. Looking directly down into the pen, McKee could see its floor was blackened in several places where blood had soaked into the sand. He could also see that the ravens, now raising a noisy clamor from the trees fifty yards down the arroyo, had been at work on the throats of the animals. That meant, McKee thought, they had been killed by a wolf, or coyotes, or perhaps by dogs.
It took almost exactly an hour for McKee to cover the nine miles of wagon road from the Yazzie hogans to the mouth of Many Ruins Canyon. Even before he left the place he had concluded that the dead rams, and the cause of their death, probably explained the origin of at least some of the witchcraft gossip. When he found Yazzie he would learn that Yazzie had lost many sheep to this "witch" and that he had decided to abandon his traditional grazing grounds and his hogan because a witch is, after all, more than a man can be expected to cope with. Yazzie would not be likely to admit, even to himself, that he could not deal with coyotes, or even with an unusually bold wolf of the natural, four-legged variety. When McKee found Afraid of His Horse, he would learn the coyotes were also active this season north of Many Ruins. Taken together, he thought, the two linked incidents would provide the first of the specific examples he needed to support his scapegoat thesis. He felt suddenly optimistic.
It was not until he had turned the truck up the sandy bottom of Many Ruins Canyon that McKee realized that he wasn't sure exactly how a coyote could have gotten into the rams' pen. The pen was built in a rough half-circle extending from the arroyo wall. McKee remembered he had not been able to look over the pen from the arroyo bed. That meant the pole wall was about six feet high-too high for a coyote, or even a wolf, to jump. It occurred to him then that Yazzie must surely have built the corral with coyotes or wolves much in mind and designed it to keep them out. The poles were wired together, top and bottom, and the bases had been buried in the sandy soil. The gate, a narrow door of poles held together by horizontal braces, had also been wired securely shut. McKee remembered this clearly because of the time it had taken him to unfasten the wires. If Yazzie had carelessly left the gate insecurely fastened the night the wolf got in, why would he have bothered to fasten it so securely after the damage was done?
McKee drove slowly along the hard-packed canyon floor. The cloud he had noticed earlier had built higher now and there had been a shower somewhere. The breeze was cool and smelled of wet pine. In places the going was slow and rocky. Here the canyon walls closed in, sheer smooth cliffs which funneled the water of the occasional flash floods into a narrow torrent. But generally the road was smooth and the canyon bottom broadened to a hundred yards or more. The runoff stream here required only a small portion of the canyon floor. Its bed wandered between tumbled hills of rocky debris and there were grass and even a few cottonwoods. Here the sandstone had been softer and more readily destroyed by wind and water. It was in places like these that the Anasazis had built on the talus slopes and high under the overhanging shelter of the canyon walls the cliff houses which gave the canyon its name. McKee passed three of these stone ruins on his way to the campsite without giving them more than a glance. He was, by then, thoroughly disgusted with himself for his oversight at the sheep pens-carelessness which meant he would have to return to the Yazzie hogans and find out exactly how the coyotes had gotten in. He was so immersed in this problem that it was not until he turned his truck up the slope to the campsite that he noticed Canfield's camper truck was gone.
McKee switched off the ignition and sat silently a moment. The exhaust noise echoed up and down the canyon and then died, leaving an utter stillness. The butane campstove was unlit, McKee noticed, and there was no sign that Canfield had started cooking supper, although it was his turn for the chore.
"Where in the devil could he have gone?" McKee said aloud. He was inside the tent when he saw the note, a sheet of typing paper on the folding table weighted by a turquoise frog-Canfield's proof against witches.
Bergen-
A Navajo dragged himself up here with a leg all swollen up with snakebite. I'm taking him to Teec Nos Pas. Be back tomorrow morning.
John
McKee reread the note and stared at the signature; Dr. J. R. Canfield's first name was Jeremy, not John.
Chapter 10
Sandoval squatted beside the sand painting and told Charley Tsosie to put his knees on the knees of the Corn Beetle. He showed him how to lean forward with one hand on each hand of the figure. When Tsosie was just right, Sandoval began singing the part about how the corn beetles called out to tell the Changing Woman that her Hero Twins, the Monster Slayer and the Water Child, were coming home again safely. His voice rose in pitch on the "lo-lo-loo" cry of the beetle, and then fell as he chanted the part about the Hero Twins visiting the sun, and slaughtering the monster Ye-i. It was stifling in the hogan and Tsosie's bare back was glistening with sweat. Even his loin cloth was discolored with it. That was good. The enemy was coming out. And now Sandoval was ready for the next part. He sprinkled a pinch of corn pollen on Tsosie's shoulders and had him stand up and step off the sand painting-carefully so that the pattern wouldn't be disturbed.
Sandoval felt good about the painting. He hadn't done an Enemy Way since just after the foreign war when the young men had come back from the Marines. He was afraid he might have forgotten how to do it. But it had worked out just right. The arroyo sand he had poured out on the hogan floor for the base was a little darker than he liked but he had known it was going to work all right when he poured out the colored sand to make the Encircling Guardian. He had made it in a square as his father had taught him, with the east side open to keep from trapping in any of the Holy People. The Guardian's head was at the north end, with his two arms inward, and his feet were at the south end. His body was four alternating lines of red and yellow sand, and at the opening Sandoval had drawn the elaborate figure of Thunder, wearing the three crooked arrows in his headdress and carrying the crooked arrows under his wings.
"Put Thunder there when you sing for a witching," his father had told him. "His lightning kills the witches."
Sandoval repaired the Corn Beetle deftly, sifting colored sand through his fingers to reform the lines where Tsosie's hands and knees had pressed. He added a tiny sprinkle of black sand to the single feather in the headdress of Big Fly.
Sandoval stood up then and looked into the pot where he had brewed the medicine. The water was still steaming and the juniper leaves he had mixed into it had turned the solution milky. It looked about right but Sandoval thought it would have been better if he had had a waterproof basket so it could have been done the old way. The People are losing too many of the old ways, Sandoval thought, and he thought it again when he had to tell Tsosie how to sit on the feet of Big Fly, and even had to remind him to face the east. When Sandoval was a boy learning the ways from his father, his father had not had to tell people how to sit. They knew.