Every herdsman or merchant who passes adds a stone to the heap. It's an old custom-you do it in remembrance of the dead, your own dead-but since no one knows who the dead under the pile of stones really were, they all leave their stones on the off chance. They'll get around it by telling you that what happened there must have been the will of their god, and thus by leaving a stone they are honouring this will.
There's also a story that claims the city wasn't really destroyed at all. Instead, through a charm known only to the King, the city and its inhabitants were whisked away and replaced by phantoms of themselves, and it was only these phantoms that were burnt and slaughtered. The real city was shrunk very small and placed in a cave beneath the great heap of stones. Everything that was once there is there still, including the palaces and the gardens filled with trees and flowers; including the people, no bigger than ants, but going about their lives as before-wearing their tiny clothes, giving their tiny banquets, telling their tiny stories, singing their tiny songs.
The King knows what's happened and it gives him nightmares, but the rest of them don't know. They don't know they've become so small. They don't know they're supposed to be dead. They don't even know they've been saved. To them the ceiling of rock looks like a sky: light comes in through a pinhole between the stones, and they think it's the sun.
The leaves of the apple tree rustle. She looks up at the sky, then at her watch. I'm cold, she says. I'm also late. Could you dispose of the evidence? She gathers eggshells, twists up wax paper.
No hurry, surely? It's not cold here.
There's a breeze coming through from the water, she says. The wind must have changed. She leans forward, moving to stand up.
Don't go yet, he says, too quickly.
I have to. They'll be looking for me. If I'm overdue, they'll want to know where I've been.
She smoothes her skirt down, wraps her arms around herself, turns away, the small green apples watching her like eyes.
Griffen Found in Sailboat
SPECIAL TO THE GLOBE AND MAIL
After an unexplained absence of several days, the body of industrialist Richard E. Griffen, forty-seven, said to have been favoured for the Progressive Conservative candidacy in the Toronto riding of St. David's, was discovered near his summer residence of "Avilion" in Port Ticonderoga, where he was vacationing. Mr. Griffen was found in his sailboat, the Water Nixie, which was tied up at his private jetty on the Jogues River. He had apparently suffered a cerebral haemorrhage. Police report that no foul play is suspected.
Mr. Griffen had a distinguished career as the head of a commercial empire that embraced many areas including textiles, garments and light manufacturing, and was commended for his efforts in supplying Allied troops with uniform parts and weapons components during the war. He was a frequent guest at the influential gatherings held at the Pugwash home of industrialist Cyrus Eaton and a leading figure of both the Empire Club and the Granite Club. He was a keen golfer and a well-known figure at the Royal Canadian Yacht Club. The Prime Minister, reached by telephone at his private estate of "Kingsmere," commented, "Mr. Griffen was one of this country's most able men. His loss will be deeply felt."
Mr. Griffen was the brother-in-law of the late Laura Chase, who made her posthumous d ©but as a novelist this spring, and is survived by his sister Mrs. Winifred (Griffen) Prior, the noted socialite, and by his wife, Mrs. Iris (Chase) Griffen, as well as by his ten-year-old daughter Aimee. The funeral will be held in Toronto at the Church of St. Simon the Apostle on Wednesday.
The park bench
Why were there people, on Zycron? I mean human beings like us. If it's another dimension of space, shouldn't the inhabitants have been talking lizards or something?
Only in the pulps, he says. That's all made up. In reality it was like this: Earth was colonised by the Zycronites, who developed the ability to travel from one space dimension to another at a period several millennia after the epoch of which we speak. They arrived here eight thousand years ago. They brought a lot of plant seeds with them, which is why we have apples and oranges, not to mention bananas-one look at a banana and you can tell it came from outer space. They also brought animals-horses and dogs and goats and so on. They were the builders of Atlantis. Then they blew themselves up through being too clever. We're descended from the stragglers.
Oh, she says. So that explains it. How very convenient for you.
It'll do in a pinch. As for the other peculiarities of Zycron, it has seven seas, five moons, and three suns, of varying strengths and colours.
What colours? Chocolate, vanilla, and strawberry?
You aren't taking me seriously.
I'm sorry. She tilts her head towards him. Now I'm listening. See?
He says: Before its destruction, the city-let's call it by its former name, Sakiel-Norn, roughly translatable as The Pearl of Destiny-was said to have been the wonder of the world. Even those who claim their ancestors obliterated it take great pleasure in describing its beauty. Natural springs had been made to flow through the carved fountains in the tiled courtyards and gardens of its numerous palaces. Flowers abounded, and the air was filled with singing birds. There were lush plains nearby where herds of fatgnarr grazed, and orchards and groves and forests of tall trees that had not yet been cut down by merchants or burned by spiteful enemies. The dry ravines were rivers then; canals leading from them irrigated the fields around the city, and the soil was so rich the heads of grain were said to have measured three inches across.
The aristocrats of Sakiel-Norn were called the Snilfards. They were skilled metalworkers and inventors of ingenious mechanical devices, the secrets of which they carefully guarded. By this period they had invented the clock, the crossbow, and the hand pump, though they had not yet got so far as the internal combustion engine and still used animals for transport.
The male Snilfards wore masks of woven platinum, which moved as the skin of their faces moved, but which served to hide their true emotions. The women veiled their faces in a silk-like cloth made from the cocoon of thechaz moth. It was punishable by death to cover your face if you were not a Snilfard, since imperviousness and subterfuge were reserved for the nobility. The Snilfards dressed luxuriously and were connoisseurs of music, and played on various instruments to display their taste and skill. They indulged in court intrigues, held magnificent feasts, and fell elaborately in love with one another's wives. Duels were fought over these affairs, though it was more acceptable in a husband to pretend not to know.
The smallholders, serfs, and slaves were called the Ygnirods. They wore shabby grey tunics with one shoulder bare, and one breast as well for the women, who were-needless to say-fair game for the Snilfard men. The Ygnirods were resentful of their lot in life, but concealed this with a pretence of stupidity. Once in a while they would stage a revolt, which would then be ruthlessly suppressed. The lowest among them were slaves, who could be bought and traded and also killed at will. They were prohibited by law from reading, but had secret codes that they scratched in the dirt with stones. The Snilfards harnessed them to ploughs.
If a Snilfard should become bankrupt, he might be demoted to an Ygnirod. Or he might avoid such a fate by selling his wife or children in order to redeem his debt. It was much rarer for an Ygnirod to achieve the status of Snilfard, since the way up is usually more arduous than the way down: even if he were able to amass the necessary cash and acquire a Snilfard bride for himself or his son, a certain amount of bribery was involved, and it might be some time before he was accepted by Snilfard society.
I suppose this is your Bolshevism coming out, she says. I knew you'd get around to that, sooner or later.