FIFTH VICTIM
Charlie Fox book nine
‘How could you let them take you? Why didn’t you run? Why didn’t you fight? Don’t you think I have enough damn blood on my hands?’
With the life of her lover, Sean, still hanging in the balance, former Special Forces soldier turned bodyguard, Charlie Fox, throws herself into her only means of escape – her work.
On Long Island, the playground of New York’s wealthy and privileged, she is tasked with protecting the wayward daughter of rich businesswoman, Caroline Willner. It seems that an alarming number of the girl’s circle of friends have been through kidnap ordeals, and Charlie quickly discovers that the girl, Dina, is fascinated by the clique formed by the earlier victims. Is that why she seems to be going out of her way to invite capture?
Sticking close to her client at parties aboard luxury yachts, glittering events at the local country club, and out horse-riding along the exclusive sands is all part of the job for Charlie, but she comes to worry that Dina’s thrill-seeking tendencies will put both of them in real danger.
And just as her worst fears are realised, Charlie receives devastating personal news. The man who put Sean in his coma is on the loose.
She is faced with the choice between her loyalties to her client and avenging Sean, but the two goals are soon inextricably linked. The decisions Charlie makes now, and the path she chooses to follow, will have far-reaching consequences.
‘Sharp’s heroine Charlie Fox has to be one of the best characters in the crime action thriller genre which is enjoying a massive high these days. Hard as nails, confident as can be and living proof that the female of the species is more deadly than the male.
‘However – and it is a big however – she does not use deadly force unless necessary, unlike many of her contemporaries who kill frequently. She firmly believes in justice and would sooner bring someone in than kill them. Her moral code is very strong and at times it keeps her from becoming as bad as any of the monsters she faces. Yet when push comes to shove, she never flinches from the task at hand regardless of the risk to herself.
‘The plot is very cleverly constructed and you are kept guessing until the end as to just who is really behind the kidnappings. The prose is as sumptuous as ever and yet it was not the most impressive part of the novel. For me the best part of Fifth Victim is the grammatical excellence displayed in Sharp’s sentences.
‘I read one hell of a lot of these types of novels featuring fights, gunfights, explosions, car chases and more close shaves than a razor salesman. Very, very few of them get so many details right about the mundane details which set the scene, create the atmosphere, manage the pace or deal with the mechanics of the characters' actions and thought processes. Zoë Sharp and Charlie Fox tick more boxes than most with her first person viewpoint and oftentimes caustic wit.
‘My own first introduction to Zoë Sharp’s work was when I met her by chance at Harrogate Crime Writing Festival. Upon my return home I arranged for a copy of Fourth Day, which I reviewed and raved about. Which brings me to Fifth Victim, an absolutely brilliant novel which will have this review hound forever chasing the Fox!’ Graham Smith, Crimesquad five-star review
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DIE EASY
Charlie Fox book ten
‘Did you think you'd be any safer here, Fox? Did you think anybody was going to stand up for you when they never did before?’
In the sweating heat of Louisiana, former Special Forces soldier turned bodyguard, Charlie Fox, faces her toughest challenge yet.
Professionally, she’s at the top of her game, but her personal life is in ruins. Her lover, bodyguard Sean Meyer, has woken from a gunshot-induced coma with his memory in tatters. It seems that piecing back together their relationship is proving harder for him than relearning the intricacies of the close-protection business.
Working with Sean again was never going to be easy for Charlie, either, but a celebrity fundraising event in aid of still-ravaged areas of New Orleans should have been the ideal opportunity for them both to take things nice and slow.
Until, that is, they are thrust into the middle of a war zone.
When an ambitious robbery explodes into a deadly hostage situation, the motive may be far more complex than simple greed. Somebody has a major score to settle, and Sean is part of the reason. Only trouble is, he doesn’t remember why.
And when Charlie finds herself facing a nightmare from her own past, she realises she can’t rely on Sean to watch her back. This time, she’s got to fight it out on her own.
One thing’s for sure − no matter how overwhelming the odds stacked against her, Charlie Fox is never going to die easy . . .
‘Zoë Sharp is one of the sharpest, coolest, and most intriguing writers I know. She delivers dramatic, action-packed novels, with characters we really care about. And once again, in Die Easy, Zoë Sharp is at the top of her game.’ New York Times best-selling author, Harlan Coben.
‘Ill-tempered, aggressive and borderline psychotic, (Charlie) Fox is also compassionate, introspective and highly principled: arguably one of the most enigmatic − and coolest − heroines in contemporary genre fiction.’ Paul Goat Allen, Chicago Tribune.
‘I’d give anything to have a character of mine described in the way Zoë Sharp’s Charlie Fox, a former special-forces operative and present-day freelance lethal weapon, is described in the critical excerpt above. It’s high praise and it implies the complexity of what Sharp achieves. If I were asked to characterize her writing in a single adjective the one I’d choose would probably be “cool.” In a world where lots of people act cool, Zoë Sharp’s books are cool.
‘But as the review implies, they’re not only cool. They’re razor sharp, deeply felt, and heartbreakingly immediate. These are action thrillers about a woman who works as a bodyguard, frequently trying to protect women, and there’s no cheapening the central issue of violence (often against women) as a means to an end. In fact, by wrapping this societal cancer in noirish, kickass, often funny thrillers, written in coolly polished prose, Sharp can take societal violence farther and hit it harder than many so-called literary writers. And do it in language that’s almost poetic in its economy and impact.
‘Zoë Sharp is one of the writers whose books I open with a bit of reluctance in case the new one isn’t up to the earlier ones, because they’re that good. And Fox’s attitude is contagious. When a writer can get The New York Times to say, “The bloody bar fights are bloody brilliant,” she’s doing something very, very right.’ Edgar-nominee Timothy Hallinan, in his introduction to Making Story: Twenty-One Writers on How They Plot.