Their cries of rapture rouse me from this pleasant revery.
The hag chooses, naturellement, this tender if outrageous moment to return with the undertaker in his chiffoned topper, plus a brace of mutes black as beetles, glum as bailiffs, bearing the elm box between them to take the corpse away in. But they cheer up something wonderful at the unexpected spectacle before them and he and she conclude their amorous interlude amidst roars of approbation and torrents of applause.
But what a racket the hag makes! Police, murder, thieves! Until the Master chucks her purseful of gold back again, for a gratuity. (Meanwhile, I note that sensible young woman, mother-naked as she is, has yet the presence of mind to catch hold of her husband's keyring and sharply tug it from his sere, cold grip. Once she's got the keys secure, she's in charge of all.)
'Now, no more of your nonsense!' she snaps to hag. 'If I hereby give you the sack, you'll get a handsome gift to go along with you for now'--flourishing the keys--'I am a rich widow and here'--indicating to all my bare yet blissful master--'is the young man who'll be my second husband.'
When the governess found Signor Panteleone had indeed remembered her in his will, left her a keepsake of the cup he drank his morning water from, she made not a squeak more, pocketed a fat sum with thanks and, sneezing, took herself off with no more cries of 'murder', neither. The old buffoon briskly bundled in his coffin and buried; Master comes into a great fortune and Missus rounding out already and they as happy as pigs in plunk.
But my Tabs beat her to it, since cats don't take much time about engendering; three fine, new-minted ginger kittens, all complete with snowy socks and shirtfronts, tumble in the cream and tangle Missus's knitting and put a smile on every face, not just their mother's and proud father's for Tabs and I smile all day long and, these days, we put our hearts in it.
So may all your wives, if you need them, be rich and pretty; and all your husbands, if you want them, be young and virile; and all your cats as wily, perspicacious and resourceful as:
PUSS-IN-BOOTS.
The Erl-King
The lucidity, the clarity of the light that afternoon was sufficient to itself; perfect transparency must be impenetrable, these vertical bars of a brass-coloured distillation of light coming down from sulphur-yellow interstices in a sky hunkered with grey clouds that bulge with more rain. It struck the wood with nicotine-stained fingers, the leaves glittered. A cold day of late October, when the withered blackberries dangled like their own dour spooks on the discoloured brambles. There were crisp husks of beechmast and cast acorn cups underfoot in the russet slime of dead bracken where the rains of the equinox had so soaked the earth that the cold oozed up through the soles of the shoes, lancinating cold of the approach of winter that grips hold of your belly and squeezes it tight. Now the stark elders have an anorexic look; there is not much in the autumn wood to make you smile but it is not yet, not quite yet, the saddest time of the year. Only, there is a haunting sense of the imminent cessation of being; the year, in turning, turns in on itself. Introspective weather, a sickroom hush.
The woods enclose. You step between the first trees and then you are no longer in the open air; the wood swallows you up. There is no way through the wood any more, this wood has reverted to its original privacy. Once you are inside it, you must stay there until it lets you out again for there is no clue to guide you through in perfect safety; grass grew over the track years ago and now the rabbits and the foxes make their own runs in the subtle labyrinth and nobody comes. The trees stir with a noise like taffeta skirts of women who have lost themselves in the woods and hunt round hopelessly for the way out. Tumbling crows play tig in the branches of the elms they clotted with their nests, now and then raucously cawing. A little stream with soft margins of marsh runs through the wood but it has grown sullen with the time of the year; the silent, blackish water thickens, now, to ice. All will fall still, all lapse.
A young girl would go into the wood as trustingly as Red Riding Hood to her granny's house but this light admits of no ambiguities and, here, she will be trapped in her own illusion because everything in the wood is exactly as it seems.
The woods enclose and then enclose again, like a system of Chinese boxes opening one into another; the intimate perspectives of the wood changed endlessly around the interloper, the imaginary traveller walking towards an invented distance that perpetually receded before me. It is easy to lose yourself in these woods.
The two notes of the song of a bird rose on the still air, as if my girlish and delicious loneliness had been made into a sound. There was a little tangled mist in the thickets, mimicking the tufts of old man's beard that flossed the lower branches of the trees and bushes; heavy bunches of red berries as ripe and delicious as goblin or enchanted fruit hung on the hawthorns but the old grass withers, retreats. One by one, the ferns have curled up their hundred eyes and curled back into the earth. The trees threaded a cat's cradle of half-stripped branches over me so that I felt I was in a house of nets and though the cold wind that always heralds your presence, had I but known it then, blew gentle around me, I thought that nobody was in the wood but me.
Erl-King will do you grievous harm.
Piercingly, now, there came again the call of the bird, as desolate as if it came from the throat of the last bird left alive. That call, with all the melancholy of the failing year in it, went directly to my heart.
I walked through the wood until all its perspectives converged upon a darkening clearing; as soon as I saw them, I knew at once that all its occupants had been waiting for me from the moment I first stepped into the wood, with the endless patience of wild things, who have all the time in the world.
It was a garden where all the flowers were birds and beasts; ash-soft doves, diminutive wrens, freckled thrushes, robins in their tawny bibs, huge, helmeted crows that shone like patent leather, a blackbird with a yellow bill, voles, shrews, fieldfares, little brown bunnies with their ears laid together along their backs like spoons, crouching at his feet. A lean, tall, reddish hare, up on its great hind legs, nose a-twitch. The rusty fox, its muzzle sharpened to a point, laid its head upon his knee. On the trunk of a scarlet rowan a squirrel clung, to watch him; a cock pheasant delicately stretched his shimmering neck from a brake of thorn to peer at him. There was a goat of uncanny whiteness, gleaming like a goat of snow, who turned her mild eyes towards me and bleated softly, so that he knew I had arrived.
He smiles. He lays down his pipe, his elder bird-call. He lays upon me his irrevocable hand.
His eyes are quite green, as if from too much looking at the wood.
There are some eyes can eat you.
The Erl-King lives by himself all alone in the heart of the wood in a house which has only the one room. His house is made of sticks and stones and has grown a pelt of yellow lichen. Grass and weeds grow in the mossy roof. He chops fallen branches for his fire and draws his water from the stream in a tin pail.
What does he eat? Why, the bounty of the woodland! Stewed nettles; savoury messes of chickweed sprinkled with nutmeg; he cooks the foliage of shepherd's purse as if it were cabbage. He knows which of the frilled, blotched, rotted fungi are fit to eat; he understands their eldritch ways, how they spring up overnight in lightless places and thrive on dead things. Even the homely wood blewits, that you cook like tripe, with milk and onions, and the egg-yolk yellow chanterelle with its fan-vaulting and faint scent of apricots, all spring up overnight like bubbles of earth, unsustained by nature, existing in a void. And I could believe that it has been the same with him; he came alive from the desire of the woods.