She said, "Did I really scare you?"
"Surprised me, that's all. I don't see many people up here."
She looked out of the big foyer window, which ran from the floor almost to the ceiling, at the empty pathways and the silent buildings outside. She said, "It's quiet. I think I could like it here."
"So did I. The feeling wears off."
She stared out for a moment longer, and then she turned her attention back inside. She gave him a brief smile, and a thrill ran through him like a low current of electricity. She moved over and touched the polished wood of the counter.
She said, "How much of this did you do?"
"All of it," he said. "All of this, and the panelling, and all the carving. Are you really interested?"
"Of course," she said, and then she looked at him. "You always work alone?"
"It's what I prefer."
"And there's no one else here."
"No."
She let her hand fall from the counter, her eyes still on him and seeming to see deeper into him than was immediately comfortable. She said, "And are you happy?"
She'd caught him off guard again, because this wasn't what he was expecting. It was a serious question. But he couldn't bring himself to give it a serious answer.
"Well," he said, "What's happy, anyway?"
But she wouldn't be put off. "I know what you're feeling," she said earnestly, "that's why I came." She took a step toward him. "I think I can help you."
Oh, wow… but now, inexplicably, he felt an urge to back away, to turn and run from her. Still trying vainly to keep it light, he said, "Thanks for the thought."
"I mean it," Alina said, her gaze so searching now that Amis couldn't break contact or look away. "I know what it's like. You sit up here alone and you think of all the friends you made, and lost. You think of women you've known and wish you'd known better, and you wonder what they're doing now. You look at your life, and it's like all the good things you ever wanted are loaded up onto a train that you didn't run quite fast enough to catch. And you know what you miss most of all?"
He tried to crack a grin, and his face felt like breaking plaster.
He said, "Why don't you tell me?"
"You miss having someone you can trust enough to tell them about it. You think that you'll die without there being anyone who's ever seen who you really are. Now, tell me if I'm wrong."
"What do you expect me to say?"
But her gaze was beyond words; even if he said nothing at all, she could read him with ease.
"Look," she said, "I can give you what you need."
"Really?" One simple word, and his voice caught on it and gave him away.
"Turn around," she suggested, her hand on his arm as she steered him to face the big window. "Look outside."
The lights out there were flickering again, probably getting themselves ready for their second failure of the night. He'd be alone, in the dark, with Alina.
He said, "I thought about asking you up here, sometime. I thought about it a lot."
"I know," she said. "Hold your breath."
"Why?"
"Don't speak, just listen."
By now, he was ready to do anything that she asked. She stood on tiptoe and reached up to cover the lower part of his face with her hand. To do this, she had to press against him. He was putty, she was the sculptor.
She whispered softly into his ear, "Do you see the lake from here?"
He couldn't speak because of her hand, but he made a negative sounding grunt. This wasn't exactly comfortable, but he could stand it for a while longer.
"It doesn't matter," she went on. "Try to think about it. And think about this. When I first came here, I was like you. An outsider. We're all outsiders in our way, but for me it was even worse than most. But then I finally stopped resisting and found that there's a life in the land beyond the life of any one person, Thomas; the lives of the people only stand in the way."
He didn't want to push her away, but he was getting close to his limit; his blood was starting to pound in his ears and he was seeing haloes around all of the lights outside.
"Join us," she whispered, and then two things happened; there was a sharp pain, almost as if he'd swallowed broken glass, as she started to take her hand away, and in that same moment the generator missed another beat and caused the lights to drop for barely a fraction of a second. The blip of darkness seemed to sweep around the site like a wave. The glass before them became like a mirror for the briefest time but it was a distorting, ghost train mirror, more shadow than substance with his mind adding hallucinatory details to the little that he could see. He saw not Alina, but something with eyes of blazing green; her hair a long mane strewn with weeds, her dress a dripping shroud, her teeth sharp, her skin pale and scaly as a snake's.
It was over as soon as it had happened, and as he turned in panic he could see that in reality she was exactly as before… except that she was looking at him now in a way that was more detached, stepping back as if to observe whatever he was going to do next.
He took a breath.
But nothing happened.
He tried again, but the air simply wouldn't come. He looked at Alina, wanting to ask her what she'd done; but she was standing just out of his reach, and watching him with something that looked like compassion. He was straining hard now, and still nothing was happening; everything had gone a couple of shades darker, and the roaring in his ears drowned out everything else. He put his hands to his throat, anything to ease the pain and help him to get just a little air…
To find that she'd pinched his windpipe shut.
It must have been in that one moment of darkness, as she'd been taking her hand away. He couldn't believe the strength that it must have taken.
But he had to.
Why? Why had she done this to him? His chest, his entire frame, were like a fire walker's bed of coals. But he wouldn't give in to it. Oh, Christ, just for one breath! He turned from Alina, trying to retch but with his clogged windpipe preventing even that; he threw himself toward the doors, trying to get out into air, air that he couldn't quite reach.
He burst out into the open. His tools were all over in the cafeteria, there had to be something that he could use to open himself up. He'd saw his own damned throat open, if he had to, but he wouldn't let this happen.
He was lying at the bottom of the steps where he'd fallen, pulling up into a near foetal curl that he couldn't prevent. He was being drawn into that single point of pain that burned like a hot light. He was only dimly aware of Alina coming down the steps toward him, only dimly aware of her crouching by him to smooth the hair from his forehead. He started to shiver, completely out of control now. He could see the end coming, and it was just as she'd said; the friends he'd made and lost, and the women that he wished he'd known better.
"There, there," he heard her say. "It'll soon be over."
And it was.
TWENTY-SEVEN
"You're looking tired, Peter," Alina said when Pete came through to breakfast the next morning. He'd heard her moving around and had almost panicked, thinking that he was late; but then he'd checked his old wind-up alarm and realised that he wasn't, and so then he'd used the spare fifteen minutes to stand under the tepid shower in an attempt to shock himself awake.
He said, "That's no surprise. The yard's having its busiest season in ten years, and two of us are handling it all."
This was hardly an overstatement. The yard staff presently consisted of Pete himself and Frank Lowry, with very little practical help from its owner. Business had started to pick up with a May heatwave that had brought out the sun umbrellas and the city hordes. The umbrellas were on the Venetz sisters' restaurant terrace, and the hordes were under them and everywhere else. They jammed the roads with their trailers and caravans, they turned up in shorts and sandals and herded in the village centre looking for postcards and souvenirs, and they crowded the inshore waters of the lake with dinghies and windsurf boards and dangerously cheap inflatables. They sat on blankets on the shore, they dropped ice creams on the promenade, they tried to fly kites, they argued. They pulled into the passing places on the narrowest roads and treated them as laybys, setting up a whole living room's worth of furniture by the open tailgates of their cars.