"Look, Arlene is wearing bel -bottoms! I should have saved al those clothes I wore in the sixties," Pix commented.
Faith disagreed. "You did the right thing. Trust me.”
Pix was cutting the tartes and Faith was putting everything on another table that had been set up out of the sun. Earlier, Samantha had picked a large bouquet of wildflowers and put them in an old white ironstone pitcher fil ed with water. Faith added a few roses from Pix's garden and several stalks of delphinium. She placed it on the dessert table now with the tartes and several large bowls of fresh strawberries. Pix had provided whipped cream and sugar, although preferring her berries straight. These were so ful of flavor, they didn't need anything, even the crème de cassis Faith favored when she got tired of them plain.
This never happened to Pix.
Arnie and Claire had apparently cleaned out Louel a Prescott's entire stock of cookies—chocolate chip, oatmeal, and hermits—and surprisingly the Bainbridges'
butterscotch shortbread. Apparently, Rebecca was not the one who hoarded the secret recipes. There was hope of sherry-nutmeg cake yet.
Pix was arranging the cookies on a large blue wil ow platter. Ursrula had come in to get a sun hat and see whether her daughter needed help.
“These are the most delicious cookies. I hope Rebecca wil give me the recipe, too," Pix said, eating one that had conveniently broken in the box.
“I'm sure she wil , dear." Her mother gave her a quick kiss, something that had become a habit of late.
Her daughter and granddaughter safe and sound, her beloved son in residence, Ursula should have been in clover, and she was—almost. But Pix thought she could stil detect a wrong note in her mother's voice. She started to ask her about it when Faith came in with the empty tray to get the rest of the things.
“Everyone's already at the desserts. Tom says it's Maine air. Gives him an appetite. And this from a man who has consumed two lobsters, coleslaw, and untold pieces of corn bread al in the recent past!”
As soon as she left, Pix said to her mother bluntly, "Tel me what's bothering you." When her mother did not reply at once, Pix suddenly realized it was always when the Bainbridges' name came up that Ursula seemed perturbed.
Could her mother miss Adelaide to such an extent? They had been close but not the best of friends. Addie. Faith had been talking about putting the last pieces in place. Surely the picture was complete. The card table could be cleared for another puzzle or tucked in a hal closet to make room for other activities. Wasn't it time to put everything away?
“Does it have to do with Addie? Are you worried about Rebecca? Oh, Mother, surely you don't think the Athertons kil ed Addie, too? I always thought the quilt was too much of a coincidence! She must have discovered what they were doing!”
Her mother sat down on a stool by the kitchen window.
The voices outside were clearly audible. Arnie was teasing his wife about the size of the piece of blueberry tarte she'd taken. When Ursula spoke, Pix had trouble hearing—and believing—what her mother said.
“The Athertons didn't kil Adelaide, but the quilt was not a coincidence. I know she'l tel one of us soon. I've been waiting and waiting. Perhaps me, maybe Earl, or maybe you. She's a good woman, though very disturbed in mind, and is probably home thinking about it right this very minute."
“You can't mean Rebecca!"
“Addie was very difficult to live with, especial y these last years," Ursula said slowly, "and Rebecca did long for a room with a view.”
Myrtle Rowe Mil er, better known as Pix, lay flat on her back in the cemetery. The bright blue sky seemed very close, almost brushing the tip of the long piece of grass she was chewing on. She'd slipped out from Arnie and Claire's going-away party at The Pines, ostensibly to see how the plot had fared in the heat and subsequent rains. She doubted she'd be missed.
The last two weeks had been fil ed with picnics and excursions of one sort or another. Arnie had, in fact, taken her to Vinalhaven, a lovely long, lazy sail.
Samantha had not remained jobless for long; the camp having obviously shut down, much to the loudly expressed sorrow of Susannah and Geoff, who had begged Samantha to take over. Now Arlene and Samantha were working for Louel a, rising early to help bake, then tending the register while Louel a kept cooking.
And Seth seemed to be accomplishing miracles of construction at the Fairchilds'. Pix went every day, watching the house rising from its foundation before her eyes.
Everything had turned out al right after al —except two people on the island were dead who should stil be alive.
She rol ed over and propped herself up on one elbow, looking at the stone that marked her father's grave. What was the line from Edna St. Vincent Mil ay? "I am not resigned to the shutting away/of loving hearts in the hard ground"? That was it. And Pix was not resigned. Not for her father, nor Mitch, nor Addie.
Rebecca had told Earl, the same day as the party Pix gave for her brother. Possibly while the Mil ers and Fairchilds were gazing at a magnificent pink-and-purple sunset from a spot on the Point where al hoped a deck would be by Labor Day.
Lilies of the val ey—they grew in dense clusters on the edges of the cemetery. A British friend of Pix's had once told her it used to be considered very bad luck in her country to plant a bed of lilies of the val ey, that the person who did would be the next to die.
But it was not the person who sowed who perished.
Rebecca had given Addie the plant poison in every way imaginable. She'd brewed her sister-in-law's tea from the deadly roots and added the water in which she'd placed the cut leaves to Addie's juice. She'd even, she confessed to Earl, pushed Addie's tiny quilting needles into the berries, hoping she might mortal y prick herself. One or al had worked.
And the quilt was no coincidence: End of Day.
Rebecca had made it herself years ago, hiding it away when Addie had criticized the handiwork—hidden away, but not forgotten.
Had she wanted to be caught? If she hadn't wrapped Addie in the quilt to try to link her crime with the other, no autopsy would have been done on someone Addie's age.
And the autopsy, like so many others, had not been able to pick up this natural poison. It mimicked heart failure. A failure of the heart—Addie's. Rebecca's.
Pix lay back down again. It felt good. Peaceful. The only noise was the raucous cries of the gul s and, if she listened very hard, the sound of her own blood pulsing.
Slow, steady—reliable. She sighed. Another epitaph? But the reliable part wasn't so bad. They were reliable women: her mother, her daughter, and Pix herself. So different—
and so alike. She was looking forward to spending the rest of the summer in their company. Maybe she'd get to the attic.
Maybe not.
EXCERPTS FROM
HAVE FAITH
IN YOUR KITCHEN BY
Faith Sibley Fairchild
and Friends
A WORK IN PROGRESS
PIX ROWE MILLER'S . FAMILY FISH CHOWDER
6-7 slices of bacon,
1/4" thick
2 cans (3 cups) evaporated milk
3 cups diced yel ow onions
5-6 medium potatoes, peeled
1 cup whole milk
1 lb. haddock
salt
1 lb. cod
freshly ground pepper
Fry the bacon, remove from the pan, and place on a paper towel. Sauté the onions in the bacon fat and set the pan aside.
Cut the potatoes in half the long way, then into 1/4"
slices. Put them in a nonreactive pot large enough for the chowder. Cover the potatoes with water and boil until tender. Be careful not to put in too much water or the chowder wil be soupy. While the potatoes are cooking, cut the fish into generous bite-sized pieces. When the potatoes are ready, add the fish to the pot, cover and simmer until the fish flakes.