“Hubbard House hasn't been around very long, about twenty-five years I believe. Not like our own Peabody House, which dates back to the Civil War. Still, Dr. Hubbard is providing a wonderful service for people, certain people. Only the best people go to Hubbard House to die." Millicent looked Faith in the eye again as if to say this Charity Sibley, whoever she was, might have trouble getting past the gates.
“I have considered it myself, of course, but so far I am able to manage here quite well on my own.”
Millicent must be in her early seventies, and Faith had no doubt she would still be going strong thirty years from now. She was a small, trim woman with a Mamie Eisenhower cut she had never wished to change. Her bangs were gradually giving way to solid white from iron gray, but everything else about her looked as it always had. She was one of those people whom it was impossible, even unseemly, to imagine as a child. Today she was wearing a blue sweater with intricate cables, a white round-collared blouse, and a matching blue wool skirt.
“I see you are admiring my sweater," Millicent said. "It's one of my own." Millicent was a demon with a needle, and most days saw her perched in her bay window, eyes front, while endless intricate sweaters, mufflers, and socks flowed into her lap.
“As I was saying, I doubt I'll go to Hubbard House—or Peabody for that matter—yet it certainly is lovely there. Dr. Hubbard bought the old Aldrich estate. There were two beautiful Adam houses side by side, Nathaniel Aldrich built the later one for his daughter when she married. A nice custom, I've always thought. Dr. Hubbard joined the two together and built the hospital wing out the back. He also converted several of the outbuildings into cottages. It's very tasteful.”
Faith tried to think of something to say that would get Millicent away from porticos and back to what was going on inside Hubbard House, but she knew it was futile to try to direct the conversation.
“Poor Dr. Hubbard. He was our doctor until he started the home, and our families were friends. His wife, Mary, had never been strong, and I remember Mother saying it was exactly like that old saying, 'Shoemakers' wives go barefoot and doctors' wives die young.' She did die young, and you never saw a man as upset as he was. If it hadn't been for the children, I'm sure he would have followed her. She was a Howell, but one of the ones from Pepperell.”
Faith refused to be sidetracked by Millicent's encyclopedic genealogical prejudices. She didn't know what kind of Howell Mrs. Hubbard should have been, nor did she care.
“Tell me about Muriel and Donald," Faith interjected instead, eager to display some of her newfound knowledge.
Millicent was not impressed. "They're both very good children, always have been. Muriel runs things at Hubbard House. She got some kind of training in nursing-home administration after finishing her RN. Donald is a doctor like his father, and I'm proud to say he's my doctor. Of course with his work at Hubbard House, he can't take too many private patients," she added, squelching any hopes Faith might have had of joining the privileged few.
“Muriel never married, but Donald is.”
Since she didn't elaborate, Faith had to ask, "To whom?"
“To Charmaine Molloy, I believe her name was. Not a local girl." And Faith had to be content with those damning words, since it was clear Millicent wasn't going to say any more. She made a mental note to find out more about Charmaine. It wasn't one of the most popular girls' names one heard in New England, nor did it seem to date back to the days of Patience and Persis, which still cropped up now and then.
“My aunt is interested in the kind of atmosphere one might find at Hubbard House," Faith pressed.
“ 'Atmosphere'?" Millicent's expression suggested this was either a frivolous or an inappropriate question.
“Not like mood music or oxygen." Faith was getting irritated; pulling teeth was such hard work. "As in what do they do all day."
“Of course. They do what most older people do. Read, take walks when the weather permits, socialize. Hubbard House also has some facilities for artwork, a loom I believe, and things like that. They also provide transportation on Fridays for the symphony, although many residents still drive. Whenever I've visited there, I've always been struck by how busy people are. That and, of course, how delicious the food is. They pride themselves on it.”
Faith could imagine. But it did sound like a place where people simply continued the kind of lives they had lived before, with some changes necessitated by retirement and health restrictions. Friday afternoons in the same seats they had always taken at the Boston Symphony, the flower show at Horticultural Hall in the spring, an afternoon at the Atheneum, and perhaps time to look in at the Algonquin or Somerset club to see an old friend or two while the wife got her pearls re-strung at Shreve's or a new frock at Talbots—since the unthinkable had happened and Stearn's was out of business.
“So it's certainly a place that has never had a breath of scandal." Faith played her last card.
“Scandal! I should say not. The Hubbards are one of our finest families and truly devoted to what they do." Millicent had answered too quickly and too emphatically. There was something there, yet she clearly wasn't about to tell Faith.
Faith realized it wasn't going to be that easy to find out what had upset Howard Perkins. Hubbard House was impeccable, it appeared—but not impregnable. She loaded Ben's toys back into the bag, strapped him into the stroller, and thanked her hostess with what she hoped was the appearance of gratitude before wheeling him down Milli-cent's garden path.
It had been obvious from the start. There was only one thing to do if she wanted to find out what Howard could possibly have been describing—go to Hubbard House herself.
Two
Hubbard House was just as impressive as reports had led Faith to believe—more so, in fact. Two imposing three-story brick mansions sat side by side on a high knoll. Wide verandas with graceful columns suggested something other than a pure New England influence—as if the architect had gone on a junket to magnolia country. But since it was Byford, not Natchez, the columns were severely Doric, and any Corinthian leanings had been held tightly in check. The nursing-care annex connected the two houses. It was also brick—old brick to match the others. It was set slightly back from its neighbors, and a screen of well-kept shrubs extended across the front. The long drive with its fabled rhododendrons bordered precisely trimmed lawns with benches and a belvedere where weary walkers could rest. There was a golf course in the distance.
There was nothing institutional about Hubbard House from the outside. It had been hard to find the entrance—the sign was so discreet as to be almost invisible. Faith followed a series of wrought-iron arrows and found the parking lot. For a moment she had imagined cars were banned.
Ben was going to a friend's house to play after school, one of those unexpected reprieves that suddenly make a mother's day seem long, empty, and luxurious. He spilled his milk twice at breakfast, but Faith merely smiled. "You're certainly full of joie de vivre this morning," Tom had commented, rolling his "vivre" out from the back of his throat in an appreciative approximation of Gérard Depardieu. A sophomore year in France had left its mark in the form of a permanent love affair with the country. Faith had debated briefly whether to tell Tom about her plans to visit Hubbard House. She decided to tell him after the fact, that being her usual modus operandi. Besides, she had told him about her conversations with Charley and Millicent and he had not said anything about stopping her investigation.