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Eric broke in, playing devil's advocate. "It hasn't been my impression that people on this island are easily talked into anything, Pix, let alone swindled out of their birthrights.”

He stopped suddenly at the thought in everyone's mind, then recovered gracefully. "Case in point. Do you think it likely that Matilda Prescott could have been talked into leaving her house to the two of us, delightful as we are, if she hadn't wanted to? Forget for a minute what the whole island is saying."

“Well," Pix grudgingly admitted, "Matilda might have been an exception. Besides, she really could have sold the property for a fortune. Paul Edson would have killed to get it and years ago told her to name her price. Her answer was to tell him if he ever raised the matter again or set foot on her land, she'd shoot him. No, Matilda couldn't have been sweet-talked into anything."

“Exactly," Eric said. "And the Prescotts know it too. Otherwise they would be contesting the will. This is a very litigious island, remember. People love to have the excuse to go up to the county courthouse and maybe take in a movie or eat at McDonald's while they're suing.”

Everyone, including Jill, laughed.

Pix doggedly returned to her point. "But everybody is not Matilda, and I think a lot of people have been cheated out of their land, or at least have not gotten the fair market value for it. It's all these wealthy summer people with their big yachts."

“But Pix, you're a summer person," Faith reminded her. "Yes, but a different kind. We respect the island and the people who live here."

“How do you know the new people don't? Just because they live in big houses and need five bathrooms, eight bedrooms, hot tubs, big-screen TVs for one double-income-nokids couple?" Roger asked.

“Dinks! Exactly my point, Roger—I knew you agreed with me," Pix cried out. "And so does Eric, only he's too stubborn to admit it."

“Oh, I do admit it, Pix, and I don't think it's just that developers are offering large sums for shore lots. It's that the economy, basically the fishing industry, is in such trouble that people have to sell to support themselves. Plus the new people build houses, which means more jobs."

“So we're going to end up with a gentrification of the whole coast. Lots of snazzy planned communities with a view," Roger added. It was obviously something they both felt strongly about.

“And the first thing they'll do is go back to the original spelling, `St. Pierre', because it looks more elegant on stationery,'' Pix fumed.

Faith rose. "Let's have dessert outside. I put some citronella candles on the porch, and if we douse ourselves in repellent we may be able to survive. Although the mosquitoes could be your first line of defense. And the black flies. Maybe we should be grateful and let them have a nibble.”

She realized as she spoke that she found any thought of change on the island as distasteful as the rest of the group. The place was certainly getting to her.

Jill started to pick up a plate, but Faith stopped her. "And please just leave everything. We have some fromage blanc—and strawberries from the Miller garden—that needs to be eaten immediately."

“Is it true, Pix, that Sam is having the road widened so the trucks from Birdseye can make it down to your place?" Roger asked.

“Very funny, but I must say we are having a pretty terrific yield this year."

“Then by all means say it." Eric opened the door for her and bowed.

Everyone left early, as island custom seemed to dictate. All those energetic things to do at dawn, like weeding.

Jill had thanked Faith and hoped they would see each other again soon. Faith watched them drive away, noting that Eric had joined Jill in her car. Maybe he liked a good listener, and she was certainly a striking woman. Faith would call her beautiful—probably most other women would. Tom would say no. They never agreed on female pulchritude, so she automatically said "striking" instead of "gorgeous" in her mind. Jill had worn a gauzy white-linen shirt, full skirt of the same material, a wide dark-brown leather belt, and matching flats. She was willing to bet Jill didn't do her shopping at JC Penney, not even in the Stephanie Powers Collection.

She saw Jill again the following night at the Baked Bean and Casserole Supper with Eric and Roger. She was wearing jeans and a huge gray Champion sweatshirt, probably Eric's, and she still looked striking. They had managed to save seats for the Miller-Fairchild contingent at one of the long trestle tables set up in the IOOF Hall. It was covered with white butcher paper and someone had placed an arrangement of wildflowers in a spray-painted coffee can exactly in the center. Faith imprisoned Benjamin in his Sassy Seat with Samantha on guard while she and Pix went to load their plates with food that even from afar seemed to fulfill Faith's prophecy. There was a good warm food smell in the air, like breadbaking with a freshly brewed pot of coffee on the back burner, but it seemed to bear no relationship to what Faith could actually see in front of her.

The hall was full, and outside in the increasingly cool evening a patient crowd waited their turn for three-bean salad and watermelon pickles. When Faith returned with as little of the mystery casseroles and as much of the fresh crabmeat salad, homemade bread, beans, and what she knew was Pix's black-seeded Simpson lettuce possible, the table was full too. She recognized Elliot and Louise Frazier, long-time friends of the whole Miller family, who lived in one of the old ship's-captain houses in Sanpere Village. The others were new to her.

Pix hastened to make introductions. "Faith, these are our friends Bill Fox and John Eggleston. Bill writes books and lives not too far from us, toward South Beach. John is a wood sculptor and another man of the cloth. He lives in Little Harbor.”

A booming voice cut her off. "Used to be, Pix. Whatever sermonizing I do now is to the gulls and myself.”

The voice matched his size and general appearance. He was well over six feet, with startling bright-red hair shooting out in flames all over his head. A few gray strands were beginning to ameliorate the effect, and Faith judged him to be in his mid forties. He was wearing a Welsh fisherman's smock and a Greek fisherman's hat, which created an ecumenically nautical effect or vice versa. He must have been something to see in the pulpit. She wondered about the "used to be" part. Who left whom?

Bill Fox was a neat, dapper little man with a crisply pressed Brooks Brothers striped oxford-cloth button-down shirt. It was open at the neck, but Faith knew there were bow ties at home, just as she was willing to bet that when he stood up, he'd prove to be wearing chinos and Topsiders. He was the kind of person who has looked the same for most of his adult life, appearing middle-aged in his twenties, then when everyone else caught up looking perennially youthful. Slightly balding, horn-rimmed glasses, and anywhere from thirty to fifty. Faith was struck by a sudden thought and asked, "Bill Fox. Not William H. H. Fox!”

He smiled. "I admit to such, yes."

“Pix, `He writes books.' That has to be one of your greatest understatements of all time." Faith turned to Fox. "I love your work and have reread all of it constantly throughout my life. I've never thought of them as children's books."

“I don't either," he confessed. "But children seem to approach them most readily.”

Faith knew that Pix's reading, when she had the time, was limited to breeding manuals for Golden Retrievers and Ro-dale Press best-sellers, but she couldn't believe that she had been on the island all this time in close proximity to William H. H. Fox and Pix hadn't mentioned it.

He had written a series considered modern classics in which two children discovered that they had the power to make themselves as tiny as field mice and explore the natural world in exquisite detail. One day in the forest they ventured down a hole and came upon an enchanted land, Selega, ruled by Prince Herodias and Princess Ardea. Further books related their travels in Selega and followed them through childhood in both worlds. The last book ended with their discovery that they couldn't make themselves small anymore. Faith always cried whenever she got to that final page. It was hard to pinpoint the appeal of the stories—they were a mixture of real and surreal, fantasy and adventure, with a lot of nurserytea-type coziness thrown in whenever the children were in the big world. And Selega was perfect. There had been many a day, Faith remembered, when she longed to be transported there as Princess Ardea of the flowing dark hair and the eyes like violets. Not to mention all the handmaidens and silken gowns.