“This is a swell time to ask.”
“You’re not doing so great, either. I think you guys have met.”
He stepped aside to reveal my ex-girlfriend, Eleanor Chan, migraine-inducingly beautiful in cream-white silk and an antique necklace of garnets that I’d given her back when we were still giving things to one another. “Hike,” I blurted, something suddenly closing my throat. I cleared it and said, “Hi.”
“Hi, yourself,” she said coolly. Eleanor was getting a lot of practice speaking coolly these days. “Nice to see the stripe in your tie again.”
The hope that had momentarily taken flight at the sight of the garnets made a bumpy landing. “How’s Horace?” I asked. Horace was her brother and the father of the three-year-old twins she worshipped.
“Who cares?” she said shortly. “How are you?”
“I’m fike. Fine, I mean. You look, you look…”
“I should,” she said. “It took long enough. How’s whatshername?”
“Who?” I asked hopelessly. I actually couldn’t think of her name.
“If you don’t know, why should I? And you’ve got something on your forehead.”
“Take that fucking thing off,” Hammond contributed. “You look like a Chinese ghost.”
“Lord, Al, how do you know about Chinese ghosts?” Eleanor asked as I peeled the badge away from my skin. It took a handful of hair with it.
“Hong Kong movies,” he said. “Orlando loves them.” Orlando was the bride’s significantly precocious younger brother, winding up a four-year career at UCLA at the irritating age of eighteen.
“Her name is Wayde,” I said, “and she’s nothing to worry about. I told you she’s just-”
“Wayde?” Hammond demanded. “My best man’s turned faggot?”
“Wayde is a girl,” Eleanor said, “and a very young girl, at that.”
“Oh, well,” Hammond said relievedly, waving off statutory rape.
“She’s seventeen,” I said to Eleanor, “and she just likes to use my deck to sunbathe.”
“Geez,” Hammond said, one man to another, “can’t you think of anything better than-”
“He’ll have to think of something that explains her being stark naked in his living room.” She turned to Al. “I’d really thought I was over being upset by things like this,” she said as though I weren’t present. “God knows I’ve had enough practice.”
“I wasn’t even there,” I said.
“Better and better,” Eleanor snapped, the garnets around her neck throwing off mad red glints. “You let this nude child into your house, and you’re not even there.”
Max Grover came to mind. Christy’s phrase had been living like a fool. “I’ve known her since she was eight,” I said defensively. “She’s got time-retarded sixties parents who tell her it’s okay to walk around naked. Her real name is Freedom, for Christ’s sake.”
“Freedom,” Eleanor said, rolling her eyes. “ ‘License’ would be more like it.”
An invisible orchestra struck up the wedding march from Lohengrin.
“Mother of God,” Hammond muttered, soaking wet. “Have you got the ring?”
“The ring?” I asked, looking blank.
He reached out a hand and grabbed my newly clean tie. “The ring,” he said feverishly.
“Got it,” I croaked.
“And you two,” he barked, releasing me as the cops divided into two groups to create an aisle, his cops and her cops. “No bullshit. I’m getting married here.”
“So’s she,” Eleanor said, gesturing toward a double door at the far end of the pistol range. Hammond turned to look, and his mouth fell open.
Here came the bride. Sonia de Anza was in uniform, but the sharply pressed blues were topped with a bridal veil of gossamer or tulle or something flimsy and ethereal that fell almost to her waist. Walking with her, in the position of the man who gives the bride away, was her brother, Orlando. Orlando had always been a good-looking kid, but in a tuxedo he was resplendent.
“He’s beautiful,” Eleanor whispered.
I couldn’t see Sonia’s face beneath the veil, but I could see Orlando’s. He didn’t look left or right as they marched forward: His eyes were fixed proudly on his sister.
“Here’s the deal,” Hammond said hurriedly. “We walk toward the targets.” Twelve paper men with black circles drawn around their pulpy vitals dangled at one end of the room. “When I stop, you stop.”
“Then what?”
“Then you just stand there until Sergeant God calls for the ring.”
A police chaplain in full uniform, plus collar, had emerged from between the targets. He stood there a bit nervously, as though awaiting a hail of bullets from the agnostics in the crowd.
I scratched my head, looking puzzled. “And then?”
“And then you give me the ring, asshole.” Hammond was redder than the bulb of a thermometer.
“Al,” Eleanor said, “relax. If there’s anything Simeon knows about, it’s other people’s weddings.”
“Yeah,” Al said, not listening. “Isn’t she gorgeous?” He couldn’t see her face through the veil any better than I could. Then he drew a long, profoundly shaky breath. “Let’s get it over with.”
We followed Sonia and Orlando down the improvised aisle toward the targets. I suddenly realized I was nervous. Lohengrin was bouncing back and forth between the walls of the pistol range, and someone, probably Sonia’s mother, was weeping copiously-possibly over the choice of venue-while cops looked embarrassed. Cops see mayhem and mutilation every day of their lives, but the tender emotions embarrass them. Well, they embarrass me, too.
I could feel Eleanor walking behind me, feel the pull of her emotions. Eleanor has a vast capacity for emotion. She’s capable of entertaining eight or nine simultaneously, wearing every single one of them on her sleeve. The last time I’d glanced at her, I’d seen anticipation, happiness, regret, and anger, at least two of which were directed at me. Since I was walking with Al, I couldn’t turn to face her, but I reached my left hand behind me, and after a moment she brushed my palm with warm fingertips and then gave my wrist a fierce little pinch. The woman was an emotional mosaic. Something inside me uncoiled and relaxed, leaving me free to focus on the ceremony.
The chaplain, a wispy-looking man in his fifties with damaged skin that suggested a teenage addiction to chocolate, gave Sonia a smile that was probably meant to be reassuring. The smile revealed about six teeth up top, each separated by a gap he could have put his little finger through, teeth that seemed to have fought for territorial imperative, the kind of teeth I usually associate with British National Health.
“Sonia and Al have written their own ceremony,” he said, and something like a muted groan went up from the cops massed behind me. “But before we proceed, I’d like to say a few words.”
“Only a few?” somebody whispered, and Hammond jerked his head around with a glare that could have knocked down a building.
“When I was told that Sonia and Al wanted to be married here, I have to admit that it threw me for a loop. A big loop. What do love and weapons have in common? But then I thought about it. Sonia and Al trained here to gain the skills that keep them alive in the field. Alive on the job. What could be more important to each of them than that their partner should remain among the well and, um, the living, able to give the love and support each deserves? They have chosen this job, our job, for society’s sake, a job that will take them out of the home they will create together and into the streets of madness. For each of them there will be many long and frightening nights and days when they can only hope that their partner’s survival skills will prove adequate to the danger of the hour. The bride and groom whose love we have come here to celebrate are veterans. Veterans who know how hard it can be to survive. Now they have, together, a new reason to live. Here is where they trained to live.”
“Fuckin’ A,” a cop said softly from behind us.
“And then I also thought about marksmanship. Cupid’s weapon was a bow and arrow. If Cupid were a modern-day mythical figure, his weapon would probably be a service revolver. The metaphor would remain the same: Love must take accurate aim. It must not only strike the heart, it must strike the right heart. Love wrongly given, wrongly received, has no place at this altar.”