Somewhat depressed now by these reminiscences, I vouchsafe them only to lay the groundwork, necessary to the unfolding of this tale, of my increasingly pathetic yearning for the erotic. Dierdre was sexy but not erotic; there is no deep life in her. Ingrid is erotic, if a little detached, there is always a distance when we’re together and I suppose that’s why I visit her. Artists, I have found, are often like that; it all goes into their work. My estranged wife, Amalie, is far and away the most erotic woman I have ever known, the life force boils out of her, and everything she touches attains beauty. Except me.
Does “erotic” have an antonym? Thanatotic, perhaps. Is that a word? Clearly the thing is itself real, for don’t we all delight in death? Violent death especially, what pleasure! Don’t we show it in all its fictive detail to our children tens of thousands of times? Although not the reality: no, NASCAR racing excepted, here’s the one remaining area where we acknowledge the difference between IP and Real Life. Real death is the last embarrassing thing. And there’s surely an aesthetics of death, the opposite of all those sprightly Impressionist scenes and the luscious nudes of Boucher, an aesthetics that I believe reached its apogee during the regime for which my grandfather made the supreme sacrifice. Contra Mies, this appeal has nothing to do with mere functionality. The American P-47 Thunderbolt was an effective and formidable weapon, arguably the best fighter-bomber of the war, but it looks like something out of the Disney studio, plump and bulbous, as if it should have its prop emerging from a smiley face. The Stuka on the other hand looks just like what it is: terror from the skies. Again, the Sherman tank looks like something a toddler would pull on a string; the Panzer VI Tiger is obviously an elaborate machine for killing human beings. Not to mention the terrific uniforms, the regalia. And this thing here in my hand.
The Germans call it a Pistole-08, a null-acht, but everyone else calls it a Luger. This is in fact the very item brandished when Mom and Dad met: yes, she lied about that, for here it is. It is a special presentation model awarded to old granddad when he won the Knight’s Cross with Oak Leaves and Swords. God knows what it’s worth, thousands and thousands to the peculiar little men who collect this shit. On the left side of the walnut grip is an inlaid diamond lozenge quartered red and white with black letters inlaid in the center
and on the right side we find an inlaid miniature in silver of the decoration; the recipient’s name, his rank, and the date are engraved on the receiver. Himmler apparently conferred it with his own pudgy white hands. My mother was unclear as to what the medal citation was, but it involved killing a truly spectacular number of Russians while commanding a panzer regiment on the eastern front during the late summer of 1943. It still makes me sweat a little to look at it and hold it, it is so totally awful a thing, but for some reason I have never been able to sell it or toss it in the river. It’s loaded too, with the original Parabellum 9 mm. And I know it works. Perhaps I will do some plinking with it later. I am a pretty good pistol shot as a matter of fact. My brother, Paul, taught me how during a leave after his first tour. I met him down at Fort Bragg and we went out into the piney woods one afternoon and blazed away with a military Colt.45 and a Soviet Makarov 9 mm he had picked up in Vietnam. He taught point-and-shoot combat style, speed above everything because the average pistol target was seven feet away or less.
Anyway, I dropped Mickey off at Columbia, and as he left the car he said, “Let me know when the niece calls-if she finds that manuscript, tell her I’d love to have a look at it.”
I said I would and we drove off south. On the ride back I thought about my long relationship with Mickey Haas, especially its sexual aspects. I had to acknowledge a certain contempt for the man, which is, I believe, inevitably a part of any really intimate long-term friendship. My brother, Paul, would call this feeling part of our fallen state, that we cannot love unreservedly, that we must consider the beloved less than we believe ourselves to be, in at least one way. I suppose this is, though hurtful, a good thing. We all have a tendency toward self-worship, and one of the prime functions of a good friend is to keep this in check. I know he thinks I am a dull old dog, and not nearly as smart as he is. Perhaps true; certainly I am not nearly as famous. I don’t write popular best-selling books, I am not worshipped by legions of students, I am not a premier member of the National Academy of Arts and Letters, nor do I have his Pulitzer Prize. He must also think I am something of a fool for love, or at least sex. He is certainly privy to the tale of my peccadilloes, save the three exceptions I have noted. He was terribly affected when Amalie and I broke up. She’s perfect for you, he said at the time, listing her virtues. He was correct. Too perfect for me by far, but it’s hard to get that notion across to another.
Several days later, according to my diary, Ms. Maldonado put through a call; I had alerted her to its possibility and stressed the importance thereof. The voice was young, pleasant, somewhat throaty. You know what this is about then, eh? The aboot and the terminal syllable marked her as a Canadian. Foreign-nearby, as the ads used to say. I found it immediately attractive, and I invited her to drop by the office, but she demurred. She’d rather meet me in a neutral place, for reasons she would explain when we met. Where, then? She was working, she said, in the New York Public Library, in the Brooke Russell Astor Reading Room of the Rare Books Division. I said I had some things to clear up, but that I could meet her there at four. She said she looked forward to meeting me.
I resumed my task of the day, which was suing some poor slob of an artist on behalf of a giant corporation. This is the daily bread of the IP lawyer. Someone had appropriated the logo of a national chain to comment on the madness of consumerism. The original logo is a little risqué (tits), and the artist had made it more so, and it had shown up on popular posters and T-shirts and the corporation was not amused. I can do cease-and-desist orders of this type in my sleep, or on this occasion, with my mind on my coming date with the mysterious heiress of Bulstrode, whose name I now knew was Miranda Kellogg.
Omar dropped me off at the Fifth Avenue entrance to the great beaux arts pile of the library at a quarter to four. The two stone lions, Patience and Fortitude, who according to New York lore are supposed to roar when a virgin ascends the steps, were mum. I took the elevator to the third floor and arranged admission to the locked Astor room, just off the main reading room. Memories here: I spent a significant portion of my middle-school years sitting at those long wooden tables. I would subway up from Brooklyn and stay the whole day, supposedly researching a school paper (this was before the Internet, of course, and before Mrs. Polansky struck) but mainly enjoying the anonymity, the company of strangers and scholars, and the utter un-Mishkinity of the place. My first really adult experience.
I spotted her right away, at a long table in one corner. Apart from a gentleman manning the official desk, she was alone in the richly paneled room. Her hair was blond, worked into two miniature braids pinned up over the ears. Amalie wore her hair that way when we were courting, and absurd as it is I have always been a sucker for that style. Her neck was bared and deliciously vulnerable; women’s necks are, in my view, the most underrated secondary sexual characteristic in our culture, and one that always gets me in the vitals. I stood there for minutes just watching her turn pages. Then, in the mysterious way that has never been successfully explained to me, she became conscious of my stare and turned abruptly. Our eyes met. I nodded. She smiled dazzlingly and rose and came toward me. She didn’t really look like the young Amalie, not feature by feature, but she had that same leonine grace; somewhat shorter than average, she wore a short gray skirt and a beautiful glowing pink silk blouse. Dark stockings, elegant ankles. She held out her hand and I grasped it. She had grape green eyes, just like Amalie’s. She said You must be Mr. Mishkin. I’m Miranda Kellogg. I couldn’t speak for a moment. Electricity ran up my arm and I am afraid I held the grip a little too long. This is ridiculous, I recall thinking.