I expected to be asked to stay the night, but when we had drunk our coffee Anna excused herself, and came back in a minute and said she had phoned for a taxi. I was offended. I had come all this way to see them and they would not even offer me a bed. An ugly silence fell. Behrens at my prompting had been talking about Dutch painters. Did I imagine it, or did he glance at me with a sly smile when he asked if I had been into the garden room? Before I realised it was the gilded salon that he meant he had passed on. Now he sat, head trembling, his mouth open a little, staring dully at the candle-flame. He lifted a hand, as if he were about to speak again, but let it fall slowly. The lights of a car swept the window and a horn tooted. Behrens did not get up. So good to see you, he murmured, giving me his left hand. So good.
Anna walked with me to the front door. I felt I had somehow made a fool of myself, but could not think how, exactly. In the hall our footsteps sounded very loud, a confused and faintly absurd racket. It's Flynn's night off, Anna said, or I would have had him drive you. I said stiffly that was quite all right. I was asking myself if we could be the same two people who had rolled with Daphne naked on a bed one hot Sunday afternoon on the other side of the world, on the other side of time. How could I have imagined I had ever loved her. Your father seems well, I said. She shrugged. Oh, she said, he's dying. At the door, I don't know what I was thinking of, I fumbled for her hand and tried to kiss her. She stepped back quickly, and I almost fell over. The taxi tooted again. Anna! I said, and then could think of nothing to add. She laughed bleakly. Go home, Freddie, she said, with a wan smile, and shut the door slowly in my face.
I knew who would be driving the taxi, of course. Don't say anything, I said to him sternly, not a word! He looked at me in the mirror with a mournful, accusing eye, and we lumbered off down the drive. I realised I had nowhere to go.
It is September. I have been here now for two months. It seems longer than that. The tree that I can glimpse from the window of my cell has a drab, dusty look, it will soon begin to turn. It trembles, as if in anticipation, at night I fancy I can hear it, rustling excitedly out there in the dark. The skies in the morning are splendid, immensely high and clear. I like to watch the clouds building and dispersing. Such huge, delicate labour. Today there was a rainbow, when I saw it I laughed out loud, as at a wonderful, absurd joke. Now and then people pass by, under the tree. It must be a shortcut, that way. At nine come the office girls with cigarettes and fancy hairdos, and, a little later, the dreamy housewives lugging shopping bags and babies. At four every afternoon a schoolboy straggles by, bearing an enormous satchel on his back like a hump. Dogs come too, walking very fast with an air of determination, stop, give the tree a quick squirt, pass on. Other lives, other lives. Lately, since the season began to change, they all seem to move, even the boy, with a lighter tread, borne up, as if they are flying, somehow, through the glassy blue autumnal air.
At this time of year I often dream about my father. It is always the same dream, though the circumstances vary. The person in it is indeed my father, but not as I ever knew him. He is younger, sturdier, he is cheerful, he has a droll sense of humour. I arrive at a hospital, or some such large institution, and, after much searching and confusion, find him sitting up in bed with a steaming mug of tea in his hand. His hair is boyishly rumpled, he is wearing someone else's pyjamas. He greets me with a sheepish smile. On impulse, because I am flustered and have been so worried, I embrace him fervently. He suffers this unaccustomed display of emotion with equanimity, patting my shoulder and laughing a little. Then I sit down on a chair beside the bed and we are silent for a moment, not quite knowing what to do, or where to look. I understand that he has survived something, an accident, or a shipwreck, or a hectic illness. Somehow it is his own foolhardiness, his recklessness (my father, reckless!), that has got him into danger, and now he is feeling silly, and comically ashamed of himself. In the dream it is always I who have been responsible for his lucky escape, by raising the alarm, calling for an ambulance, getting the lifeboat out, something like that. My deed sits between us, enormous, unmanageable, like love itself, proof at last of a son's true regard. I wake up smiling, my heart swollen with tenderness. I used to believe that in the dream it was death I was rescuing him from, but lately I have begun to think that it is, instead, the long calamity of his life I am undoing at a stroke. Now perhaps I'll have another, similar task to perform. For they told me today my mother has died.
By the time the taxi got me to the village the last bus to the city had left, as my driver, with melancholy enjoyment, had assured me would be the case. We sat in the darkened main street, beside a hardware shop, the engine purring. The driver turned around in his seat, lifting his cap for a rapid, one-finger scratch, and settled down to see what I would do next. Once again I was struck by the way these people stare, the dull, brute candour of their interest. I had better give him a name – it is Reck, I'm afraid – for I shall be stuck with him for a while yet. He would be happy, he said, to drive me into the city himself. I shook my head: it was a good thirty miles, and I already owed him money. Otherwise, he said, with an awful, ingratiating smile, his mother might put me up – Mrs Reck, it seemed, ran a public house with a room upstairs. The idea did not appeal to me, but the street was dark and grimly silent, and there was something very depressing about those tools in that shop window, and yes, I said faintly, with a hand to my forehead, yes, take me to your mother.
But she was not there, or asleep or something, and he led me up the back stairs himself, going on tiptoe like a large, shaky spider. The room had a little low window, one chair, and a bed with a hollow in the middle, as if a cadaver had lately been removed from it. There was a smell of piss and porter. Reck stood smiling at me shyly, kneading his cap in his hands. I bade him a firm goodnight, and he withdrew, lingeringly. The last I saw of him was a bony hand slowly pulling the door closed behind him. I walked back and forth once or twice gingerly, the floorboards creaking. Did I wring my hands, I wonder? The low window and the sagging bed gave me a vertiginous sense of disproportion, I seemed too tall, my feet too big. I sat on the side of the bed. A faint radiance lingered in the window. If I leaned down sideways I could see a crooked chimney pot and a silhouette of trees. I felt like the gloomy hero in a Russian novel, brooding in my bolthole above the dramshop in the village of Dash, in the year Dot, with my story all before me, waiting to be told.
I did not sleep. The sheets were clammy and somehow slippery, and I was convinced I was not the first to have tossed and turned between them since their last laundering. I tried to lie, tensed like a spring, in such a way that as little of me as possible came in contact with them. The hours were marked by a distant churchbell with a peculiarly dull note. There was the usual barking of dogs and bellowing of cattle. The sound of my own fretful sighs infuriated me. Now and then a car or a lorry passed by, and a box of lighted geometry slid rapidly over the ceiling and down the walls and poured away in a corner. I had a raging thirst. Waking dreams assailed me with grotesque and bawdy visions. Once, on the point of sleep, I had a sudden, dreadful sense of falling, and I sprang awake with a jerk. Though I tried to put her out of my mind I kept returning to the thought of Anna Behrens. What had happened to her, that she should lock herself away in that drear museum, with only a dying old man for company? But perhaps nothing had happened, perhaps that was it. Perhaps the days just went by, one by one, without a sound, until at last it was too late, and she woke up one morning and found herself stuck fast in the middle of her life. I imagined her there, sad and solitary, bewitched in her magic castle, year after year, and – oh, all sorts of mad notions came into my head, I am too embarrassed to speak of them. And as I was thinking these things, another thought, on another, murkier level, was winding and winding its dark skein. So it was out of a muddled conflation of ideas of knight errantry and rescue and reward that my plan originated. I assure you, your honour, this is no sly attempt at exoneration: I only wish to explain my motives, I mean the deepest ones, if such a thing is possible. As the hours went on, and stars flared in the little window and then slowly faded again, Anna Behrens merged in my mind with the other women who were in some way in my care – Daphne, of course, and even my mother, even the stable-girl, too – but in the end, when the dawn came, it was that Dutch figure in the picture in the garden room who hovered over the bed and gazed at me, sceptical, inquisitive and calm. I got up and dressed, and sat on the chair by the window and watched the ashen light of day descend upon the rooftops and seep into the trees. My mind was racing, my blood fizzled in my veins. I knew now what I would do. I was excited, and at the same time I had a deep sense of dread. There were stirrings downstairs. I wanted to be out, out, being and doing. I started to leave the room, but paused and lay on the bed for a moment to calm myself, and fell at once into a profound and terrible sleep. It was as if I had been struck down. I cannot describe it. It lasted no more than a minute or two. I woke up shaking. It was as if the very heart of things had skipped a beat. So it was that the day began, as it would continue, in the horrors.