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This announcement had little comfort for him; he felt baffled and disheartened—indeed, quite sick. Was it not sickening to hear her talk of this dreary process of preparation?—as if any one cared about that, and would know whether Verena were prepared or not! Had Miss Chancellor no faith in her girlhood? didn't she know what a card that would be? This was the last inquiry Olive allowed him the opportunity of making. She remarked to him that they might talk for ever without coming to an agreement—their points of view were so far apart. Besides, it was a woman's question; what they wanted was for women, and it should be by women. It had happened to the young Matthias more than once to be shown the way to the door, but the path of retreat had never yet seemed to him so unpleasant. He was naturally amiable, but it had not hitherto befallen him to be made to feel that he was not—and could not be—a factor in contemporary history: here was a rapacious woman who proposed to keep that favourable setting for herself. He let her know that she was right-down selfish, and that if she chose to sacrifice a beautiful nature to her antediluvian theories and love of power, a vigilant daily press—whose business it was to expose wrong-doing—would demand an account from her. She replied that, if the newspapers chose to insult her, that was their own affair; one outrage the more to the sex in her person was of little account. And after he had left her she seemed to see the glow of dawning success; the battle had begun, and something of the ecstasy of the martyr.

XVIII

Verena told her, a week after this, that Mr. Pardon wanted so much she should say she would marry him; and she added, with evident pleasure at being able to give her so agreeable a piece of news, that she had declined to say anything of the sort. She thought that now, at least, Olive must believe in her; for the proposal was more attractive than Miss Chancellor seemed able to understand. "He does place things in a very seductive light," Verena said; "he says that if I become his wife I shall be carried straight along by a force of excitement of which at present I have no idea. I shall wake up famous, if I marry him; I have only got to give out my feelings, and he will take care of the rest. He says every hour of my youth is precious to me, and that we should have a lovely time travelling round the country. I think you ought to allow that all that is rather dazzling—for I am not naturally concentrated, like you!"

"He promises you success. What do you call success?" Olive inquired, looking at her friend with a kind of salutary coldness—a suspension of sympathy—with which Verena was now familiar (though she liked it no better than at first), and which made approbation more gracious when approbation came.

Verena reflected a moment, and then answered, smiling, but with confidence: "Producing a pressure that shall be irresistible. Causing certain laws to be repealed by Congress and by the State legislatures, and others to be enacted." She repeated the words as if they had been part of a catechism committed to memory, while Olive saw that this mechanical tone was in the nature of a joke that she could not deny herself; they had had that definition so often before, and Miss Chancellor had had occasion so often to remind her what success really was. Of course it was easy to prove to her now that Mr. Pardon's glittering bait was a very different thing; was a mere trap and lure, a bribe to vanity and impatience, a device for making her give herself away—let alone fill his pockets while she did so. Olive was conscious enough of the girl's want of continuity; she had seen before how she could be passionately serious at times, and then perversely, even if innocently, trivial—as just now, when she seemed to wish to convert one of their most sacred formulas into a pleasantry. She had already quite recognised, however, that it was not of importance that Verena should be just like herself; she was all of one piece, and Verena was of many pieces, which had, where they fitted together, little capricious chinks, through which mocking inner lights seemed sometimes to gleam. It was a part of Verena's being unlike her that she should feel Mr. Pardon's promise of eternal excitement to be a brilliant thing, should indeed consider Mr. Pardon with any tolerance at all. But Olive tried afresh to allow for such aberrations, as a phase of youth and suburban culture; the more so that, even when she tried most, Verena reproached her—so far as Verena's incurable softness could reproach—with not allowing enough. Olive didn't appear to understand that, while Matthias Pardon drew that picture and tried to hold her hand (this image was unfortunate), she had given one long, fixed, wistful look, through the door he opened, at the bright tumult of the world, and then had turned away, solely for her friend's sake, to an austerer probation and a purer effort; solely for her friend's, that is, and that of the whole enslaved sisterhood. The fact remained, at any rate, that Verena had made a sacrifice; and this thought, after a while, gave Olive a greater sense of security. It seemed almost to seal the future; for Olive knew that the young interviewer would not easily be shaken off, and yet she was sure that Verena would never yield to him.

It was true that at present Mr. Burrage came a great deal to the little house at Cambridge; Verena told her about that, told her so much that it was almost as good as if she had told her all. He came without Mr. Gracie now; he could find his way alone, and he seemed to wish that there should be no one else. He had made himself so pleasant to her mother that she almost always went out of the room; that was the highest proof Mrs. Tarrant could give of her appreciation of a "gentleman-caller." They knew everything about him by this time; that his father was dead, his mother very fashionable and prominent, and he himself in possession of a handsome patrimony. They thought ever so much of him in New York. He collected beautiful things, pictures and antiques and objects that he sent for to Europe on purpose, many of which were arranged in his rooms at Cambridge. He had intaglios and Spanish altar-cloths and drawings by the old masters. He was different from most others; he seemed to want so much to enjoy life, and to think you easily could if you would only let yourself go. Of course—judging by what he had—he appeared to think you required a great many things to keep you up. And then Verena told Olive—she could see it was after a little delay—that he wanted her to come round to his place and see his treasures. He wanted to show them to her, he was so sure she would admire them. Verena was sure also, but she wouldn't go alone, and she wanted Olive to go with her. They would have tea, and there would be other ladies, and Olive would tell her what she thought of a life that was so crowded with beauty. Miss Chancellor made her reflexions on all this, and the first of them was that it was happy for her that she had determined for the present to accept these accidents, for otherwise might she not now have had a deeper alarm? She wished to heaven that conceited young men with time on their hands would leave Verena alone; but evidently they wouldn't, and her best safety was in seeing as many as should turn up. If the type should become frequent, she would very soon judge it. If Olive had not been so grim, she would have had a smile to spare for the frankness with which the girl herself adopted this theory. She was eager to explain that Mr. Burrage didn't seem at all to want what poor Mr. Pardon had wanted; he made her talk about her views far more than that gentleman, but gave no sign of offering himself either as a husband or as a lecture-agent. The furthest he had gone as yet was to tell her that he liked her for the same reason that he liked old enamels and old embroideries; and when she said that she didn't see how she resembled such things, he had replied that it was because she was so peculiar and so delicate. She might be peculiar, but she had protested against the idea that she was delicate; it was the last thing that she wanted to be thought; and Olive could see from this how far she was from falling in with everything he said. When Miss Chancellor asked if she respected Mr. Burrage (and how solemn Olive could make that word she by this time knew), she answered, with her sweet, vain laugh, but apparently with perfect good faith, that it didn't matter whether she did or not, for what was the whole thing but simply a phase—the very one they had talked about? The sooner she got through it the better, was it not?—and she seemed to think that her transit would be materially quickened by a visit to Mr. Burrage's rooms. As I say, Verena was pleased to regard the phase as quite inevitable, and she had said more than once to Olive that if their struggle was to be with men, the more they knew about them the better. Miss Chancellor asked her why her mother should not go with her to see the curiosities, since she mentioned that their possessor had not neglected to invite Mrs. Tarrant; and Verena said that this, of course, would be very simple—only her mother wouldn't be able to tell her so well as Olive whether she ought to respect Mr. Burrage. This decision as to whether Mr. Burrage should be respected assumed in the life of these two remarkable young women, pitched in so high a moral key, the proportions of a momentous event. Olive shrank at first from facing it—not, indeed, the decision—for we know that her own mind had long since been made up in regard to the quantity of esteem due to almost any member of the other sex—but the incident itself, which, if Mr. Burrage should exasperate her further, might expose her to the danger of appearing to Verena to be unfair to him. It was her belief that he was playing a deeper game than the young Matthias, and she was very willing to watch him; but she thought it prudent not to attempt to cut short the phase (she adopted that classification) prematurely—an imputation she should incur if, without more delay, she were to "shut down," as Verena said, on the young connoisseur.