Devra, her Luger aimed squarely at Bourne’s head, said, “Drop the SIG. I won’t say it again.”
Icoupov reached out toward Bourne. “I’ll take it.”
“Stay where you are,” Arkadin ordered. His own Luger was aimed at Icoupov.
“Leonid, what are you doing?”
Arkadin ignored him. “Do as the lady says, Bourne. Drop the SIG.”
Bourne did as he was told. The moment he let go of the gun, Arkadin tossed his Luger aside and leapt at Bourne. Bourne raised a forearm in time to block Arkadin’s knee, but he felt the jolt all the way up into his shoulder. They traded punishing blows, clever feints, and defensive blocks. For each move he employed, Arkadin had the perfect counter, and vice versa. When he stared into the Russian’s eyes he saw his darkest deeds reflected back at him, all the death and destruction that lay in his wake. In those implacable eyes there was a void blacker than a starless night.
They moved across the living room as Bourne gave way, until they passed under the archway separating the living room from the rest of the apartment. In the kitchen Arkadin grabbed a cleaver, swung it at Bourne. Dodging away from the executioner’s lethal arc, Bourne reached for a wooden block that held several carving knives. Arkadin brought the cleaver down on the countertop, missing Bourne’s fingers by less than an inch. Now he blocked the way to the knives, swinging the cleaver back and forth like a scythe reaping wheat.
Bourne was near the sink. Snatching a plate out of the dish rack, he hurled it like a Frisbee, forcing Arkadin to duck out of the way. As the plate shattered against the wall behind Arkadin, Bourne withdrew a carving knife like a sword out of its scabbard. Steel clashed against steel, until Bourne used the knife to stab directly at Arkadin’s stomach. Arkadin brought the cleaver down precisely at the place where Bourne was gripping the knife, and he had to let go. The knife rang as it hit the floor, then Arkadin rushed Bourne, and the two closed together.
Bourne managed to keep the cleaver away, and at such close quarters it was impossible to swing it back and forth. Realizing it had become a liability, Arkadin dropped it.
For three long minutes they were locked together in a kind of double death grip. Bloody and bruised, neither managed to gain the upper hand. Bourne had never encountered someone of Arkadin’s physical and mental skill, someone who was so much like him. Fighting Arkadin was like fighting a mirror image of himself, one he didn’t care for. He felt as if he stood on the precipice of something terrible, a chasm filled with endless dread, where no life could survive. He felt Arkadin had reached out to pull him into this abyss, as if to show him the desolation that lurked behind his own eyes, the grisly image of his forgotten past reflected back at him.
With a supreme effort Bourne broke Arkadin’s hold, slammed his fist against the Russian’s ear. Arkadin recoiled back against a column, and Bourne sprinted out of the kitchen, down the hall. As he did so, he heard the unmistakable sound of someone racking the slide, and he flung himself headlong into the main bedroom. A shot splintered the wooden door frame just over his head.
Scrambling up, he headed straight for Kirsch’s closet, even as he heard Arkadin shout to the pale woman to hold her fire. Pushing aside a rack of clothes on hangers, Bourne scrabbled at the plywood panel in the rear wall of the closet, searching for the clips Kirsch had described to him at the museum. Just as he heard Arkadin rush into the bedroom, he turned the clips, removed the panel, and, crouching almost double, stepped through into a world filled to overflowing with shadow.
When Devra turned around after her attempt to wound Bourne, she found herself looking at the muzzle of the SIG Sauer that Icoupov had retrieved from the floor.
“You fool,” Icoupov said, “you and your boyfriend are going to fuck everything up.”
“What Leonid is doing is his own business,” she said.
“That’s the nature of the mistake,” Icoupov said. “Leonid has no business of his own. Everything he is he owes to me.”
She stepped out of the shadows of the hallway into the living room. The Luger at her hip was pointed at Icoupov. “He’s quits with you,” she said. “His servitude is done.”
Icoupov laughed. “Is that what he told you?”
“It’s what I told him.”
“Then you’re a bigger fool than I thought.”
They circled each other, wary of the slightest move. Even so, Devra managed an icy smile. “He’s changed since he left Moscow. He’s a different person.”
Icoupov made a dismissive sound in the back of his throat. “The first thing you need to get through your head is that Leonid is incapable of change. I know this better than anyone because I spent so many years trying to make him a better person. I failed. Everyone who tried failed, and do you know why? Because Leonid isn’t whole. Somewhere in the days and nights of Nizhny Tagil he was fractured. All the czar’s horses and all the czar’s men can’t put him back together again; the pieces no longer fit.” He gestured with the SIG Sauer’s barrel. “Get out now, get out while you can, otherwise, I promise you he’ll kill you like he killed all the others who tried to get close to him.”
“How deluded you are!” Devra spat. “You’re like all your kind, corrupted by power. You’ve spent so many years removed from life on the streets you’ve created your own reality, one that moves only to the wave of your own hand.” She took a step toward him, which prompted a tense response from him. “Think you can kill me before I kill you? I wouldn’t count on it.” She tossed her head. “Anyway, you have more to lose than I do. I was already half dead when Leonid found me.”
“Ah, I see it now,” Icoupov nodded, “he’s saved you from yourself, he’s saved you from the streets, is that it?”
“Leonid is my protector.”
“God in heaven, talk about deluded!”
Devra’s icy smile widened. “One of us is fatally mistaken. It remains to be seen which one.”
The room is filled with mannequins,” Egon Kirsch had said when he’d described his studio to Bourne. “I keep the light out with blackout shades because these mannequins are my creation. I built them from the ground up, so to speak. They’re my companions, you might say, as well as my creations. In that sense, they can see or, if you like, I believe that they have the gift of sight, and what creature can look upon his creator without going mad or blind, or both?”
With the map of the room in his mind, Bourne crept through the studio, avoiding the mannequins so as not to make noise or, as Kirsch might have said, so as not to disturb the process of their birth.
“You think I’m insane,” he’d said to Bourne in the museum. “Not that it matters. To all artists-successful or not!-their creations are alive. I’m no different. It’s simply that after struggling for years to bring abstractions to life, I’ve given my work human form.”
Hearing a sound, Bourne froze for a moment, then peered around a mannequin’s thigh. His eyes had adjusted to the extreme gloom, and he could see movement: Arkadin had found the panel and had come through into the studio after him.
Bourne liked his chances here far better than in Kirsch’s apartment. He knew the layout, the darkness would help him, and if he struck quickly, he’d have the advantage of being able to see where Arkadin couldn’t.
With that strategy in mind, he moved out from behind the mannequin, picked his way toward the Russian. The studio was like a minefield. There were three mannequins between him and Arkadin, all set at different angles and poses: One was sitting, holding a small painting as if reading a book; another was standing spread-legged, in a classic shooter’s pose; the third was running, leaning forward, as if stretching to cross the finish line.
Bourne moved around the runner. Arkadin was crouched down on his hams, wisely staying in one place until his eyes adjusted. It was precisely what Bourne had done when he’d entered the studio moments before.