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The giant Tartar evidently thought that if he could get to his feet and convey this eager sceptic to a small eminence, only about three hundred yards away, the sight of the waning Moon, which he had himself just seen from that particular vantage-ground, would turn her mind away — at least on this particular occasion — from Pontius Pilate and the Crucifixion. He therefore proceeded to heave himself to his feet, murmuring as he took Lil-Umbra’s hand tenderly but firmly in his own, “’Twere to see the Moon it was that you came, little lady, weren’t it? To see the Moon from where your old Peleg do know every look of her, and every look of the belly and horns of her, aye! do know to a sliver which way her horns do point when she be rocking and floating like a ship without a mast and without a sail, a ship that’s got lost in a sea of air, a ship that can do naught but watch that air change into an ocean of black darkness.”

Muttering this musical monody to the Moon as if the Moon could hear every word of it, though neither Lil-Umbra nor himself could yet catch the faintest sign of her, Peleg led his companion down declivity after declivity filled with dead bracken-stalks and flowerless gorse-bushes, and across a few small rivulets that the girl could easily jump, and through one extremely unpleasant strip of boggy marshland, across which she allowed him to carry her, till they reached at last the place he had in his mind, which was a stone seat, made not by man but by nature, and a seat so prophetical that it might well have been the throne of a great paleolithic astrologer.

Upon this throne of stone they both sank down; and there was a deep silence between them. While this silence was lasting on and on, and while both these two beings, this middle-aged giant whose Jewish blood had endowed him with a more intellectual brain than people realized, and whose Mongolian instincts had from the start provided that brain with a reservoir of thick, rich, massive, sensuous impressions, and this high-strung, wrought-up, magnetically vibrant little daughter of Sir Mort and Lady Valentia, were giving themselves up, in the same absolute abandonment, to the spell thrown out by this faint, incredibly fragile waning moon, there had arrived at the Fortress of the Manor of Roque an unexpected company of visitors.

Now it happened that by some inexpliceble telepathic power the gigantic Mongol became aware of this unexpected intrusion; and it was a deeply trobling question to him whether to communicate to Lil-Umbra or not this sudden interruption. It was in psychic matters of this sort that Sir Mort completely underrated Peleg. It had always been the physical tremendousness of the Tartar’s strength he needed.

He had never concerned himself very much with what went on in the man’s private thoughts. One curious thing just then about the feelings of Peleg and Lil-Umbra as they yielded together so utterly to the sorcery of the Moon, while the giant wondered if it would be wise or not to speak of his new knowledge, was the way they were dominated by an irresistible inhibition against turning round to look at the Sun!

They both felt in some obscure half-conscious way that it would be dangerous and unlucky to turn towards that now fully risen luminary whose warmth they could distinctly feel at the back of their necks. Naturally the warmer the air grew and the more light there was in the sky the paler became the moon at which they were staring.

And the more the presence of the young girl at his side wrought this magic effect upon Peleg’s attitude to the cosmos in general and to the landscape in particular, so the more divine did the Moon appear to him.

After a quick glance sideways at his companion as if to make sure of her sympathy but also secretly to ascertain if she were sharing his weird feeling that unexpected things were happening at the Fortress, he began to address the Moon in words more intimate and personal than Lil-Umbra had ever heard before used either to the Sun or to the Moon.

“O great Goddess,” he prayed, “grant us, we beseech thee, an influence, a virtue, a secret, a touch, a mystery, from the heart of that which continueth, forever! In a few years I shall be an old man. In a few years this maiden will be a proud and beautiful woman and very likely the mother of children. Out of the heart of the Unknown thou hast come upon us, O great Goddess, and into the heart of the Unknown thou wilt soon pass from us. Heal us, therefore, O Goddess, of the hurts and wounds in our souls that ache and bleed today because of the false doctrines about gods and men that have been inflicted upon us, false doctrines about all things in heaven and earth!

“Have they not taken on themselves, these priests of pain, these ministers of blood, to invent signs and tokens and symbols and sacraments out of privation and deprivation, out of suppression and frustration, out of denial and negation? Have they not thus defied the revelations made by thy blessed mystery, and turned to nothing the secret of thy holy rapture, of thy sacred madness, of thy entranced, thy transporting ecstasy? Make them give us back the pulse of our life, great Goddess, give us back the beat of our heart, give us back the dance of our blood!”

Lil-Umbra remained silent for a couple of minutes with her face uplifted and her head turned sideways towards the colossal profile of the Tartar giant. There were several rooks and a few crows above their heads, sometimes flapping their great wings in disturbed agitation, and sometimes sailing with rhythmic risings and fallings, up and down between sky and earth.

“If I look at the Sun now,” cried Lil-Umbra eagerly, “it won’t make the Moon angry, will it, Peleg? I can feel it on my neck and I do so want to look straight at it!”

The giant smiled gravely. “Of course, my dear child! Let’s both of us have a good stare at the old Life-Sustainer!”

When they had both turned their heads an inch towards the east, Peleg said quietly: “You’d never believe, would you, that the Life-Lord could shake off all that bloodiness so quickly and be as he is now, nothing but blazing gold.”

It was at this point — perhaps under the influence of the advancing Sun, perhaps under the influence of the receding Moon — that Lil-Umbra felt an overpowering necessity to pour out from her own deepest soul a torrent of youthful revolt against the whole routine of maternal restraint and the whole authority of her old Nurse Rampant and of the still older Mother Guggery, Nurse Rampant’s assistant. What especially she felt impelled to rebel against was the dullness and routine of so much oatmeal and barley-bread and rye-bread and so much vegetable-pottage in place of the rich meats and the intoxicating wines enjoyed by grown-up people; and the sudden inspiration seized her to do this under cover of the rumoured wickedness of Baron Maldung and Lady Lilt and their daughter Lilith, of the Castle known as Lost Towers, which rose out of a swampy expanse of flat treeless country, due north of both the Fortress and the Forest of Roque.

“May I ask you something, Peleg, something that’s been on my mind, for a long time?”

“Of course, little lady, of course! I like to hear a child’s secrets; and when that child is the daughter of my master — Go on, my dear, go on for Heaven’s sake!”

And then Lil-Umbra did indeed go on. In fact she let herself go with a desperate rush of words. “Why does God allow such wicked people as that family in Lost Towers”—and she made a little gesture with her head and one of her shoulders towards the north—“to be blasphemous about such an important thing as the food we’re given to eat? Mother Guggery swore to me that Sir Maldung and Lady Lilt taught their daughter Lilith that all animals were holy angels, and that all fruits and nuts and raisins, and all plants and grasses, and every kind of grain, and all trees and shrubs and bushes and hedges, and all ferns and mosses and lichens and seaweeds, were devils incarnate. I begged Mother Guggery to tell me more: and do you know what she said! She said that Lady Lilt had a special reverence for animals’ mouths, and also for the two other holes that all animals, just like us human beings, have at the other end of them.