“No, Jim. You can’t go like this, you can’t.”
“Look, John, if I call it quits now, at least I can survive this day unscathed. I mean, what else could possibly happen?”
And so saying, Jim turned dismally away, slipped upon the loose soil and fell heavily into the hole.
21
Summer was coming to an end, and with it Jim’s stay in the Cottage Hospital. He was out of traction now and the plaster casts were off. There was still considerable stiffness, but he could walk all right with the aid of a stick.
Jim had not spent his time in idleness though. He had written a book. The Brentford Scrolls: My Part in Their Discovery.
Well, it had started out with that title anyway. But Jim had favoured later excesses, Raiders of the Lost Scrolls, Scrollrunner, and finally, for no apparent reason, other than it sounded good, The Brentford Chainstore Massacre.
Although purporting to be a strictly factual autobiographical account, few who knew Jim personally would have recognized the lantern-jawed, hardbitten, Dimac-fighting sex machine hero with the devastating wit and the taste for fine wines and pussy-magnet Porsches.
Jim had sent off copies to several major publishers, but was still awaiting replies. He had not sent a copy to Transglobe. He had quite given up on the time travelling, even though he’d had plenty of time to perfect it. He could only go back. And back didn’t seem to be a joyful place to go.
During Jim’s months of hospital incarceration, John had made many visits, and Jim had been forced to listen to the Irishman’s vivid accounts of great fund-raising ventures. Of whist drives and raffles and pub quiz competitions, of wet T-shirt contests (there seemed to have been many of these) and of guided tours and sponsorship deals. But the millions were as far away as ever, as were too the thousands and the hundreds.
“I have so many expenses,” John told him.
Jim plodded homeward on his stick. The trees in the Memorial Park were taking on their autumn hues, and Autumn Hughes the gardener was sweeping up some leaves. The sun was sinking low now and the air had a bit of a nip to it. Thoughts of a nip turned Jim’s thoughts to the Swan. And the optimist in him put what spring it could into his plod.
When Jim reached the Swan, however, the optimist went back to sleep.
A large neon cross blinked on and off and the sign of the Flying Swan no longer swung. The Road to Calvary, spelled out in coloured lights, flashed red, then amber, green, then red again.
Jim offered up a prayer, hung down his head and plodded on.
He settled himself onto the new bench before the Memorial Library. But the new bench, being built entirely from concrete, was uncomfortable. Jim offered up another prayer, hung his head lower still and plodded home.
He turned the familiar key in the familiar lock and sought sanctuary. There were no letters of acceptance from publishers to greet him on the mat; the house smelled damp and dead. Jim sighed. The optimist in him was now in coma.
Jim closed the door and put on the safety chain. A lesser man than he might well have plugged up the gaps and turned on the gas at a time like this, but not Jim. Jim had no change for the meter.
He was just about to turn from the door when he heard the first click. It wasn’t loud but, as all else was silent, it was loud enough.
The second click was louder. It was a very distinctive click, the sort of click which, had it been able to speak instead of just click, would have said, “I am the click made by a gun being cocked.”
And then there was the third click, very loud indeed.
And then the bright, bright light.
Jim pressed back against the door. “My dear God, no,” he cried.
And then came the noise.
A screaming, shouting, yelling noise.
“Surprise!” screamed Celia Penn.
“Welcome home!” shouted John Omally.
“Happy homecoming!” yelled Norman Hartnell.
Jim stood and stared as the hall about him filled. Professor Slocombe was there, and Old Pete and Small Dave and three young women from the windscreen wiper works (one of whom Jim had always fancied) and Sandra the shot-putting lesbian uniped. And there was the lady in the straw hat and her friend Doris and the medical student named Paul who knew all about the blues. And there was someone else and someone else and even someone else. But these folk were still in the kitchen as you really couldn’t get that many people into Jim’s hall. Mind you, you could never have got nearly fifty people into Professor Slocombe’s study, but as that seemed to have slipped by unnoticed we’ll say no more about it.
“Hip hip hoorah!” went those in the hall. And those in the kitchen. And others still in the front room. The couple making love in Jim’s bed would probably say it later.
“Welcome home, old friend,” said John Omally, wringing Jim’s hand between his own.
Jim tried to speak, but he just couldn’t. There was a big lump in his throat and a tear in each of his eyes.
“For he’s a jolly good fellow,” sang the assembled multitude, as John led Jim towards the kitchen and a drink.
Now, as we all know, there are parties, and then there are PARTIES!
At parties, you stand around sipping sherry and making polite conversation with doctors and dentists and architects and women with severe haircuts and halitosis. But at PARTIES! – at PARTIES! you do things differently.
At PARTIES! there is a fight in the front garden, someone being sick in the wardrobe, a couple making love in the host’s bed (you see, Jim’s had already got off to a good start). There’s a bloke who climbs onto the roof and moons at the moon, there’s another so well and truly out of it that he tries to tunnel under the garden fence, convinced he’s escaping from a prison camp. There are discussions about seemingly ordinary matters that turn into great Zen mind-boggling mystical all-encompassing trips into cosmic infinity, which sadly will never be remembered in the morning. There are ugly women who become tantalizingly beautiful as the night wears on. And ugly men who do not. There is laughter, there is gaiety. There are several visits from the police about turning down the noise. And if you’re really lucky there’s a woman who takes off all her clothes and dances on the kitchen table. And if you’re really, really, really lucky you might just get to meet a blonde choreographer with amber eyes and a fascinating mouth and
“Nice PARTY, Jim,” said a blonde choreographer with amber eyes and a fascinating mouth.
“Who is that?” whispered Jim, as the beauty vanished into the crowd.
“Oh, forget her,” said John. “She’s with her uncle Rob.”
“This is some PARTY though, John. Thank you very much.”
“Well, I couldn’t let you come home to an empty house. Cheers.”
“Cheers.”
The lady with the straw hat said “Cheers” also, and then she said, “That Old Pete bloke is up on your roof mooning at the moon.”
“Magic,” said John. “Having offended almost everyone on Earth he is now turning his attention to the cosmos.”
“Cheers,” said Jim.
“There’s some policemen outside,” said Small Dave. “They’ve come about the music.”
“There isn’t any music,” said Jim.
“That’s what they said, so they’ve lent us this ghetto-blaster.”
“Magic,” said John, hoisting it onto the unspeakable kitchen worktop and plugging it into the socket.
Howl, shriek and scream.
“It’s the Hollow Chocolate Bunnies of Death,” shouted Jim above the cacophony. “They’re beginning to grow on me.”
Professor Slocombe stuck his head round the kitchen door. “There’s some policemen outside,” he shouted. “They say to turn the noise down.”
“Magic,” said John Omally, turning it down by the merest fraction.
In Jim’s back garden, a chap who was well and truly out of it tried to tunnel under the fence. Upstairs someone was being sick into Jim’s wardrobe.
“Couldn’t you do that somewhere else?” asked the couple who were making love in Jim’s bed. It was a different couple.