The weapon that protruded from her throat, surrounded by a welter of bright crimson, was the same one she’d used in the commission of her crimes-the familiar Charles Horner hatpin.
Sabina had seen violent death before-the vision of Stephen’s bullet-riddled body still haunted her dreams-but she had never become inured to it. Indeed, she questioned the veracity of those who claimed to be. Her legs were unsteady, her breath coming short, as she crossed the untidy parlor to kneel beside the dead woman.
The hatpin had been thrust deeply into the flesh just below the Adam’s apple, and the blood that had spilled from the wound was dark and coagulating. Dead not much more than an hour.
As Sabina started to rise, one of the outflung hands caught her attention-a dark gleam of red on two of the fingertips. A closer look revealed it to be blood mixed with particles of skin and a few short hairs under the nails. Clara Wilds had clawed and marked her attacker.
Sabina peered at the hairs without touching them. Brunette and silky, perhaps a man’s though she couldn’t be sure. According to the dossier on Dodger Brown, his hair was the color of his surname, but whether or not it was fine and slightly curly hadn’t been mentioned. John would know. But the Dodger was only one possible suspect; an extortionist and pickpocket made any number of enemies over the course of a long criminal career. If he was guilty, the telltale scratches and gouges from Wilds’s nails would be evidence of it once John tracked him down.
Sabina rose, stepped back to lean against the wall while she steadied herself. The police must be notified, of course, but she shared John’s distrust of the local constabulary, and did not want under any circumstances to be taken in and questioned by them. Better an anonymous call from the nearest telephone. But first …
She scanned the parlor. Her initial impression of untidiness had been false, she realized then. The room had been searched-not ransacked but gone through in a systematic way. An old horsehair sofa drawn out of position, a floor lamp tilted against it, drawers partially open in tables and sideboards. And in the bedroom, visible through an open doorway, the mattress pulled half off the bed. Someone looking for the loot from her pocket-picking exploits at the Chutes and elsewhere? And if so, had it been found?
Averting her eyes from the body, Sabina began a hurried search of her own. There was nothing for her to find in the parlor. In the bedroom she looked in the small nightstand next to the bed, then in a heavy armoire thick with a violet scent that emanated from a satin sachet bag on a hanger. The armoire was filled with clothing and an array of different styles of hats, some with veils-the costumes Wilds had worn on dipping excursions. These, too, had been searched by the murderer; there was nothing left to find.
Sabina spied a large trunk under the room’s one window. Its top was hinged open, the tray askew on the floor, the contents of both piled nearby. A worn quilt; a child’s rag doll, one eye missing; a dictionary whose main use apparently had been to press and dry flowers; an empty cut-glass perfume bottle; an old, cracked leather man’s purse; a handbag beaded with what looked to be real pearls but probably weren’t.
Sabina examined the purse, found it empty. The late Henry Holbrooke’s billfold, judging from his widow’s description. If so, the cash he’d carried had been removed and either spent or stashed elsewhere.
She set it aside and examined the beaded bag. Regular handbags were not fashionable these days, but small, decorative ones with a dainty strap that hung from the wrist were sometimes used in the evenings. This one was old and worn, but of good quality-a Corticelli manufactured in Florence, Italy, a type Sabina had long admired but could not justify the expense of purchasing. She flipped the little mother-of-pearl clasp and felt inside. Also empty.
When she turned from the bench, a thin sprinkling of dirt particles on the bottom window ledge caught her eye. The particles appeared to be moist, freshly strewn there. And were, she found when she picked one up between her thumb and forefinger. Likely it had come from a box of geraniums hanging on a hook outside.
She raised the sash and looked more closely at the box. One of the plants was tipped slightly against the other. She thrust her hand into the dirt between the two, felt roots and, toward the bottom, the object that Clara Wilds had hidden there-a small sack of dark blue velvet tied with a drawstring.
Sabina emptied the sack onto the bed. A diamond stickpin, two gold pocket watches, a large ivory watch fob, a hammered silver money clip with an intricate design, a handful of similarly valuable items, and a thick roll of greenbacks bound with a rubber band. Literally buried treasure. Clara Wilds’s murderer had fled the scene of his crime empty-handed.
Or had he? There was no way of telling.
Sabina flipped through the greenbacks, found the total to be in excess of two hundred dollars. Then she gathered up all the items, returned them to the blue velvet sack, and tucked the sack into her reticule. After a moment’s reflection, she added the cracked leather purse. There had been no question that she should confiscate everything herself; if she left the items for the police to find, they would never be returned to their rightful owners.
She had been here long enough. At the door she peered out to make sure the carriageway was still deserted, then stepped out and away.
13
QUINCANNON
Andrew Costain’s offices were in a brick building on Geary Street that housed a dozen attorneys and half as many other professional men. The anteroom held a secretary’s desk but no secretary; the bare desktop and dusty file cabinets behind it suggested that there hadn’t been one in some while. A pair of neatly lettered and somewhat contradictory signs were affixed to one of two closed doors in the inside wall. The upper one proclaimed PRIVATE, the lower invited KNOCK FOR ADMITTANCE.
Quincannon knocked. There were a few seconds of silence before Costain’s whiskey baritone called out, “Yes? Who is it?”
“John Quincannon.”
Another few seconds vanished, as if the lawyer were finishing up business at hand before moving on to the business that required the services of a private investigative agency. Then, “Come in, Mr. Quincannon. Come in.”
Costain was sitting behind a cluttered desk set before a wall covered with what appeared to be a full set of Blackstone, writing in a leather-bound notebook slightly larger than a billfold. More books and papers were scattered on dusty pieces of furniture. On another wall, next to a framed law degree, was a lithograph of John L. Sullivan in a typical fighting pose.
The lawyer motioned to Quincannon to wait while he finished whatever notations he was making. After a few moments he closed the notebook and consigned it to a desk drawer, then sat back with his fingers twiddling an elk’s tooth attached to a thin gold watch chain.
His person was somewhat more tidy than his office, though not as tidy as he’d been in evening dress at the Axminster home. The successful image, however, was belied by the rumpled condition of his expensive tweed suit and striped vest, the frayed edges of his shirt cuffs and collar, his rum-blossom nose and flushed features, and the perfume of forty-rod whiskey that could be detected at ten paces or more. If Quincannon had been a prospective client, instead of it being the other way around, he would have thought twice about entrusting legal matters to Mr. Andrew Costain.
“Thank you for coming,” Costain said. He seemed even more nervous today than he had last night; the fluttering tic on his cheek gave the false impression that he was winking and his hands continued to twitch over the elk’s tooth fob. “You didn’t stop by earlier, by any chance?”