The Burying Place

'Do you have children yourself?'

'I have hundreds. Every baby I've delivered or cared for is in some way mine.'

Serena leaned forward. 'That's an interesting thing to say.'

'Every nurse feels that way.'

'Were you in the ward when Valerie Glenn gave birth?' Serena asked.

'I was in the hospital that night, but I didn't assist.'

'But you were there?'

'I was there. So what?'

'Was that before or after Marcus dumped you?'

Regan's mouth made an angry slash. 'Before.'

'So was it hard for you to watch him and Valerie with their new child?' Serena asked. 'Did you know right then that he was going to give you up?'

'You don't know anything, Ms Dial. The baby didn't make any difference to Marcus.'

'Then why did he dump you?'

'Because a divorce would be too ugly. And expensive.'

'You hate Valerie Glenn, don't you?'

'She's exactly the kind of blonde rich bitch I despise. So what?'

'She convinced Marcus to drop you by the side of the highway like a bag of trash. That must have stung.'

Regan pointed a finger at the doorway. 'We're done talking.'

'You didn't tell me if you had a key to the Glenn house,' Serena said.

Regan stood up. 'OK. I did. But not anymore.'

'Where is it?'

'In a landfill. I didn't need it after Marcus and I split up. Now I'd like you to leave.'

Regan turned her back and stalked out of the library, and Serena followed. In the foyer, she yanked open the front door, and as Serena went past her, Regan grabbed her shoulder. 'Instead of interrogating me, you ought to be looking at the people who were inside the house that night, Ms Dial.'

'Meaning what?'

'Meaning you never asked me how I met Marcus. Aren't you curious?'

Serena nodded. 'How?'

'He came to me last year about that girl. The teenager in the trailer near Sago. Migdalia Vega.'

'What about her?'

'Marcus wanted me to help her. Off the books. He didn't want anyone to know.'

'Know what?' Serena asked.

'She was pregnant,' Regan told her. Then she pushed Serena out and slammed the door.

Serena sat in her Mustang in Regan Conrad's driveway. She pressed her cell phone to her ear to hear Jonny's voice through the static. The signal came and went unevenly this far north of the city. He sounded distant.

'Pregnant?' Stride said.

'That's what Regan says.'

'So what happened to Micki's baby?' he asked.

'I don't know. I think we should find out.'

'I'll talk to her,' Stride said. He added, 'Are you coming back here tonight?'

Serena hesitated. 'I thought I'd stay at our place.' 'Oh.' it's a two-hour drive at night,' she told him. 'And the deer are running.'

'I know. You're right, that's a good idea.' if you really want me to come back there, I will.'

'No, stay at home,' he said. 'I'll see you tomorrow.'

The silence told her that he had hung up.

She thought about calling him back, but she wasn't going to do that. It was easier to be alone. She turned on the Mustang. The radio station played a ballad by Trisha Yearwood. It was something sad, something about loss, with Trisha's voice so smooth that you didn't realize you wanted to cry. She turned it off, because she couldn't deal with the song, and she didn't want it going over and over in her head all night.

As Serena turned around and headed out of the long driveway, she noticed Regan Conrad staring at her from the bay window, with her hands planted fiercely on her hips. She also noticed that one of the two cars that had been parked in front of Regan's garage was gone. The Hummer was still there, but the old Escort had vanished.

Someone had been in the house. While Duffy begged for mercy, someone had used the music as cover to get away.

Chapter Fifteen

Nick Garaldo studied the silhouette of the ruined school across the open stretch of dirt and grass. He reached into the side pocket of his backpack and fitted a hands-free voice recorder over his ear. He tapped the switch and spoke softly.

'I'm outside the Buckthorn School. I'm preparing to make my assault.'

Nick emerged from the protection of the tall weeds lining the creek basin and picked his way through a minefield of dirty glass. He dug into his pocket for a handful of red pistachios. One by one, he pried apart the shells and popped the nuts into his mouth. As he chewed them, he sprinkled the shells on the ground. Pistachios were his weakness — he ate three bags a week — and his calling card, too. On every assault in the urban caves, he left a trail of salty red shells behind him. The Duluth Armory. The steam tunnels underneath the University of Minnesota. The abandoned mental hospital in Cambridge. The silos of a shuttered flour mill in the western prairies. He had invaded them all and signed his name with pistachios. It was his little joke for the police and the security firms that tried to catch him.

When he had scouted the old Buckthorn School over the summer, Nick wasn't concerned about access. The ruins were wide open for anyone who was brave or foolish enough to explore inside. But not now. He assumed that someone had been killed or raped at the site, and the liability had finally forced the township to shut up the building against marauders and post No Trespassing signs. The popular teen sport of tossing bricks through the glass of the old school was over.

The windows were now boarded up, nailed shut with sturdy plywood. Chains and locks looped through the door handles. It wasn't going to be easy to get inside, but for Nick, that was part of the challenge.

He switched on his flashlight. The beam of light speared the bright eyes of a raccoon, which lumbered away into the field. He crunched through brick and rubble into the open lower level that had served as the plant for the school's utilities. Most of the foam ceiling tiles had fallen and decayed, and those that remained were water-stained and furry with mold. Electrical conduits dangled from the ceiling.

'They can lock it up, but they can't keep the kids out entirely,' he recited into his voice recorder. 'You've got cans of Budweiser, Big Mac boxes, and used condoms. God, who would be crazy enough to have sex in this cesspool?' Nick wrinkled his nose. 'There's a nasty smell, too. I think it's coming from upstairs.'

He did a reconnaissance of the stairwell leading up to the main level of the school but, like the windows, the concrete stairwell had now been sealed. He made a complete circle, navigating around fallen stonework and pipes. He never noticed the black box cemented to the stairwell or the red light that flashed once as he crossed through an electronic beam.

Nick retreated to the field behind the school and made his way up the grassy slope at the northwest corner so that he was on the same level as the main floor of the school. He ate more red pistachios and tossed the shells. He followed the wall of the school, stepping over a rusted radiator that lay on its side like a lazy pig. A row of sixteen windows cut through the brick wall. He could reach up and touch them with his hand but, like all the others, the windows were sealed. He turned the next corner, stirring a nest of blackbirds that startled him as they screeched and flew away in a huff of wings and feathers.

From where he was, he was now visible to traffic on Township Road but, so far, he hadn't seen a single car. He pointed a flashlight beam toward the high end of the wall, where five sets of windows stretched in a row to the front of the school. The plywood on two of the windows was loose, thanks to rain dripping from the roof and rotting the wood. The windows were frosted and square, large enough to allow him to squeeze through, but they were set at least twenty feet above the ground.