“Old documents can be so inconvenient, don’t you think, Mr. Brisbane? Like the Constitution. Always there when you least want it.”
Brisbane let it drop to the desk, his face reddening for a moment before returning to its usual healthy pink. “I’ll have to take this up with the board.”
Pendergast smiled slightly. “An excellent start. I think perhaps the Museum can be left to work this little problem out on its own—what do you think, Mr. Brisbane?—provided I am given what little help I need from Dr. Kelly.”
There was a silence. Then Brisbane looked up, a new look in his eyes. “I see.”
“And I assure you I will not take up an undue amount of Dr. Kelly’s time.”
“Of course you won’t,” said Brisbane.
“Most of the work will be archival in nature. She’ll be on the premises and available, should you need her.”
Brisbane nodded.
“We will do all we can to avoid unpleasant publicity. Naturally, all this would be kept confidential.”
“Naturally. It is always best that way.”
“I just want to add that Dr. Kelly did not seek me out. I have imposed this duty on her. She has already informed me she would rather be working on her potsherds.”
“Of course.”
An opaque veil had dropped over Brisbane’s face. It was hard for Nora to tell what he was thinking. She wondered if this little hardball play of Pendergast’s was going to damage her prospects at the Museum. It probably would. She darted a reproachful glance toward Pendergast.
“Where did you say you were from?” Brisbane asked.
“I didn’t. New Orleans.”
Brisbane immediately pushed himself back in his chair, and with a smile said: “New Orleans. Of course. I should have known from the accent. You’re a rather long way from home, Mr. Pendergast.”
Pendergast bowed, holding the door open for Nora. She stepped through it, feeling shocked. Down the hall, she halted and spoke to Pendergast. “You totally blindsided me back there. I had no idea what you were up to until we were in Brisbane’s office. I don’t appreciate it.”
Pendergast turned his pale eyes on her. “My methods are unorthodox, but they have one advantage.”
“And what is that?”
“They work.”
“Yeah, but what about my career?”
Pendergast smiled. “May I offer a prediction?”
“For what it’s worth, why not?”
“When this is over, you will have been promoted.”
Nora snorted. “Right. After you blackmailed and humiliated my boss, he’s going to promote me.”
“I’m afraid I don’t suffer petty bureaucrats gladly. A very bad habit, but one I find hard to break. Nevertheless, you will find, Dr. Kelly, that humiliation and blackmail, when used judiciously, can be marvelously effective.”
At the stairwell, Nora paused once again.
“You never answered my question. Why is the FBI concerned with killings that are over a century old?”
“All in good time, Dr. Kelly. For now, let it suffice to say that, on a purely personal level, I find these killings rather—ah—interesting.”
Something in the way Pendergast said “interesting” sent the faintest of shudders through Nora.
Men of Science
ONE
THE MUSEUM’S VAST Central Archives lay deep in the basement, reachable only through several sets of elevators, winding corridors, stairs, and passageways. Nora had never been to the Archives before—she did not, in fact, know anybody who ever had—and as she descended deeper and deeper into the bowels of the Museum, she wondered if perhaps she had made a wrong turn somewhere.
Before accepting the job at the Museum, she had taken one of the tours that threaded their way through its endless galleries. She had heard all the statistics: it was physically the largest museum in the world, consisting of two dozen interconnected buildings built in the nineteenth century, forming a bizarre maze of more than three thousand rooms and almost two hundred miles of passageways. But mere numbers could not capture the claustrophobic feeling of the endless, deserted corridors. It was enough,she thought, to give the Minotaur a nervous breakdown.
She stopped, consulted her map, and sighed. A long brick passageway ran straight ahead, illuminated by a string of light bulbs in cages; another ran off from it at right angles. Everything smelled of dust. She needed a landmark, a fixed point to get her bearings. She looked around. A padlocked metal door nearby had a weathered sign: Titanotheres.A door across the hall from it read: Chalicotheres and Tapiroids.She checked the oversized map, finally locating her position with difficulty. She wasn’t lost, after alclass="underline" it was just ahead and around the corner. Famous last words,she thought, walking forward, hearing the echoing rap of her heels against the concrete floor.
She stopped at a massive set of oaken doors, ancient and scarred, marked Central Archives.She knocked, listening to the rap resound cavernously on the far side. There came a sudden rattle of papers, the sound of a dropped book, a great clearing of phlegm. A high-pitched voice called out, “Just a moment, please!”
There was a slow shuffling, then the sound of numerous locks being unfastened. The door opened, revealing a short, round, elderly man. He had a vastly hooked red nose, and a fringe of long white hair descended from the gleaming dome above it. As he looked up at her, a smile of greeting broke out, dispelling the air of melancholy on his veined face.
“Ah, come in, do come in,” he said. “Don’t let all these locks frighten you. I’m an old man, but I don’t bite. Fortunate senex!”
Nora took a step forward. Dust lay everywhere, even on the worn lapels of the man’s jacket. A lamp with a green shade cast a small pool of light on the old desk, piled high with papers. On one side sat an elderly Royal typewriter, perhaps the only thing in the room not covered in dust. Beyond the desk, Nora could see cast-iron shelves laden with books and boxes stretching back into a gloom as deep as the ocean. In the dimness, it was impossible to judge how far the room extended.
“Are you Reinhart Puck?” Nora asked.
The man set up a vigorous nodding, his cheeks and bow tie flapping in response. “At your service.” He bowed, and for an alarmed moment Nora thought he might reach out to kiss her hand. Instead, there was another loud sound of phlegm being forced against its will somewhere within his windpipes.
“I’m looking for information on—on cabinets of curiosities,” Nora continued, wondering if that was the correct pluralization.
The man, busy re-locking the door, glanced over, his rheumy eyes lighting up. “Ah! You’ve come to the right place. The Museum absorbed most of the old cabinets of early New York. We have all their collections, their papers. Where shall we begin?” He slammed the last bolt home, then rubbed his hands together, smiling, clearly happy to be of service to someone.
“There was a cabinet of curiosities in lower Manhattan known as Shottum’s Cabinet.”
He wrinkled his brow. “Shottum’s . . . Ah, yes. Yes, indeed. Quite popular these days, Shottum’s. But first things first. Please sign the register, and then we can get started.” He motioned her to follow him around the desk, where he produced a leather-bound ledger, so old and rubbed that Nora was tempted to ask for a quill pen. She took the proffered ballpoint, wrote in her name and department.
“Why all the locks and bolts?” she asked, handing back the pen. “I thought all the really valuable stuff, the gold and diamonds and the rest, was kept in the Secure Area.”
“It’s the new administration. Added all this red tape, after the unpleasantness a few years back. It’s not as if we’re all that busy, you know. Just researchers and doctoral candidates, or the occasional wealthy patron with an interest in the history of science.” He returned the register, then shuffled over to a huge bank of old ivory light switches, big as clothes pegs, and snapped a few on. Deep in the vast space there was a flicker, then another, and a dim light appeared. Puck set off toward it at a slow hobble, his feet scraping on the stone floor. Nora followed, glancing up at the dark walls of shelving. She felt as if she were walking through a dark forest toward the distant glow of a welcoming cottage.