Dragging his leather suitcase behind him, Murugan went to the door and rang the bell. Several minutes later he heard footsteps on the other side. Then the door swung open and he found himself looking at an ashen-faced, elderly woman in a frayed dressing gown and rubber slippers. 'Hi,' said Murugan, sticking out a hand. 'Any vacancies today?'
Ignoring his hand, the woman looked him up and down, frowning through her gold-rimmed bifocals. 'What do you want?' she said, peremptorily.
'A room,' said Murugan. He tapped the sign by the door. 'This is a guest house, right?'
Mrs Aratounian cocked her head so she could examine him through the lower halves of her glasses. 'I don't believe you've introduced yourself,' she said.
'The name's Murugan,' he said. 'But feel free to call me Morgan.'
Mrs Aratounian sniffed. 'You'd better come in, Mr Morgan,' she said. 'I don't have much to offer by way of accommodation but I'll show you my spare room. You can decide for yourself whether you want to stay or not.'
She led Murugan through a musty drawing room, cluttered with doilied peg-tables, silver-framed photographs and porcelain statuettes. Pushing open a door, she ushered him into a large sun-lit room with very high ceilings. A mosquito-netted bed stood marooned in the centre of the marble floor, like a drifting raft. Directly above it, suspended from an iron hook, hung a bulbous, long-stemmed ceiling fan.
At the far end of the room was a small balcony. Crossing the room, Murugan went out, leaned over the balustrade and looked up and down the street – from the tree-lined cemetery at the Loudon Street end, to the traffic on Rawdon Street, to his right. Shading his eyes, he threw a glance diagonally across at number three Robinson Street. He caught a brief glimpse of a large, old-fashioned colonial mansion, set within high walls and surrounded by ornamental palms. He noticed that the front of the house was covered with bamboo scaffolding and that the driveway was littered with piles of bricks and cement.
Murugan pumped a fist: the location was as good as he could have hoped. 'I'll take it,' he said to Mrs Aratounian. He dumped his luggage on the bed, took a shower and went off to look for the Ross memorial.
That was just a few hours ago, but now, Robinson Street looked quite different. It was packed with cars, all the way down its length: not the usual Ambassadors and Marutis but big expensive Japanese and German cars. The cars were disgorging men in starched dhotis and kurtas and bediamonded women in dazzling saris. A wedding was in progress in the compound of a large multi-storeyed block of flats. Music was blaring under the chequered awning of a colourful pandal. A brilliantly illuminated archway over the entrance bore the legend 'Neeraj weds Nilima', spelt out in flowers. The whole street was lit up – all except number three which seemed, in contrast, to be sunk in a well of darkness although it was right next door to the wedding.
Walking towards the guest house Murugan paused at the gateway of number three. All he could see of the mansion was the high wall, plastered with handbills and painted slogans; the brilliance of the surrounding lights seemed to have deepened the shadows around the compound. Going over to the steel gates, he saw that they were fastened by a heavy chain. He banged on the gates, just in case there was a watchman inside to let him in. There was no answer. Stepping back, Murugan looked up at the mansion's looming silhouette: it was much more imposing close up than he had expected.
Suddenly, there was a power cut and the lights went out, all the way down the street. There followed an instant of absolute stillness; everything seemed to go quiet, except the chirruping of the cicadas in the nearby trees and the trumpeting of conches in the far distance. In that instant Murugan heard the soft bell-like ringing of metallic cymbals, somewhere within the mansion. He looked up, at the shuttered windows above, and saw a flickering orange rectangle materialize in the darkness.
He jumped, startled, and looked again. It was merely dim firelight, leaking through the ragged edges of a rotten window frame. Then with a deafening roar, a generator came on at the wedding next door, and an interrupted filmsong screeched upwards through the octaves as a recordplayer came slowly back to life.
Murugan was certain now that the mansion wasn't empty: from the sound of it there was some kind of ceremony under way inside. He stepped up to the gates and rattled the chains. To his surprise, they fell away from the gatepost: someone had forgotten to lock them.
Murugan pushed the gate open and stepped in. It was dark but his keychain had a small flashlight attached. He took it out, switched it on and shone it ahead. The beam lit upon heaps of bricks and cement, lying in the driveway. There was a colonnaded portico at the apex of the curved drive, covered with a net of bamboo scaffolding. Murugan could see a doorway beyond, leading into the pitch-dark interior of the house.
Bits of grit and cement lodged in Murugan's rubber sandals as he walked up the driveway. He shook them out and went up to the portico. It led into a vast hallway. He pointed his flashlight into the darkness. The beam skimmed over piles of mattresses and mosquito nets, stacked neatly in the corners.
He cupped his hands around his mouth and shouted: 'Anyone in?' His voice was no match for the deafening roar of the nearby generator. He looked around, following the uneasy shadows that skimmed over the cavernous darkness of the hallway. Then his ears picked up a sound, a dull pounding, like a drum. It seemed to be somewhere within the house, but it was hard to be sure because of the generator and the blaring loudspeakers.
He was about to go further into the hallway when a second beam of light appeared in the doorway. He heard an angry voice shouting: 'Who is that? Kaun hai? What are you doing here?'
He spun around and his flashlight fell on a man in a Nepali cap, running towards him, gesturing angrily with a chowkidar's nightstick.
Murugan gave him a two-fingered salute, affecting a cockiness he did not feel. 'Just looking around,' he said.
The Nepali watchman shook his stick under Murugan's nose, turned him around and began to push him down the steps of the portico.
'Just taking a look,' Murugan said mildly. 'I didn't touch a thing.'
The watchman launched into a long tirade; Murugan could only catch snatches of it: he was telling him that no one was allowed in, there was construction going on inside.
Halfway down the driveway, the watchman reached up and pointed angrily at a large tin signboard. It was nailed into the trunk of a tree, beside the driveway. Murugan was surprised that he had missed it on his way in. It said: Site for the Robinson Hotel : private property; no trespassing; pro prietor and developer Romen Haldar.
Murugan shook his arm free and went over to take a closer look. The watchman followed close behind, his voice growing louder.