‘Fuck off!’ That was Alison’s reply. ‘Go away, you fool! Kiss you quick? You must be joking. God help me, you won’t get anything from me. I love someone else, in any case, who is far more of a man than you are. Go away now or I will throw something at you. Let me get some sleep. I need it. So go to hell!’
Absolon was in a miserable state. ‘Was ever true love so thoroughly abused?’ he asked her. ‘Could I be more miserable? Have pity on me, Alison, in my distress. Give me a little kiss. That’s the least you can do. For the love of Jesus, the man of sorrows, if not for love of me.’
‘And, if I do,’ she said, ‘will you go away?’
‘Yes. I will.’
‘Then get ready. I must just do something first.’
She went over to the bed. ‘Keep quiet,’ she whispered to Nicholas. ‘And you will have a good laugh.’
Meanwhile Absolon had got down on his knees in front of the window. ‘I have scored,’ he said. ‘I don’t think she will stop at a kiss. Oh my sweetheart, be kind to me. Give me more.’
Then Alison opened the window in all haste. ‘Hurry up,’ she told him. ‘Come on. I don’t want the neighbours to see you.’
So Absolon wiped his mouth in preparation. It was very dark. It was still night, after all.
‘Here I am,’ said Alison. Then she put her naked arse out of the window. Absolon could see nothing at all, of course, and so he put out his tongue and gave her a French kiss. He was eagerly slurping her bum. But then he knew that something was wrong. He had never known a woman with a beard before. But he knew this much – he had licked on something rough and hairy. ‘Fuck me,’ he said. ‘This isn’t right.’ Alison laughed out loud, and shut the window. Absolon shook his head, and began to walk away. But then he heard Nicholas laughing, too. He scowled in anger, and muttered to himself, ‘I’ll get my own back. Wait and see.’ Then he began to rub his lips and mouth with dust and straw and cloth and chips of wood – anything to get rid of the taste. He kept on repeating to himself, ‘What a mess! I would give anything to be revenged on those two. I would give my soul to the devil, I really would. If only I had turned away. If only I had not kissed that – that thing.’ His lust of course was now completely quenched. From this time forward, from the time he kissed the arse of Alison, he never looked at another woman. He was cured of lovesickness. Women? What were they to him?
So, weeping like a child that has just been whipped, he crossed the street and made his way towards the shop of a blacksmith called Gervase. Gervase forged the equipment for ploughs – that sort of thing – and just at that moment was working on a ploughshare for one of the local farmers. So Absolon knocked on the door and called out, ‘Open the door, Gervase! Hurry up!’
‘What? Who’s there?’
‘It’s me. Absolon.’
‘What in God’s name are you doing here so early? What’s the matter? Oh. I know. Some young madame has got you all excited. You rise early. You know what I mean.’
Absolon was not bothered by these sly insinuations. He had no time for joking. He had other matters on his mind. ‘I can see that hot blade in the corner of the chimney,’ he said to Gervase. ‘It’s for a ploughshare, isn’t it? Can I borrow it from you for a few minutes? I won’t need it for long.’
‘Of course you can. I would do anything for an old friend like you. You could borrow it if it were made of gold or worth a sack of sovereigns. But what on earth do you need it for?’
‘That depends. I’ll tell you all about it later.’ Then he picked up the blade – its handle was cool by now – and left the smithy.
He made his way quickly to the carpenter’s house and stood outside the window once more. He coughed softly, just like before, and knocked. ‘Who’s there?’ Alison called out. ‘Are you a thief or what?’
‘No, dear Alison,’ he said. ‘It is me again. Your darling Absolon. I’ve brought with me a gold ring. My mother gave it to me many years ago. It is of the purest gold, and engraved with a true love knot. I would like to give it you. In exchange for another kiss.’
Nicholas was out of bed and just about to take a piss. He thought that he could make the joke even funnier if he changed places with Alison and stuck his own arse out of the window. So he quickly went over to the window and thrust out his buttocks as far as he could.
Absolon called out ‘Speak to me, my little bird. I can’t see you, sweetheart.’
And, at that, Nicholas let out a fart as loud as a peal of thunder. What a noise! What a smell! You can guess what Absolon did next. He steadied the hot blade, and thrust it right up Nicholas’s arse. Oh dear. He took the skin off that fundament, and all around the edges. Nicholas was in such pain that he thought he might die, and screamed out in agony like a madman, ‘Help! Water! For God’s sake! Water!’ Now his cries awoke the carpenter, and when he heard the exclamation ‘Water!’ he started up.
‘Oh Christ,’ he said. ‘Here comes the flood!’ So he took up the axe beside him, and cut the rope that held his tub to the beams of the ceiling. Then, as the children say, all fall down. In a moment the tub plummeted to the floor. I could put it another way. He had no time to sell the bread and ale on board. He was on the floorboards, passed out. He was dead to the world.
When they realized what had happened Alison and Nicholas went out into the street calling ‘Havoc!’ and ‘Harrow!’ to wake their neighbours. And then the good people ran out of their houses to take a look at the carpenter spread out on the floor. He had broken his arm in the fall, and was generally in a sad condition. Slowly he recovered from his faint. He tried to stand up, but it did him no good. Before he could say a word Nicholas and Alison assured the crowd that he had gone mad. They said that he had become so obsessed with Noah and the Flood that he had gone out especially to buy three tubs; when these vessels were hanging from the roof, he had urged them to join him up there for the sake of company.
Then all the neighbours began to laugh at him. He was not only mad. He was a fool. They looked up at the two tubs still dangling from the roof, and laughed even harder. It was a joke. The carpenter tried to explain what had happened, but no one was in the mood to listen to him. The testimony of Nicholas and Alison was so convincing that the whole town now treated him as little more than a lunatic. Everyone agreed about that. So there we are. That is how the young scholar got to fuck the young wife, despite all the carpenter’s precautions. How Absolon kissed her arse. How Nicholas had a sore bum. And that, pilgrims, is the end of my story. God save us all!
Then the Miller fell off his horse.
Heere endeth the Millere his tale
The Reeve’s Prologue
The prologe of the Reves Tale
When everyone had finished laughing at the lewd tale of Absolon and Nicholas, they all interpreted it in different ways. There is more than one way to peel an apple. But the main response was laughter. No one took offence at it – apart from the Reeve, Oswald. He was a carpenter himself, you see, and he suffered just the tiniest bit of resentment. So he grumbled and complained under his breath.
‘If I wanted to compete with you in dirty stories,’ he eventually said to the Miller, ‘I could tell you one about your profession. I could get my own back. But I don’t want to do that. I am old. I don’t want to soil my mouth with any filth about a cuckolded miller. My grass time is done. Now I eat only winter hay. My white hairs tell my age, I know. And my heart is frail, too. It has gone to mould, like the fruit of the medlar that is ripe only when it is rotten. It is laid in rubbish or in straw, and there it sits until it falls apart like an open arse. That is what old men do. We are rotten before we are ripe. Of course we will still cut a caper, while there is a piper playing; we are always tickled by desire. It is our fate, like the leek, to have a white head and a green tail. Our strength may have gone, but the longing is still there. When we cannot do it, we talk about it. In the white ashes there still smoulders the fire, stirred by four burning embers. They are, in order, boasting, lying, rage and envy. These are the live coals of old age. Our limbs may not be supple, and our members may not rise to the occasion. But the need will surely never go away. It has been many years since I came weeping into the world, but I still have all the yearnings of a young man. The tap of my life began to run far back, further than I remember, and the years have flowed on. Death turned the tap, of course. I am flowing towards him. The vessel of my life is almost empty. There are only a few drops left. Well, I could carry on about the folly and the wickedness of times long gone. I still have a tongue in my head. But there is nothing left for old age but dotage.’