„You oughta see my waterfall,“ said my neighbor.
„All right,“ I said, „let's see it.“ We walked over there, through his wife, past his kind and out the back door and into the backyard past his pool and sure enough there in the back was a HUGE waterfall. It went all the way up a cliff in the back and some of the water seemed to be coming out of a tree trunk. It was massive. And built of huge and beautiful stones of different color. The water roared down flooded by lights. It was had to believe. There was a worker back there still working on the waterfall. There was more to be done on it.
11/22/91 12:26 AM
Well, my 71st year has been a hell of a productive year. I have probably written more words this year than in any year of my life. And though a writer is a poor judge of his own work, I still tend to believe that the writing is about as good as ever – I mean, as good as I have done in my peak times. This computer that I started using on Jan. 18 has had much to do with it. It's simply easier to get the word down, it transfers more quickly from the brain (or wherever this comes from) to the fingers and from the fingers to the screen where it is immediately visible – crisp and clear. It's not a matter of speed per se, it's a matter of flow, a river of words and if the words are good then let them run with ease. No more carbons, no more retyping. I used to neeed one night to do the work and then the next night to correct the errors and sloppines of the night before. Misspellings, screw-ups in tenses, etc. can now all be corrected on the orginal copy without a complete retype or write-ins or cross-outs. Nobody likes to read haphazard copy, not even the writer. I know all this must sound prissy and over-careful but it isn't, all it does is allow whatever force or luck you might have engendered to come out clearly. It's all for the best, really, and if this is how you lose your soul, I am all for it.
There have been some bad moments. I remember one night after typing a good 4 hours or so, I felt I had had some astonishing luck when – I hit something or other – there was a flash of blue light and the many pages of writing vanished. I tried everything to get them back. They were simply gone. Yes, I had it set on „Save-all,“ it still didn't matter. This had happened at other times but not with so many pages. Let me tell you, it is one hell of a hell of a horrible feeling when the pages vanish. Come think of it now, I have lost 3 or 4 pages at other times on my novel. A whole chapter. What I did then was simply rewrite the whole damn thing. When you do this, you lose something, little highlights that don't return but you gain something too because as you rewrite you skip some parts that didn't quite please you and you add some parts that are better. So? Well, it's a long night then. The birds are up. The wife and the cats think you've gone mad.
I consulted some computer experts about the „blue flash“ but none of them could tell me anything. I've found out that most computer experts aren't very expert. Confounding things happen that just aren't in the book. Now that I know more about computers I think I know one thing that might have brought the work back from the „blue flash“…
The worst night was when I sat down to the computer and it went completely crazy, sending out bombs, weird loud sounds, moments of darkness, deathly blackness, I worked and worked and worked but could do nothing. Then I noticed what looked like liquid that had hardened on the screen and around the slot near the „brain,“ the slot where you inserted the disks. One of my cats had sprayed the machine. I had to take it down to the computer shop. The mechanic was out and a salesman removed a portion of the „brain,“ a yellow liquid splashed on his white shirt and he screamed „cat spray!“ Poor guy. Poor guy. Anyhow, I left the computer. Nothing in the warranty covered cat spray. They had to take practically all the guts out of the „brain.“ It ook them 8 days to fix it. During that time I went back to my typewriter. It was like trying to break rock with my hands. I had to learn to type all over again. I had to get good and drunk to get the flow. And again, it was one night to write it and another night to straighten it out. But I was glad the typer was there. We had been toghether over 5 decades and had some great times. When I got the computer back it was with some sadness that I returned the old typer to its place in the corner. But I went back to the computer and the words flew like crazy birds. And there were no longer any blue flashes and pages that vanished. Things were even better. That cat spraying the machine fixed everything up. Only now, when I leave the computer I cover it with a large each towel and close the door.
Yes, it's been my most productive year. Wine gets better if it's properly aged.
I'm not in contest with anybody, have no thoughts about immortality, don't give a damn about it. It's the ACTION while you're alive. The gate springing open in the sunlight, the horses plunging through the light, all the jocks, brave little devils in their bright silks, going for it, doing it. The glory is in the motion and the dare. Death be damned. It's today and today and today. Yes.
12/9/91 1:18 AM
The tide ebbs. I sit and stare at a paper clip for 5 minutes. Yesterday, coming in on the freeway, it was evening going into darkness. There was a light fog. Christmas was coming like a harpoon. Suddenly I noticed that I was driving almost alone. Then in the road I saw a large bumper attached to a piece of grill. I avoided it in time, then looked to my right. There was a pile-up of cars, 4 or 5 cars but there was silence, no movement, nobody around, no fire, no smoke, no headlights. I was going too fast to see if there were people in the cars. Then, at once, evening became night. Sometimes there is no warning. Things occur in seconds. Everything changes. You're alive. You're dead. And things move on.
We are paper thin. We exist on luck amid the percentages, temporarily. And that's the best part and the worse part, the temporal factor. And there's nothing you can do about it. You can sit on top of a mountain and meditate for decades and it's not going to alter. You can alter yourself into acceptability but maybe that's wrong too. Maybe we think too much. Feel more, think less.
All the cars in that pile-up seemed to be gray. Odd.
I like the way philosophers break down the concepts and theories which have preceded them. It's been going on for centuries. No, that's not the way, they say. This is the way. It goes on and on and seems very sensible, this onwardness. The main problem for the philosophers is that they must humanize their language, make it more accessible, then the thoughts light up better, are more intersting still. I think that they are learning this. Simplicity is the key.
In writing you must slide along. The words can be crippled and choppy but if they slide along then a certain delight lights up everything. Careful writing is deathly writing. I think Sherwood Anderson was one of the best at playing with words as if they were rocks, or bits of food to be eaten. He PAINTED his words on paper. And they were so simple that you felt rushes of light, doors openin, walls glistening. You could see rugs and shoes and fingers. He had the words. Delightful. Yet, they were like bullets too. They could take you right out. Sherwood Anderson knew something, he had the instinct. Hemingway tried too hard. You could feel the had work in his writing. They were hard blocks stuck together. And Anderson could laugh while he was telling you something serious. Hemingway could never laugh. Anybody who writes standing up at 6 a.m. in the morning has no sense of humor. He wants to defeat something.