“With all my heart.”
“Afterward we will go to my house in the Barbican and there you will become acquainted with my friends.”
Savage bowed his head, and the Mass began.
When they had left Fetter Lane for the house in the Barbican, Anthony Babington entertained his friends with food and wine, and after they had been served he bolted the doors and assured himself that nothing which was said in the room could be heard by anyone outside it.
Babington, Savage realized, was a man in his middle twenties. He was somewhat flamboyant in dress as he was in manner and his handsome features glowed with an enthusiasm which was infectious. Babington believed wholeheartedly in his plot; he could not visualize failure, and such was his personality that everyone around that table caught his fervor.
He took the center of the stage and dramatically explained why this party of men were gathered together in such secrecy.
“My friend,” he said, “now that you have joined us we are thirteen in number. But do not think we are alone. Once we are ready we shall find the entire Catholic Nobility of England behind us. And we have allies outside England. This is no Northern Rising, gentlemen. This is going to be the revolt against Protestantism which will change the course of our country’s history. The Pope is with us. The King of Spain is with us. And once we have removed the bastard from the throne, these powerful allies will come to our aid.”
He looked around the assembly, his eyes glowing.
“John Savage,” he went on, “I will now introduce you to your colleagues.” He pointed to the man who sat on his right hand. “Edward Abington,” he said. Savage inclined his head in greeting which was returned by Abington. Then he indicated the others who sat around that table and the procedure was repeated: “Edward Windsor, Edward Jones, Chidiock Tichbourne, Charles Tilney, Henry Donn, Gilbert Gifford, John Traves, Robert Barnwell, Thomas Salisbury.”
When the greetings were over, Babington said: “Now pray be seated and we will talk together.”
Savage took his seat and Babington went on to explain the conspiracy, which he had been chosen to lead. It was well known on the Continent, he explained, that he was an ardent Catholic, devoted to the cause of the Queen of Scots. The core of the plot was to bring England back to the Catholic Faith and to free the Queen of Scots, but there was one deed which must be performed before this could be achieved: the assassination of Elizabeth. Once Elizabeth was dead the King of Spain and the Pope would not hesitate to give their open support. Therefore their first task was to plan that assassination. When the time was ripe Babington proposed to call for six volunteers for this most important task. In the meantime there were minor details to be discussed.
“I will inform the Spanish ambassador that we rely on Philip II above all, and that it is because of his encouragement and promises of help that we have the zeal and courage to go on with this dangerous plan. We shall ask for an assurance that, as soon as Elizabeth is dead, help reaches us from Spain and the Low Countries. Ships in the Thames must be seized. Cecil, Walsingham, Hunsdon and Knollys must be immediately either captured or killed. I shall inform the Queen of Scots of our intention.”
Charles Tilney put in: “Is it wise to tell her of the intention to murder Elizabeth? I have reason to believe that she will not readily agree to be party to such a deed.”
Babington was thoughtful and others added their doubts to Tilney’s.
They should go cautiously in their communication with the Queen of Scots who was, after all, a prisoner in the hands of their enemies.
“Letters will have to be smuggled to her,” pointed out Henry Donn. “A dangerous procedure.”
Gifford spoke then. “I do not think you need fear, my friends. We have a very good method of conveying letters to the Queen. The brewer of Burton is an honest man whom we can trust. The Queen must be prepared for rescue. It would be unwise to keep her in the dark.”
There was clearly a divided opinion on this matter and it was temporarily shelved.
But when the meeting was over and the conspirators went their various ways, Gifford returned to the house to speak to Babington; they sat for a long time discussing the plot, and Gifford did not have great difficulty in persuading Babington that it would be advisable to inform Mary of their intentions.
ANTHONY BABINGTON was a vain young man. Extremely handsome, elegant and wealthy, he had been intended for the Bar, but had abandoned this career for a fashionable life on the fringes of the Court. He had divided his time between that Court and his vast estates at Dethick. During the last few years he had also traveled abroad and, because he must be the center of attention, he had become known as an ardent Catholic, and a man of adventure, so that he had been noticed as a suitable leader to be remembered when such a one was needed—for his vitality, enthusiasms, wealth and charm were invaluable.
When he was barely eighteen he had married Margery, the daughter of Philip Draycot of Paynsley in Staffordshire; the Draycots were Catholics, as were his mother and his stepfather, Henry Foljambe. Among such fervent Catholics intrigue was constantly fostered, and Anthony soon became a member—with the support of his family—of a secret society which had been formed for the protection of Jesuit missionaries in England.
And so it was that while he was but twenty-five he found himself at the head of a conspiracy which if it succeeded would change the course of English history.
Anthony now saw himself as a man of destiny. He believed that Fate had chosen him. Was he not outstandingly handsome, cultured, witty? Did he not draw men and women into his circle through his charming manners?
He had always cherished a devotion to the Queen of Scots. She was such a romantic figure—a beautiful woman, a Queen, a helpless prisoner, the motive for many a conspiracy, the symbol of many a cherished ideal.
When he had met her he had been conscious of that potent charm. He was devoted to his wife and young daughter, but, for him, as she was for so many, the Queen was someone to worship from afar, the ideal woman.
But Anthony Babington was no simple-hearted George Douglas. His devotion was not single-minded. For although Anthony admired the Queen, he admired himself more.
Anthony must be the center of the stage—the leading character in the drama. The Queen was a charming second—but a symbol, whose grace and beauty must merely serve to emphasize the valor of the man of action.
He had already committed an act which he knew some of the conspirators would have declared not only foolish but highly dangerous, when he had caused to be painted a picture of himself with six of his friends—himself in the center as leader—and had allowed this picture to be inscribed with the words:
Hi mihi sunt comites, quos ipsa pericula ducunt.
Perhaps the best time to have had such a picture painted would have been after the conspiracy had been brought to a successful conclusion, but Babington was impatient, and he derived great pleasure from looking at this portrait of himself.
He was impatient now—eager to receive the approbation of the Queen of Scots. He wanted Mary to know that he was ready to risk his life for her; when the plot succeeded there would be many to claim her praise for their part in it; he wanted her to know now that the plot was Babington’s plot and that it was he who was at the very heart of it.
He knew that he should act with caution, that some members of the company had thought it unwise to write to Mary; but Gifford was with him. Gifford believed that Mary should be informed.
Anthony took up his pen and wrote to Mary:
Most highly and excellent Sovereign Lady and Queen unto whom I owe all fidelity and obedience . . . .
He smiled as he wrote, and the eloquent words rose to his lips while he mouthed them slowly to keep time with his pen.