“I am the comte de Pontevedra!” shouted the former Blade.
“We both know who you are,” said La Fargue in a calm voice.
Turning away, he already had his hand on the doorknob, when Pontevedra, crimson-faced, cried out: “I will find Anne. Wherever you are hiding her, I will find her!”
The captain spared a thought for his daughter, whom he did not know and even dreaded meeting. For now, she was where no one would be looking for her, in rue de la Grenouillere, entrusted thanks to Marciac to the good graces of the beautiful Gabrielle and her comely lodgers.
That, however, could not last.
“No,” declared La Fargue. “You will not find her. You are going to forget about her.”
The ambassador burst out laughing.
“How are you going to force me? You can’t do anything against me, La Fargue! Nothing!”
“Oh, but I can. You have used your post as ambassador to pursue a personal ambition. You have schemed and you have lied. In doing so, you have seriously compromised your mission and betrayed the trust placed in you by your… king. You have even, in demanding that the Blades and I search for the so-called chevalier d’Ireban, gathered together men who will soon, no doubt, be a source of complaint for Spain. You wanted us because we are the best? Well, here we are. Do you believe that Richelieu will now wish to deprive himself of our services? No, Louveciennes. The Cardinal’s Blades are back, a development that your masters will have cause to regret before long… So, think about it. Do you really want this to become known?”
“Don’t threaten me.”
“I exchange my silence for my daughter. You have no choice… Oh, and one last thing…”
“Which is?”
“The next time we meet, I will kill you. Have a safe journey back to Spain.”
La Fargue left without closing the door.
Pevel, Pierre Translated by Clegg, Tom
The Cardinal's Blades
Night had fallen when La Fargue returned to the Hotel de l’Epervier that evening.
He led his horse to the stable, unsaddled it, and carefully rubbed it down, then crossed the courtyard to the main building. The sound of laughter, snatches of song, and joyful conversations reached his ears as he went up the front steps. He smiled, entered, and, from the shadows in the front hall, watched the spectacle that presented itself to him through a wide-open doorway.
The Blades were gathered around a meal that wine and enjoyment had prolonged. They were all there. Ballardieu and Marciac were standing on chairs and singing off key. Agnes, radiant, was laughing. Leprat was clapping his hands and joining in on the chorus. And even the austere Almades could not help laughing at the clowning of the first two. The Gascon was playing at being drunk with only a little effort. Sweet Nais was serving without losing the least bit of their performance. Delighted, old Guibot tapped out the rhythm with his wooden leg.
O charmante bouteille!
Pourquoi renfermes-tu
Dans un osier tordu
Ta liqueur sans pareille?
Pourquoi nous caches-tu
Sous tes sombres habits
Ton ambre et tes rubis?
Pour contenter la vue,
Ainsi que le gosier,
Depouille ton osier,
Montre-toi toute nue.
Et ne nous cache plus
Sous tes sombres habits
Ton ambre et tes rubis.
They seemed happy and La Fargue envied their joy, their carefree attitude, and their youth. He could have been the father of most of them and, in a certain sense, he was.
Or he had been.
In former times, he would have joined in. And he was hesitating over whether or not to do so now when Nais, in order to pass by, shut the door and left the tired old captain plunged in darkness
He preferred to go to his room without being seen or heard.
Once there, far from the noise and the warmth of the party below, he stretched out, still fully dressed, on his bed, crossed his fingers beneath the back of his neck, and waited, eyes wide open but staring blankly ahead.
Soon the Saint-Germain abbey bell tower tolled midnight.
Then La Fargue got up.
From a small casket, whose key he always kept on his person, he took out a precious silver mirror that he placed before him on a table.
In a meditative pose, with lowered eyelids, he quietly recited a ritual formula in an ancient, dread, and almost forgotten tongue. The mirror which at first sent back nothing but his own reflection responded to the call. Its surface rippled and, slowly, as if emerging from a layer of living mercury, appeared the slightly translucent head of a white dragon with red eyes.
“Good evening, master,” said La Fargue.
Ballardieu and Marciac’s song
Oh charming bottle!
Why do you enclose
In twisted wicker
Your peerless liqueur?
Why do you hide from us
Beneath your dark apparel
Your amber and your rubies?
To satisfy the eye,
As well as the throat,
Shed thy wicker
And bare yourself
No longer hide from us
Beneath your dark apparel
Your amber and your rubies.