‘What’s the problem, Herr Doctor?’
‘Well… I really felt I was getting somewhere with Frau Klee and I think she is making a big mistake in breaking off her therapy. She is far from well. I was hoping that you could get her to see sense.’
‘I’m sorry, Dr Minks,’ said Fabel. ‘I don’t understand. Are you saying that Maria hasn’t been keeping her appointments?’
‘Not for the last four or five weeks.’
‘Tell me, doctor, did you suggest it would be a good idea for Maria to avoid contact with me or any of her colleagues for the time being?’
‘No…’ Minks sounded puzzled. ‘Why would I say any such thing?’
Fabel had promised to speak to Maria about returning to therapy and hung up. Maria had lied to him. Not just about the therapy: she had lied about her whereabouts. And now Fabel knew exactly where she was.
He sat for a moment, his hands pressed flat on his desk, staring at them absently. Then he snatched up the phone and made the first of the three calls that he knew he had to make.
2.
Benni Scholz was growing to hate Karneval. There were hotels just outside the city that had started to offer sanctuary from Cologne’s carnival madness and compulsory bonhomie: places where order remained unchallenged and where a serene sanity was guaranteed until Lent. He had never before understood why some people sought out these places, or why many Cologne families took a holiday away from the city at Karneval time. Benni had always felt that, as a Kolner, Karneval defined who and what he was. But now, with deadlines looming and the police Karneval committee hounding him with e-mails, texts and phone calls, Scholz found himself wishing he had been born in Berlin.
But now there was something else to add to his stress. He had just over three weeks until Women’s Karneval Night. He knew that the Karneval Killer would strike again. Another woman would die unless they got a lead on the murders of the previous two years. Files lay scattered across his desk and in an untidy arc on the floor. Scholz had the feeling that there was something he wasn’t seeing in the available evidence. He had learned about serial killers. At least the theory. But this was the first time he’d ever been involved with a case and he felt out of his depth. He had called the Polizei Hamburg again, but had been told that the Murder Commission boss, Fabel, was leaving the force and really wasn’t interested in taking on Scholz’s case. He was going to have to think the Karneval Killer case through again, alone, without the assistance of some Hamburg supercop. Fuck him, thought Scholz, stuck-up Fischkopp. Scholz had been to Hamburg only a couple of times. Beautiful city, shame about the people. And the food was crap: all they ate was fish or that shit Labskaus.
He turned from the files and looked out of his office window in Cologne’s Police Presidium but didn’t see anything of the city that lay grey dark under the moody winter sky. Scholz turned his thoughts from the murders he was investigating back to his other problem: getting this bloody Karneval float and costumes organised. Scholz had studied so many books and researched so much stuff on the Internet about Karneval. Its origins, its significance, what had changed and what had stayed the same throughout the centuries. Maybe that was where he was going wrong: he was over-thinking it all.
It was while Scholz was in this doubly darkened mood that the phone rang. He was surprised to hear that it was the Hamburg cop, Fabel.
‘Aren’t you supposed to be leaving the force?’ said Scholz. ‘I didn’t think I’d hear from you.’
‘I am supposed to be leaving the force and you are hearing from me,’ said Fabel. That famous northern charm, thought Scholz.
‘Have you looked at the files I sent up, Herr Fabel?’
‘Yes.’
‘And?’
‘And you’ve got a cannibal on your patch, in my opinion,’ said Fabel.
‘Shit…’ said Scholz. ‘So the piece of arse he takes away… it goes straight into the pan, you reckon?’
‘I would have put it a little more technically than that, Herr Scholz, but effectively yes. He’s probably cooking his trophy and consuming it. There are contradictions in his offending pattern, but my guess is that he is a sexual cannibal. His consumption of the flesh is probably accompanied by either involuntary ejaculation or active masturbation.’
‘I guess that would be enough to get you chucked out of McDonald’s.’ Scholz laughed at his own joke. There was silence on the other end of the line. ‘Have you had experience of this type of offender before, Herr Principal Chief Commissar?’ Scholz adopted a more sober and official tone.
‘Similar,’ said Fabel. ‘But your killer seems fixated on the run-up to Karneval. I’m guessing it has some symbolic significance for him.’
‘Him and the entire population of Cologne, Herr Fabel. You don’t have Karneval up there in Hamburg, do you?’
‘No. We don’t.’
‘Karneval is more than you see on the television. It’s not just fancy dress and reciting lame Buttenrede comic monologues in front of the Elferrat. Sorry, the Elferrat is the eleven elected members of the Karneval committee…’
‘I know what the Elferrat is, Herr Scholz,’ said Fabel drily. ‘I’m from Hamburg, not Ulan Bator.’
‘Sorry… anyway, my point is that Karneval defines what it is to be a Kolner. It’s part of our soul. It’s an emotional experience that can’t be explained, only experienced. The fact that this nut-job focuses on Karneval is no surprise. It just tells me that he’s a born Kolner.’
‘I think there’s more to it than that,’ said Fabel. ‘But we can discuss this when I come down to see you.’
‘Oh?’
‘I’ve cleared it with the Polizei Hamburg. I’ll drive down on Friday. I should be there sometime between two and three p.m. Can you fix me up with a hotel? Nothing too fancy. I’m afraid your people will be picking up the tab.’
What else could you expect from a northerner? thought Scholz. ‘Fine…’ he said cheerily. ‘No problem.’
3.
After he hung up from his call to Cologne, Fabel used his cellphone to reach Anna Wolff and asked her to meet him at Maria’s flat.
‘You know that bunch of keys you keep in your drawer, Anna?’
‘Yes?’ she said hesitantly and with a hint of suspicion.
‘Well, bring that with you.’
‘Do I detect a whiff of illegality about this?’ Anna said. Then, more seriously: ‘Is Maria all right?’
‘That’s what I want to establish, Anna. And yes, this is probably illegal, but I dare say Maria won’t file charges.’
‘I’ll meet you there in half an hour.’
Maria shared the floor of her apartment building with two other flats. Fabel rang the buzzers for both but only got an answer at the second, which had the name ‘Franzka’ by the bell-push: a small woman in late middle age and with a weary expression came to the door.
‘The Mittelholzers are both out at work at this time of day,’ explained Frau Franzka.
Fabel showed her his Murder Commission ID and told her there was nothing to be alarmed about. Frau Franzka’s countenance suggested it would take a lot more than Fabel’s presence to alarm her. ‘I’m Frau Klee’s boss,’ he explained. ‘She’s been unwell recently and we were a little concerned about her. Have you seen her lately?’
‘Not for a while,’ Frau Franzka replied. ‘I saw her take some luggage down to her car. It was a Wednesday, so exactly two weeks ago today. It looked like she was going away on business. She had a computer bag and a briefcase with her.’
‘Thanks,’ said Fabel. He and Anna went across to Maria’s apartment door. Frau Franzka watched them from her doorway, then shrugged and went back inside. Anna had brought her collection of keys: a wire coat-hanger bent into a circle with a hundred or more keys attached, like some improvised tribal necklace. Fabel remembered that in the days before central locking and keyless remotes, every uniformed station had the same arrangement for car keys. He decided not to ask Anna why she felt it necessary to have such comprehensive means of illegal entry; he had always suspected that Anna bent the rules a little too far at times. Until today, he had pretended to be unaware of her key collection. After about five minutes and countless keys, they were rewarded by a click. Anna paused and looked over her shoulder at her boss.