"Will she do?" asked Della Street.
Perry Mason's eyes surveyed the girl in silent appraisal.
"Your name?" he asked at length.
"Thelma Bevins."
"Age?"
"Twentyseven."
"Training?"
"Secretarial."
"Been out of a job long?"
"Yes."
"Ready to do anything that's offered?"
"That depends on what it is."
Perry Mason remained silent.
She squared her shoulders, tilted her chin and said, "Yes, I don't give a damn what it is."
"That's better," Mason told her.
"Do I get the job?"
"I think you do, if you'll do exactly what I say. Can you follow instructions?"
"That depends on the instructions, but I can try."
"Can you keep quiet if you have to?"
"You mean not say anything?"
"Yes."
"I think I can."
"I want you," Perry Mason said, "to take an airplane to Reno. I want you to get an apartment in the name of Thelma Bevins."
"You mean, I'm to rent an apartment under my own name?" she asked.
"Yes."
"Then what do I do?"
"You stay there until a man comes to serve some papers on you."
"What sort of papers?"
"They'll be papers in a divorce action."
"Then what?"
"This man will ask you if your name is Hazel Basset, also known as Hazel Fenwick, formerly Hazel Chalmers."
"What do I do?"
"You say that your name is Thelma Bevins, but that you are expecting the papers and that you'll take them and accept service."
"Is there anything illegal in that?"
"Certainly not. They are papers which I will prepare and which you can expect. You know that they're going to be served on you because I'm telling you so now."
She nodded her head and said, "Is that all there is to it?"
"No," he told her, "that's the beginning."
"What's the ending?"
"You'll be taken into custody."
"You mean arrested?"
"Not exactly arrested, but you'll be taken into custody for questioning."
"Then what do I do?"
"Then is when the difficult part of it comes in. You keep your mouth shut."
"Don't tell them anything?"
"Don't tell them one single word."
"Shall I make any demands?"
"No, simply sit absolutely tight. You'll be questioned and crossquestioned. You'll be photographed by newspaper reporters. You'll be cajoled and wheedled. You'll be threatened, but you'll keep quiet. There's only one thing you will say, and you'll keep saying that."
"What is that?"
"That you refuse to leave the State of Nevada until some court of competent jurisdiction has given an order forcing you to cross the state line. Do you understand that?"
"I want to stay in Nevada, is that it?"
"Yes."
"What do I do to keep there?"
"Simply refuse to leave."
"Suppose they take me?"
"I don't think they'll take you. There's going to be a lot of publicity and a lot of newspaper reporters. If you insist on being allowed to remain in Nevada until some court has ordered your removal, they'll wait until they have a court order before they take you out."
"And that's all?"
"That's all there is to it."
"What do I get for it?"
"Five hundred bucks."
"When do I get it?"
"Two hundred now—three hundred when you've finished the job."
"How about expenses?"
"I furnish you an airplane ticket to Reno. You pay for your apartment out of the two hundred dollars."
"When do I start?"
"Right now."
She shook her head and said, "Not right now. When I get that two hundred dollars I go out and eat, then I start."
Mason nodded to Della Street.
"Give her two hundred dollars, Della," he said, "and have her sign a written statement that she is to go to Reno under my instructions; that she is to register under her own name; that when someone seeks to serve papers on her, she will say her name is not Hazel Fenwick nor Hazel Basset nor Hazel Chalmers, but that she will accept the papers."
"What's the object of that?" Thelma Bevins asked.
"That protects you and it protects me," Perry Mason said. "It shows exactly what you're instructed to do. Above all, be sure that you don't lie. Don't say that your name is Hazel Fenwick. Don't say that your name is Hazel Basset. Never admit that you're anyone except Thelma Bevins. Simply say that you're expecting the papers and will accept service of them. Do you understand that?"
"I think I do," she said. "And I get three hundred dollars when it's over with?"
"That's right."
She leaned across the desk and gave Perry Mason her hand.
"Thanks," she said. "I'll make a good job of it."
The telephone rang and Della Street, lifting the receiver and listening, glanced at Perry Mason.
"Paul Drake, Chief," she said.
Mason said, "Run Miss Bevins out through that side door, Della. I don't want Paul Drake to see her. She can go around and come in the office from the other entrance. Tell Drake to come in. I'll hold him here until you get finished with Miss Bevins. Then take her down to the plane and see her aboard. Just as soon as you hit Reno, Miss Bevins, get that apartment. You'll be there for less than a week, so rent it by the week. Wire me the address of the apartment. Don't sign the telegram. Do you understand?"
She nodded, and Della Street piloted her through the side door. A few moments later she appeared and ushered Paul Drake into the office.
"Thought I'd look in to see if things were coming all right," Drake said.
Mason nodded, and said, "They're okay, Paul."
"You contacted Stephen Chalmers all right?"
"Yes. I'm going to file his divorce action today."
"I got those pictures you wanted," Drake said. "I'll have the prints for you sometime tomorrow."
"Have any trouble?" Mason asked.
"Not a bit. We got everyone in the house, with one exception."
"Why the exception?"
"Colemar," the detective said. "He was last on the list and he smelled a rat. You see, Perry, I wanted to save you that fifty bucks. I didn't see any reason for having a newspaper photographer do the job. I got one of my men to pose as a reporter from the Journal. It got by okay until we came to Colemar. Seems that Colemar is going to be a witness. He'd just come from the D.A.'s office. He called them on the phone and asked if they wanted him to pose. Seems like they've warned him not to do or say anything unless he asks them…"
"What did the D.A.'s office say?" Mason asked. "Did they smell a rat?"
"Evidently they did because Colemar hung up the telephone and then called the Journal and asked for the city editor's desk. That checkmated my man. He grabbed his camera and beat it. Can you get along without Colemar, Perry?"
"I think I can," Mason said, "if you're sure he's going to be a witness for the prosecution."
"Sure he is," the detective asserted. "He's been spilling something to them. They'd evidently told him not to do anything until he'd called them."
Mason nodded slowly and asked, "How about those other pictures, Paul? Do they show anything peculiar about the facial expressions?"
"Nothing I can find," the detective said. "Look them over for yourself. Overton apparently tried to keep any expression whatever from showing on his face. Edith Brite had her lips compressed in a grim line. Dick Basset looks as though he were posing for a portrait, but the photographer told me he had a lot of trouble getting Dick to keep his eyes on the camera. Dick kept letting his gaze wander down to a spot on the floor. Does that mean anything?"
"It may," Mason said, "but probably it doesn't. I'll have to study the picture. How about this Brite woman…?"