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"Now, the chief figures that by sticking up for his rights, Manning can demand two weeks' notice and perhaps make it stick. Duncan will probably fire him, and the chief wants you to promise him a two months' job at a fair salary, with a chance to stay on regularly if he makes good. He's not to let anyone know that he's working for you, and he's to keep on out at the gambling ship just as long as he can. He'll make secret reports to you. The chief figures he can find out things.

"As soon as you've hired him, so the man's sympathies will be with you, the chief wants you to turn him inside out about just what he saw, and particularly just what Duncan was doing when Manning came into the office in response to the buzzer signal. Duncan may have been trying to plant some evidence in the chair where the chief had been sitting. Perry figures Manning might not have told all he knows about that-you know, figuring on trying to hold his job."

Drake nodded and said, "Okay, I'll put Manning to work. What else?"

"You're to report to me from time to time everything you've found out about the case, but you're to come into the office and do it personally. You're not to use the telephone. The chief thinks they may be looking for him and may try tapping telephone lines and…"

"For God's sake, is he going to stay hidden if they put out a dragnet for him?" Drake asked.

"That's what he said."

"He can't do it," Drake said positively. "They'll find him. He's mixed in this thing the way it is. He was waiting in the outer office when Duncan came in and discovered the murder. You can't let him…"

"Paul," Della Street interrupted in a tone of finality, "when the chief tells me to do something, I do it. I've learned by experience that it doesn't do any good to argue with him."

"Well, I want to talk with him," Drake said. "He's going to be in bad on this thing. He may even be accused of murder."

Della Street nodded lugubriously. "I'll tell him you want to talk with him the next time he gets in touch with me. And, in the meantime, he wanted you to give me a detailed report about what you know."

Drake said, "There isn't much to report. Sylvia Oxman went out aboard the ship about half or three-quarters of an hour before Mason went out, and Frank Oxman went out a short time later. Now, that's where the breaks went against my man. He tailed Oxman right down to the wharf and up to the point where Oxman bought a ticket for the speed boat. Then he ran into some tough luck. Oxman was the last passenger aboard the boat, which was loaded to capacity. As soon as he got aboard, the speed boat shoved off, and my man couldn't possibly get aboard. He had to wait quite a while before another launch was ready to shove off. Then, when he did get out to the gambling ship, he couldn't find a trace of Oxman anywhere. He searched all over the place for fifteen or twenty minutes. Finally he spotted Oxman just boarding one of the shore launches. So he got aboard that launch and tailed Oxman to the Breeden Hotel, where he's staying. I'd already stationed a plant-an operative staked out in the lobby-so if Oxman spotted his shadow, the operative in the lobby could carry on. Oxman was suspicious, and waited around in the lobby for a little while to make certain he wasn't being followed. So the tail turned him over to the plant. After a while Oxman went up to the desk and said he had some money he wanted to deposit in the hotel safe. He said it was money that belonged to someone else and he was particularly anxious to be relieved of the responsibility, so he made the clerk count it with him and check the amount, put it in an envelope, and deposit it in the safe.

"The money amounted to nine thousand five hundred bucks. You tell Perry about that and see if that means anything to him. I think it will. I've put a shadow on Oxman and we'll follow every move he makes.

"My men couldn't pick up Sylvia Oxman right away. She'd been out all day, but along late in the afternoon her maid came out carrying a fur coat, so one of the boys followed her and picked up Sylvia. Perry knows all about that. The shadow's name was Belgrade and I sent a relief for him down to the pier, but Sylvia had got aboard the ship before the relief arrived. Tell Perry that Belgrade shadowed her aboard and his report shows that she parked her coat with the hat check girl, stuck around for a while, and finally went into Sam Grieb's office. Now she'd been in there for maybe two or three minutes when a man who answered the description of Frank Oxman went down the corridor and was gone just a minute or two. Then he came out. Then, later on. Perry went in. Then Sylvia went out. Belgrade's instructions were to tag Sylvia, but Belgrade knew Perry was in there, and figured Perry might be having some trouble, so he stuck around, trying to keep Sylvia lined up and also watch the office entrance. Sylvia was nervous, did a little gambling and kept looking back at the offices.

"Then Duncan and a tall chap in a tweed suit went in, and a few minutes later the tall chap brought Mason out, and Mason's wrists were handcuffed. Sylvia went white as a sheet when she saw that, and dropped into a chair as though her legs had gone weak. She stayed there for three or four minutes. Then Duncan came out of the office, and Sylvia got up and started for the deck. Belgrade followed her up to the deck, then down to one of the speed launches.

"Now, there were a couple of neckers out on deck who saw some woman toss a gun overboard. Apparently Perry got to talk with them, and by the time he got through, about all they dare swear to is that they saw a gun somewhere in the air, just before it struck the water.

"Well, Sylvia went ashore, and when she landed Staples relieved Belgrade. Belgrade phoned in his report, and I told him to go pound his ear for a while. Staples made a good job of following Sylvia. He says she acted as if she was scared to death over something. She parked her car in the Central Garage at Fifth and Adams, then took a taxicab to the Pacific Greyhound Depot and bought a ticket on a bus that was leaving for San Francisco. Her ticket read as far as Ventura, but when the bus pulled into the depot at Hollywood, she got out and didn't get back aboard. My man followed her and she went to the Christy Hotel and registered under the name of Nell Yardley, and gave her address as 1260 Polk Street, San Francisco. She was given Room 318 and hasn't gone out since."

"You have men watching the place?" Della asked.

"Sewed up tighter than a drum," Drake told her.

"Okay, the chief wants you to keep her and Frank Oxman shadowed and he wants you to locate a Matilda Benson who lives at 1090 Wedgewood Drive, and shadow her. The chief says she's pretty cagey and you'll have some trouble with her. She's the white-haired woman in the silver dress who figures in the case, and the chief wants to find out if the officers have learned who she is. If they have, they'll be watching the house and your men can spot them. Let us know just as soon as any other men get on the job. And locate her if you can. She'll be under cover somewhere."

Drake said, "All right, I've got that. How about Duncan? He worked all day getting papers issued. He's filed a suit alleging the dissolution of the partnership and asking for an accounting in the federal court. Post, Wiker, Jones amp; Grayson are his lawyers and they're a reputable firm. After Duncan got the papers filed and an order issued to show cause why a receiver shouldn't be appointed, he and Dick Perkins, a deputy who specializes in serving papers, started down to the gambling ship.

"Mason only wanted a tail on Duncan long enough to find out when Duncan was starting out to serve the paper, so my man checked out when Duncan and the deputy reached the pier. Belgrade, the operative who was tailing Sylvia, knows Duncan personally. He identifies Duncan as one of the men who went into the offices, and the chap who was with him answers the description of the deputy marshal, Perkins. Perry will know because he was there."