Drake said, "I guess my Australian agency must have thought I was giving them a bit of leg pulling, or whatever you call it on that side of the water. They sent me back a cable in answer to my inquiry which said simply, 'Bishops seldom stutter.'"
Mason said, "Of course that doesn't answer the question. How about a description of the bishop? Did you get that?"
"Yes, in another cable."
Drake fumbled in his inside pocket, driving with one hand, pulled out a cablegram and handed it across to Mason when the lawyer yelled, "Watch that turn!"
Drake dropped the cablegram, grabbed the steering wheel and fought against the skid as the car lurched into a sickening swing. He spun the wheel hard to the left without effect. A great wave of water was thrown up by the wheels on the right-hand side of the car. Suddenly the front wheels caught. The car snapped into a turn in the opposite direction as Drake spun the steering wheel as though it had been the steering wheel of a yacht. He gave the car the gas as it careened around to the right. The turn loomed in front of the headlights. They swept into it sideways, then the wheels gathered traction. As the car shot for the side of the road, Drake fought it under control just before the front wheels hit the soft shoulder. "Where's the cablegram?" the detective asked. "You didn't drop it, did you?"
Mason sighed, relaxed his legs, which had been braced against the floorboards, and said, "No, it's down here on the seat somewhere."
The detective straightened the car out of the turn, pushed down on the foot throttle, and said, "Can you read it by the dash light?"
Mason said, "I guess so, if my hand will quit jiggling. For God's sake, Paul, don't you ever show any discretion?"
Drake said, "Sure. I was driving all right, but you distracted my attention asking about that cablegram."
Mason unfolded the cablegram and read: BISHOP WILLIAM MALLORY FIFTY-FIVE STOP FIVE FEET SIX STOP WEIGHT ONE HUNDRED SEVENTY-FIVE STOP GRAY EYES STOP HABITUAL PIPESMOKER STOP TAKING SABBATICAL YEAR AND REPORTED BE SOMEWHERE IN UNITED STATES BUT IMPOSSIBLE OBTAIN ACCURATE INFORMATION AS YET STOP.
Mason folded the cablegram.
"What do you think of it?" Drake asked.
Mason lit a cigarette. "Go right ahead, Paul, and drive the car. I don't want to distract your attention again. I'll talk with you when we get to where we're going." He settled down against the cushions, pulled the collar of his coat about his neck, dropped his chin on his chest, and smoked in silence.
"The description fits him right enough, doesn't it?" Drake asked. Mason said nothing. Drake chuckled and concentrated upon driving the car. Rain lashed the windshield and drummed on the hood, ran in streams from the glass and metal, showed in driving slants against the illumination of the headlights. The windshield wiper beat monotonously back and forth, but the downpour discounted the rubber-bladed pendulum, distorting the strip of wet pavement gleaming ahead of them.
At length they saw the tail light of an automobile. The headlights of Drake's car picked up a signboard bearing the insignia of a yacht club and the words "Private, Keep Out." A man, wearing a rubber rain coat which glistened in the headlights, and from which water ran in rivulets, splashed his way over toward the car.
"You know Mason, Harry," Drake said.
Mason nodded and said, "Hello, Harry. What's new?"
The operative thrust his head through the window of the car. Water from his hat dripped into Drake's lap. Drake yelled, "Take off that hat, you big baboon! Get in the back seat if you want to talk. I don't want a shower bath until morning."
The operative climbed into the back of the car. "Now, listen," he said in a low, rumbling voice of one who is imparting an air of mystery to an important disclosure, "get this straight. It sounds nutty to me. I went out to Brownley's house like you said. It was raining to beat hell. I figured it was just a routine assignment. I couldn't see a millionaire splashing around on a night like this. So I turned up the windows in my car and made myself comfortable. About half past one o'clock a taxicab drove up. Lights went on in the house and I heard a pow-wow. Then the taxicab left, but more lights kept coming on in the house. About fifteen minutes later, lights went on in the garage. Then the garage doors opened and I saw headlights. I managed to get a look at the car as it went past. Old Brownley was driving."
"It was raining all the time?" Drake asked.
"Cats and dogs."
"And Brownley didn't have a chauffeur?" Mason inquired.
"No, he was all alone."
"Go ahead," Drake instructed.
"I followed Brownley, with my lights out part of the time. It was hard going. I didn't dare to crowd him too close. He was pretty much ahead of me by the time we got down here. When he got this far, I figured of course he was going to his yacht, so when he took a turn and acted as though he'd seen me and was trying to shake me off, I beat it directly to the Yacht Club. After a few minutes, when he didn't show up, I started looking around. I didn't get anywhere. I guess I must have put in five or ten minutes cussing myself and trying to pick up the trail of that car. I took all crossroads, went down by the docks, and had turned back when I saw a man running through the rain and waving his arms. I stopped, and this guy was so excited he could hardly talk."
"Did you get his name?" Drake asked.
"Yeah, sure I got his name. It was Gordon Bixler."
"He the chap who told you about the shooting?" Mason asked.
"Yes."
"What did he say?" Drake wanted to know.
"Wait a minute," Mason said. "We have the highlights on that, but what I want to know is what this chap was doing down here. That sounds fishy to me."
"He's okay," the operative said. "I checked on his story. He's a yachtsman who was coming in from Catalina. He was delayed by the storm and had telephoned for his Filipino boy to meet him with a car. The boy evidently didn't like the rain, or was playing around, because he didn't show up, and Bixler, mad as hell, was starting to walk to some place where he could either get a taxi or a telephone. I made him show me his driving license and his cards, and give me the name of his yacht. The cops also checked up on him."
"Okay," Mason said, "I just wanted to know. Go ahead and give us the dope."
"Well, Bixler said he'd seen a big coupe come crawling along slowly, as though the guy who was driving it was looking for someone. Then a jane in a white rain coat flagged the coupe and it slowed down. The jane climbed on the running board, apparently talking to the driver, giving him some directions. Then she jumped off the running board and ran back into the shadows by one of the docks. The car drove slowly on. Bixler saw the bird turn down a side street, cross over to another road, speed up, and then make a turn and come back around down the same street.
"Bixler figured this guy might give him a lift, so he stood out in the middle of the street. The car came along, still running about ten or fifteen miles an hour, and then the woman in the white rain coat ran out in front of the headlights and flagged it to a stop again. Bixler started toward the car. He said it was about fifty yards away. The woman in the rain coat stood on the running board and, all of a sudden, Bixler saw flashes and heard an automatic go Bang! Bang! Bang! Bang! He can't be certain whether it was five shots or six, but he thinks it was five. The woman in the rain coat jumped down off the running board and started to sprint for a spur track where the road runs into one of the docks. Bixler waited a minute and then ran toward the coupe. Before he got to the car, he saw a light sedan - he thinks it was a Chevrolet, but he isn't certain - and he thinks the driver was the woman in the white rain coat, but he can't be too certain of that. Anyway, the car went out with a roar and the rain swallowed up the tail light in nothing flat.