In mid-May, Gage had gotten up to set breakfast and found Amanda Drogan lying at the foot of the main stairs in a litter of broken crockery and Little Friskies. Her eyes bulged sightlessly up at the ceiling. She had bled a great deal from the mouth and nose. Her back was broken, both legs were broken, and her neck had been literally shattered like glass.
"It slept in her room," Drogan said. "She treated it like a baby ...'Is oo hungwy, darwing? Does oo need to go out and do poopoos!' Obscene, coming from an old baffle-ax like my sister. I think it woke her up, meowing. She got his dish. She used to say that Sam didn't really like his Friskies unless they were wetted down with a little milk. So she was planning to go downstairs. The cat was rubbing against her legs. She was old, not too steady on her feet. Half asleep. They got to the head of the stairs and the cat got in front of her ... tripped her .. ."
Yes, it could have happened that way, Halston thought. In his mind's eye he saw the old woman falling forward and outward, too shocked to scream. The Friskies spraying out as she tumbled head over heels to the bottom, the bowl smashing. At last she comes to rest at the bottom, the old bones shattered, the eyes glaring, the nose and ears trickling blood. And the purring cat begins to work its way down the stairs, contentedly munching Little Friskies ...
"What did the coroner say?" he asked Drogan. "Death by accident, of course. But I knew."
"Why didn't you get rid of the cat then? With Amanda gone?"
Because Carolyn Broadmoor had threatened to leave if he did, apparently. She was hysterical, obsessed with the subject. She was a sick woman, and she was nutty on the subject of spiritualism. A Hartford medium had told her (for a mere twenty dollars) that Amanda's soul had entered Sam's feline body. Sam had been Amanda's, she told Drogan, and if Sam went, she went.
Halston, who had become something of an expert at reading between the lines of human lives, suspected that Drogan and the old Broadmoor bird had been lovers long ago, and the old dude was reluctant to let her go over a cat.
"It would have been the same as suicide," Drogan said. "In her mind she was still a wealthy woman, perfectly capable of packing up that cat and going to New York or London or even Monte Carlo with it. In fact she was the last of a great family, living on a pittance as a result of a number of bad investments in the sixties. She lived on the second floor here in a specially controlled, superhumidified room. The woman was seventy, Mr. Halston. She was a heavy smoker until the last two years of her life, and the emphysema was very bad. I wanted her here, and if the cat had to stay ..."
Halston nodded and then glanced meaningfully at his watch.
"Near the end of June, she died in the night. The doctor seemed to take it as a matter of course ... just came and wrote out the death certificate and that was the end of it. But the cat was in the room. Gage told me."
"We all have to go sometime, man," Halston said.
"Of course. That's what the doctor said. But I knew. I remembered. Cats like to get babies and old people when they're asleep. And steal their breath."
"An old wives' tale."
"Based on fact, like most so-called old wives' tales," Drogan replied.
"Cats like to knead soft things with their paws, you see. A pillow, a thick shag rug... or a blanket. A crib blanket or an old person's blanket. The extra weight on a person who's weak to start with ..."
Drogan trailed off, and Halston thought about it. Carolyn Broadmoor asleep in her bedroom, the breath rasping in and out of her damaged lungs, the sound nearly lost in the whisper of special humidifiers and air conditioners. The cat with the queer black-and-white markings leaps silently onto her spinster's bed and stares at her old and wrinkle-grooved face with those lambent, black-and-green eyes. It creeps onto her thin chest and settles its weight there, purring.., and the breathing slows ... slows ... and the cat purrs as the old woman slowly smothers beneath its weight on her chest.
He was not an imaginative man, but Halston shivered a little.
"Drogan," he said, continuing to stroke the purring cat. "Why don't you just have it put away? A vet would give it the gas for twenty dollars."
Drogan said, "The funeral was on the first day of July, I had Carolyn buried in our cemetery plot next to my sister. The way she would have wanted it. On July third I called Gage to this room and handed him a wicker basket.., a picnic hamper sort of thing. Do you know what I mean?"
Halston nodded.
"I told him to put the cat in it and take it to a vet in Milford and have it put to sleep. He said, 'Yes, sir,' took the basket, and went out. Very like him. I never saw him alive again. There was an accident on the turnpike. The Lincoln was driven into a bridge abutment at better than sixty miles an hour. Dick Gage was killed instantly. When they found him there were scratches on his face."
Halston was silent as the picture of how it might have been formed in his brain again. No sound in the room but the peaceful crackle of the fire and the peaceful purr of the cat in his lap. He and the cat together before the fire would make a good illustration for that Edgar Guest poem, the one that goes: "The cat on my lap, the hearth's good fire/ ... A happy man, should you enquire."
Dick Gage moving the Lincoln down the turnpike toward Milford, beating the speed limit by maybe five miles an hour. The wicker basket beside him - a picnic hamper sort of thing. The chauffeur is watching traffic, maybe he's passing a big cab-over Jimmy and he doesn't notice the peculiar black-on-one-side, white-on-the-other face that pokes out of one side of the basket. Out of the driver's side. He doesn't notice because he's passing the big trailer truck and that's when the cat jumps onto his face, spitting and clawing, its talons raking into one eye, puncturing it, deflating it, blinding it. Sixty and the hum of the Lincoln's big motor and the other paw is hooked over the bridge of the nose, digging in with exquisite, damning pain - maybe the Lincoln starts to veer right, into the path of the Jimmy, and its airhorn blares ear-shatteringly, but Gage can't hear it because the cat is yowling, the cat is spread-eagled over his face like some huge furry black spider, ears laid back, green eyes glaring like spotlights from hell, back legs jittering and digging into the soft flesh of the old man's neck. The car veers wildly back the other way. The bridge abutment looms. The cat jumps down and the Lincoln, a shiny black torpedo, hits the cement and goes up like a bomb.
Halston swallowed hard and heard a dry click in his throat. "And the cat came back?"
Drogan nodded. "A week later. On the day Dick Gage was buried, as a matter of fact. Just like the old song says. The cat came back."
"It survived a car crash at sixty? Hard to believe."
"They say each one has nine lives. When it comes back ... that's when I started to wonder if it might not be a...a..."
"Hellcat?" Halston suggested softly.
"For want of a better word, yes. A sort of demon sent ..."
"To punish you."
"I don't know. But I'm afraid of it. I feed it, or rather, the woman who comes in to do for me feeds it. She doesn't like it either. She says that face is a curse of God. Of course, she's local." The old man tried to smile and failed. "I want you to kill it. I've lived with it for the last four months. It skulks around in the shadows. It looks at me. It seems to be ... waiting. I lock myself in my room every night and still I wonder if I'm going to wake up one early and find it ... curled up on my chest ... and purring."