"What are you trying to say, Qwill? What's the big mystery?"
"Vince has gone to Lockmaster, leaving Verona without transportation, without money, and even without milk for the child. He left Monday, and there's no telling when he'll return. Does he play the horses? The race season just opened in Lockmaster."
"I don't know about that."
"Obviously the man has little sense of responsibility. Is that the kind of manager you want? By the way, why did he change his name from Bosworth?"
"To tell the truth, I never asked him," said Larry. "Was Luther Bosworth a miner? Was he a victim of the May thirteenth explosion?"
"No, he was sort of a handyman - a caretaker on the Goodwinter farm. All I know is what my great-uncle Benjamin said. Ephraim thought very highly of Luther."
"But you're not descended from Luther; your great- grandfather was Karl."
"Correct."
"Karl was a handsome man."
"How do you know?"
"Read your family bible, and you'll find out." Qwilleran presented it to Larry with a flourish, unaware of some clattering and thumping in the broom closet.
"Now let me ask you a question," Larry said. "According to the paper, the murder victim was Kristi Fugtree's ex-husband. Everyone says he's the one who poisoned her goats. She's now seeing a lot of Mitch Ogilvie. Do you think Mitch had anything to do with it?"
"Not very likely. He and Kristi were here Monday night, drinking cider and discussing the restoration of the Fugtree mansion as a historic place."
"I hope to God he's not involved," said Larry. "Now I've got to go back to the office and start the meeting."
"One more question, if you don't mind, Larry. What do you know about sandboxes for kids?"
"People around here make them with two-by-fours and get free sand on Sandpit Road. Why do you ask?"
"We have a budding archaeologist at the Boswell cottage with no place to dig."
Out came the reliable notebook. "The yard crew can rig something up. There might be some two-by-fours in the steel barn. I'll take care of it."
As he left there was a minor explosion in the broom closet, accompanied by the sound of shattering glass. Qwilleran yanked open the door. Bootsie was sitting on the shelf with the light bulbs, purring.
Polly Duncan returned earlier than expected to pick up the kitten. "When the meeting ended, I didn't stay to socialize," she explained. "I was lonesome for my little sweetheart. Was he a good boy?"
"No problem. I have a few scars, and the value of the Cobb glass collection is down a few hundred dollars, and the Siamese will never be the same, but... no problem."
Polly paid no atten.tion. "Where is he? I can hardly wait to see him. Where is he?" Both she and Qwilleran searched the apartment, checking all the warm places and soft places. They found Koko and Yum Yum on the blue velvet wing chair but not a hair of the kitten. Qwilleran could tell by Polly's terrified expression that she thought the Siamese had eaten Bigfoot.
"Here he is!" he called from the bathroom, just in time to save Polly from nervous collapse.
Bootsie was in the turkey roaster that served as a commode for the Siamese, sound asleep in the gravel.
Polly seized him. "Bootsie darling! What are you doing there? Were you lonesome? Did you miss me? Kiss-kiss... Did he use his litterbox, Qwill?"
"He seemed to prefer the turkey roaster."
"I hope he wasn't too frightened to eat."
"No, he ate very well, let me assure you. Did you run into Vince Boswell down there? He's supposed to be doing research at the library."
"I didn't see anyone from Pickax. If they were there, they were all at the track. The races are on this week. Now we must pack our luggage and go home."
Qwilleran produced Bootsie's basket, litterbox, brush, and carrier with alacrity.
"Say goodbye to Uncle Qwill, Bootsie,," said Polly, lifting the kitten's thin foreleg and waving the floppy brown paw. "Look at that lovely paw - just like a beautiful brown flower. Do you think I should clip his claws?"
"Don't do anything rash," said Qwilleran. When they had left, he heaved a sigh of relief, and the Siamese walked around, stretching. The three of them enjoyed a peaceful dinner of chicken cordon bleu from the freezer, and at dusk they settled down in the parlor for some music - the cats on the blue wing chair and Qwilleran on the brown lounge chair opposite, a mug of coffee in his hand. Both telephone bells had been turned off. No matter what the crisis or emergency he was determined to hear Polly's opera cassette without interruption.
As the first three acts unreeled he realized he was actually enjoying this music. Whatever sardonic remarks about opera he had made in the past, he was willing to rescind. The Siamese were listening, too, possibly hearing notes and nuances that escaped his ear. He was following the English libretto, and the suspense was mounting in the fourth act. During the poignant "Willow Song" Desdemona cried, "Hark! I hear a wailing! Hush! Who is knocking at that door?" And Emilia replied, "It is the wind."
At that precise moment a rumbling growl came from the depths of Koko's chest. He jumped to the floor and ran into the hall. A moment later there was a frantic pounding at the front door, the brass knocker clanging and fists beating the door panels.
Qwilleran rushed to open it.
"Help me find Baby!" screamed Verona, wild-eyed with anxiety and gasping for breath. "She got out! Maybe the barn!"
He grabbed a jacket and the battery-operated lantern, and they ran across the barnyard. A mercury-vapor lamp on a high pole flooded the entire yard, but Verona had run all the way down the lane without a flashlight. She had forgotten it in her panic.
"How long has she been gone?" Qwilleran shouted.
"I don't know." She was short of breath. "Where's Vince?"
"Not home yet."
They raced up the grassy ramp to the eye of the needle. "Step inside, but don't go any farther," Qwilleran ordered. "It's dark in there. Too many obstacles. Call her name."
"Baby! Baby!" Verona called in a terrified voice.
"Louder!"
She started forward.
"Stay back! And I mean it! Call her name!"
"Ba-aby! Ba-aby!"
Qwilleran flashed his light up and down the straw-covered aisles between the crates and presses. There was no movement except for a barn cat darting to cover. In one comer of the barn an industrial palette was leaning against the wall. Qwilleran had seen this wooden platform on his previous visit, flat on the floor, and he had wondered if Boswell used a forklift. Now it was leaning against the wall.
"Stay where you are!" he warned Verona as he went to investigate. "Don't stop calling."
The up-ended palette had been covering a square opening in the threshing floor, and a ladder led down into the stable. Qwilleran flashed his light down the hole and saw a green pail. He climbed down the ladder and quickly up again.
Putting his arm around Verona he said, "Come back to the house. We have to call the ambulance."
"She's hurt! Where is she? I've got to see her!"
"You can't. Wait till the ambulance comes."
Verona fainted.
Qwilleran carried her back to the apartment and placed her on the bed, where she lay-awake but motionless and staring at the ceiling. He covered her with a blanket and elevated her feet, then called the emergency number and Dr. Halifax.
"Doc, I've got a mother and child here. The baby's unconscious," he said. "I think the mother's in shock. I've called the ambulance. What should I do in the meantime?"
"Keep them both warm. Have the ambulance bring them both to the Pickax hospital. I'll be there. What's the name?"
"Boswell. Verona Boswell."