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`Now . . . about those photos for the lit club: are you picking t hem up from the newspaper today?'

`Want me to drop them off at your house tonight?' Qwilleran asked.

`If you will. I'd pick 'em up but I have an assignment for the paper.'

`You're working your head off, Bushy! If you didn't work so hard, maybe you'd grow more hair.'

`And I'm not even getting rich . . . So I'll tell Jan to expect you.’

Qwilleran himself was pressed for time. He had a `Qwill Pen' deadline at noon and had not given it a single thought. On such occasions there were a few tricks of the trade he could use: feature a 'Readers Write' column, rounding up opinions, ideas, and complaints from the general public . . . or pull a page from his private journal and stretch it to a thousand words.

Another chore Qwilleran faced this week was a speech for the literary club.

He handed in his patchwork column before the deadline, picked up Kenneth's envelope of Edd Smith photos, and checked out the library's historical collection of ancient photographs. There were several pictures of the old bookseller and his old building and trusty old book-dusting cat. Winston had several predecessors, but they all looked like the same one: grey, shaggy, and feathery of tail.

Then Qwilleran went home to the barn to work on his address for the literary club. He never read a speech in front of an audience. Rather, he made notes to jog his memory - and ad-libbed.

Now he stretched out in a lounge chair with a pad and pencil. First he had to recollect everything he knew about Edd Smith; they had been friends ever since Qwilleran arrived in Pickax and became addicted to old books. Every time he walked downtown he would swing around behind the post office and visit the quaint store - browsing, buying a book or two, and taking a can of sardines to Winston. Edd came to consider him a 'best friend', confiding in him about his family history. Could his tales be believed? He was descended from pioneers, who were storytellers and jokesters by nature. What they said could be true or invented or whimsical humour, factual or exaggerated.

Now Qwilleran had to decide how much to tell his Thursday audience. The notes he made on his pad included: old oak tree . . . book scouts . . . Edd's handgun . . . liver and onions . . . 'Call the police' . . . Edd's old truck . . . and perhaps his grandmother's scandalous secret, true or false.

As Qwilleran reminisced, he was aware that Koko was sitting nearby in a compact bundle, concentrating, as if helping him to remember. The man was not the first who credited a family cat with helping him find the right word, an elusive idea, or a forgotten detail.

As for the photos of Edd Smith that Bushy would make into slides, there was very little choice. They could be titled `Edd in front of shop with cat' and `Edd in front of shop without cat'. It was always the same wooden pose and solemn expression; the bookseller merely grew older with the years, and so did his clothing.

His reveries were interrupted by a sudden 'plop' as Fables in Slang fell off the shelf, while Koko crouched in the open space, looking downward. The book had fallen with covers splayed and pages open to a sketch titled 'Sister Mae Who Did As Well As Could Be Expected'.

This meant that Qwilleran to read the story about Sister Mae aloud. Frankly, he as not enthusiastic about George Ade's slangy style or racy material, as they were described in 1899, and Koko dozed off before the reading was over.

It was a neat little book, the size of a modern paperback, but the binding was hardback covered in cloth that looked like fine tapestry. One wondered about the price of it in a period when the Sunday New York Times sold for five cents. All that aside, Qwilleran was sure Koko merely liked the book because it was so small. He put the volume back on the shelf and prepared the cats' evening meal.

After dinner, he took his manila envelope of Edd Smith photos to the house on Pleasant Street. Janice had inherited the mansion from her boss, the late Thelma Thackery, along with four Amazon parrots.

`Go into the aviary,' Janice said, 'and I'll bring a tray. I hope you didn't eat dessert. I've made apricot squares.'

'I cannot tell a lie,' Qwilleran said. 'I had dessert, but I'm willing to overlook that fact and apply myself to apricot squares.'

`Thelma always said you had nobility of character, Qwill.'

The aviary occupied what had been the 'second parlour' in earlier days. Chicken-wire fencing divided the room in two. On one side were the birds and their perches, toys, and private cages; the rest of the room was devoted to slouchy wicker furniture. `What's Bushy's assignment tonight?' Qwilleran asked.

`Scottish Night at the lodge hall.'

‘Did you have a good time today?'

`Fantastic! I've never seen such a house!'

`No one has!'

`All that carving - everywhere! The grand staircase - the fireplaces - the furniture - the picture frames! The dining table seats ten and was covered with a white cloth and set with fabulous china, crystal, and silver. In the middle were two bowls of flowers and three tall silver candlesticks. There were flowers everywhere, the way Bushy had requested. No matter how old a house, he says, cut flowers make it look new and fresh.'

`Did you meet Miss Hibbard?' Qwilleran asked.

`Not until the afternoon. She was working at the ESP in the morning. I told her I had all the notes I needed and suggested we could just sit and talk for a while. Well! You wouldn't believe it, Qwill! We talked like a couple of young girls! And she's at least sixty! But we were both giggling and exchanging secrets. She wanted to know all about Bushy; said balding men are sexy. I told her we were newlyweds - and had a cabin cruiser and would like to take her for an outing some weekend. I said she could bring a date. That's when s e got all flustered and said she also was a new bride!'

Qwilleran, for all his usual poise, almost choked on his coffee.

`I reacted the same way, Qwill, and struggled to stay cool. I didn't want to pry, and I ask d questions all around the subject. She was dying to tell me but said it wouldn't be announced until Friday's paper - on the wedding page.'

A whimsical thought drifted through Qwilleran's head: it would be ironic if Violet's new husband proved to be her long-ago Italian artist, back in her life. More likely, it was Judd Amhurst, amiable, handsomely white-haired, and a retired engineer. As operator of a large guest house, Violet would do well to have an engineer in the family. Unfortunately, Qwilleran realized he would have no intimate dinners now to discuss Wordsworth and .Chekhov at the Grist Mill.

`I know you won't jump the gun, will you, Qwill? Violet wanted to change her will before the news leaks. She spent this morning at the lawyer's office - not the ESP.'

He said, 'There's nothing like a little duplicity to add spice to life . . . Is that Bushy's car pulling in?'

They went to the back door to meet him, and the photographer unslung his gear.

`Are you full of Scotch and haggis?' Qwilleran asked.

`Nah, I don't touch that stuff. Got any coffee?'

They sat at the kitchen table with the photos of Edd, eliminating near-duplicates. It was more important, they decided, to have a dozen good shots and flash them on and off as background atmosphere.

Bushy said, 'I went to the bookstore and looked at the meeting room. The wall behind the speaker is large and blank. I figure we shouldn't project slides sharply on a small screen but softly on the back wall, fading one in, holding it awhile, then fading it out. If we repeat a couple - okay. The visuals are for atmosphere only.'

`Can I help at the meeting?' Janice interrupted. 'I could follow your script, Qwill, and hand Bushy the suitable slide.'

'I don't use a script,' Qwilleran said. 'But I'll give you a list of topics in sequence.'

Then Qwilleran went home, threatening to take Bonnie and Clyde, who had been sitting on his lap, sniffing his ear, and otherwise making their presence felt.