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“That’s your clock, George,” my mother said. Since she was defending me, I could not be the cause of her anger. “Our clock says you have seventeen minutes.”

“Your clock’s wrong,” he told her. “Zimmerman’s after my hide.”

“Coming, coming,” I said, and stood up. The first bell rang at eight-twenty. It took twenty minutes to drive to Olinger. I felt squeezed in the dwindling time. My stomach ground its empty sides together.

My grandfather worked his way over to the refrigerator and from its top took the gaudy loaf of Maier’s Bread. He moved with a pronounced and elaborate air of being in conspicuous that made us all watch him. He unfolded the wax paper and removed a slice of white bread, which he then folded once and tidily tucked entire into his mouth. His mouth’s elasticity was a marvel; a toothless chasm appeared under his ash-colored mustache to receive the bread in one bite. The calm cannibalism of this trick always infuriated my mother. “Pop,” she said, “can’t you wait until they’re out of the house before you start tormenting the bread?”

I took a last sip of the scalding coffee and pushed toward the door. We were all jammed into the little area of linoleum bounded by the door, the wall where the clocks ticked and hummed, the refrigerator, and the sink. The congestion was intense. My mother struggled to get past her father to the stove. He drew himself in and his dark husk seemed impaled on the refrigerator door. My father stood fast, by far the tallest of us, and over our heads announced to his invisible audience, “Off to the slaughterhouse. Those damn kids have put their hate right into my bowels.”

“He rattles at that bread all day until I think I have rats in my brain,” my mother protested, and, the psoriatic rim of her hairline flaring red, she squeezed past Grampop and pressed a cold piece of toast and a banana at me. I had to shift my books to take them into my hands. “My poor unfed boy,” she said. “My poor only jewel.”

“Off to the hate-factory,” my father called, to goad me on.

Bewildered, anxious to please my mother, I had paused to eat a bite from the cold toast.

“If there’s anything I hate,” my mother said, half to me, half to the ceiling, while my father bent forward and touched her cheek with one of his rare kisses, “it’s a man who hates sex.”

My grandfather lifted his hands in his squeezed space and in a voice muffled by bread pronounced, “Blessings on thee.”

He never failed to say it, just as, in the early evening, when he climbed “the wooden hill,” he would call down to us, “Pleasant dreams.” His hands were daintily lifted in benediction, a gesture also of surrender and, as if tiny angels had been clutched in them, release. His hands were what I knew best of him, for, the one in the family with the youngest eyes, it was my job to remove with my mother’s tweezers the microscopic brown thorns that on his weed-pulling walks around our farm would gather in the dry, sensitive, translucently mottled skin of his palms.

“Thanks, Pop, we’ll need ‘em,” my father said, wrenching the door open with a quick undercurrent of splintering. He never turned the knob quite enough, so the catch always resisted. “My goose is cooked,” he said, glancing at his clock. My mother’s cheek brushed mine as I followed him.

“And if there’s anything I hate in my house” she called after my father, “it’s cheap red clocks”

Safe on the porch, my father striding around the corner, I looked back, which was a mistake. The toast in my mouth turned salty at the sight. My mother, in the momentum of her last cry, went to the wall and, silent through the glass, tore the electric clock from its nail on the wall and made as if to dash it to the floor but then, instead, hugged it with its trailing cord like a baby to her bosom, her cheeks wetly shining. Helplessly her eyes widened, confronting mine. She had been a beautiful young woman and her eyes had not aged. Each day her plight seemed to startle her afresh. Behind her, her father, his head bowed obsequiously, his elastic jaws munching, shuffled across the floor back to his place in the living-room. I wanted to move my face into some expression of consolation or humorous communication but felt it frozen with fear. Fear for her and of her.

And yet, love, do not think that our life together, for all its mutual frustration, was not good. It was good. We moved, somehow, on a firm stage, resonant with metaphor. When my grandmother lay dying in Olinger, and I was a child, I heard her ask in a feeble voice, “Will I be a little debil?” Then she took a sip of wine and in the morning she was dead. Yes. We lived in God’s sight.

My father was striding across the sandpaper lawn. I chased him. The little tummocks raised by moles in warm weather made it buckle in spots. The barn wall was full in the sun, a high dappled pentagon. “Mother almost smashed the clock,” I told him when I caught up. I meant this to shame him. “She’s in a funny mood,” he said. “Your mother’s a real femme, Peter. If I’d been any kind of man I would have put her on the burlesque stage when she was young.”

“She thinks you tease Grampop.”

“Huh? Does she? I’m wild about Pop Kramer. He’s the nicest man I ever knew. I worship that man.”

Words seemed whittled and diminished by the still blue volumes of cold air that clove our cheeks. Our black Buick, a ‘36 four-door, waited by the barn, facing downhill. That car had had a beautiful swanky grille; my father, unexpectedly-for material things meant little to him-had taken childish pride in those slim parallels of chrome. Last fall, Ray Deifendorfs muddy old Chewy had stalled on the high school lot and my father with his usual impulsive Christianity had volunteered to push him and, just when they had reached a good speed, Deifendorf through some stupidity braked, and our car’s grille smashed on Deifendorfs bumper. I wasn’t there. Deifendorf himself told me, laughing, how my father had rushed around to the front and gathered up all the bits of broken metal, muttering to himself, “Maybe they can weld it together, maybe Hummel can weld it together.” This hopelessly shattered grille. The way Deifendorf told it I had to laugh too.

The bright fragments still rode around in the trunk, and our car’s face had jagged front teeth. It was a long, heavy car, and the cylinders needed to be rebored. Also it needed a new battery. My father and I got in and he pulled out the choke and switched on the ignition and listened, head cocked, to the starter churn the stiff motor. There was frost on the windshield that made the interior dim. The resurrection felt impossible. We listened so intently that a common picture seemed crystallized between our heads, of the dutiful brown rod straining forward in its mysterious brown cavern, skid ding past the zenith of its revolution, and retreating, rejected. There was not even a ghost of a spark. I closed my eyes to make a quick prayer and heard my father say, “Jesus kid, we’re in trouble.” He got out and frantically scraped at the windshield frost with his fingernails until he had cleared a patch for the driver’s vision. I got out on my side and, heaving together on opposite doorframes, we pushed. Once. Twice. An immense third time.

With a faint rending noise the tires came loose from the frozen earth of the barn ramp. The resistance of the car’s weight diminished; sluggishly we were gliding downhill. We both hopped in, the doors slammed, and the car picked up speed on the gravel road that turned and dipped sharply around the barn. The stones crackled like slowly breaking ice under our tires. With a dignified acceleration the car swallowed the steepest part of the incline, my father let the clutch in, the chassis jerked, the motor coughed, caught, caught, and we were aloft, winging along the pink straight away between a pale green meadow and a fallow flat field. Our road was so little travelled that in the center it had a mane of weeds. My father’s grim lips half-relaxed. He poured shivering gasoline into the hungry motor. If we stalled now, we would be out of luck, for we were on the level and there would be no more coasting. He pushed the choke halfway in. Our motor purred in a higher key. Through the clear margins of the sheet of frost on our windshield I could see forward; we were approaching the edge of our land. Our meadow ended where the land lifted. Our gallant black hood sailed into the sharp little rise of road, gulped it down, stones and all, and spat it out behind us. On our right, Silas Schoelkopf’s mailbox saluted us with a stiff red flag. We had escaped our land. I looked back: our home was a little set of buildings lodged on the fading side of the valley. The barn overhang and the chicken house were gentle red. The stuccoed cube where we had slept released like a last scrap of dreaming a twist of smoke that told blue against the purple woods. The road dipped again, our farm disappeared, and we were unpursued. Schoelkopf had a pond, and ducks the color of old piano keys were walking on the ice. On our left, Jesse Flagler’s high whitewashed barn seemed to toss a mouthful of hay in our direction. I glimpsed the round brown eye of a breathing cow.