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As a boy, whenever he had changed schools and been surrounded by new people—even when he had first attended university—he had needed to take time to adjust to the tidal wave of new minds around him, to build up fresh walls. A day or two would be all he needed to sort himself out, to quiet the voices in his head and reassert his own thoughts. To be himself.

This would be the same, he felt certain. Somehow he had tapped into some kind of psychic reserve and now it echoed around inside of him, making him feel as though his thoughts were not his own. For now, that meant trying to shut out the rest of the world—even Geena—and focus on this opportunity. He could see the past as though his own eyes had witnessed it, feel the power of the man whose memories had seeped into his own … for certainly he had been powerful. And a psychic as well. He must have been, for Nico to pick up such powerful emotional residue from that chamber.

What are you thinking? You don’t know what the hell you’re talking about.

He mocked his own presumptions. True, he had never experienced anything like this, nor even heard of anything remotely resembling this turn of events in the research he had done about his own abilities. But what else could it be? It made a bizarre kind of sense. He thought about scientific theories concerning haunted houses, in which “ghosts” were explained as the resonance left behind by traumatic or otherwise emotional events. He wasn’t sure how much of that he believed, but he knew what he felt right now, and “haunted” was as good a word as any.

A day or two and he’d be just fine. The blackout moments would go away, the compulsions would vanish, the voice and its memories would be gone. But while they were with him, he knew he had to use them, to glean what he could about the history of Venice from the information and the feelings suffusing his every thought. Most people would find it terrifying—and the compulsion to act did frighten him a little, as did the blackouts—but now as his thoughts regained some semblance of order, Nico realized that for an archaeologist, this was the opportunity of a lifetime.

When he and Geena made love, and sometimes even just in quiet moments they spent together, he felt as though her thoughts were a part of him instead of some external thing he could tap into. This made that seem like nothing. He felt the presence of this “other” inside his every thought, there with him, and he even knew the name of the man whose psychic echoes were reverberating through his mind and had drawn him here.

Zanco Volpe.

Nico knew Geena had sensed some of this, though how much he could not be sure. He ought to have talked to her about it. She would have been fascinated, wanting to know every detail, and it would have been natural for him to share that with her. Yet he had found himself attempting to hide his thoughts from her, trying to put up barriers between them. It hurt and confused him to shut her out, and he could not really have said why he did it.

But some of the wild tumult of his mind had spilled out to her, he knew. Geena herself was not a sensitive, but over the course of their relationship they had built up a rapport so intimate, their minds so open to each other, that he could not shut her out completely.

Only now it occurred to him that it might not be him who was trying to shut her out. Not really.

He only wished he could control what parts of Volpe’s psychic echo he could touch and see. As he had walked through the streets he had seen two images, the past superimposed over the present, and it had taken his breath away. No one alive had ever seen Venice the way it had been in ages past. Sixteenth century? Fifteenth? He wasn’t quite sure.

Stray thoughts that had to be Volpe’s swam up inside of him. And there was that hook in his chest that drew him onward and filled him with a sense of purpose. Perhaps Volpe had had some unfinished business when he’d died, and the echoes of his purpose filled Nico, overriding his own intentions.

He had been confused at first, fighting it, two sets of thoughts in conflict inside his head. But now he wanted to go along, to see where these psychic echoes would lead him before they diminished to nothing and then vanished altogether.

He took a breath, closed his eyes, then opened himself to Volpe’s voice and the memories that stirred within him.

We’re here, he thought. What now?

Nico felt an overwhelming compulsion to enter the church. He began walking, unnerved by the peculiar sensation that he was only along for the ride, a passenger in his own body. As an experiment, he tried to resist, to fight his forward momentum, and for a moment he could feel anger that was not his own flaring in the back of his mind.

Then he blacked out. His thoughts were extinguished like a snuffed candle flame. Yet even in his unconscious state, he remained vaguely aware that his legs had continued to move.

After she’d woken to find Nico gone from her bed, Geena had managed only a fitful, restless sleep. Deep slumber had proven elusive, and by the time the sky outside her bedroom window had turned from black to indigo to a powdery blue, and the gentle morning light had suffused the room with its warmth, she could not force herself to stay in bed a moment longer.

She’d been off-kilter ever since the ruin of Petrarch’s library and Nico’s brief disappearance, and she didn’t like the feeling. As a little girl, she had been shy and unsure, and she had spent the entirety of her adult life refusing to allow that little girl to rule her. Half of her initial attraction to Nico—beyond the physical, at least—had been that he never questioned her ability to accomplish things for herself. Geena thought it must have something to do with him being so much younger, but whatever it was, she liked it. No second-guessing. No underestimating. No presumptions.

It was time to put the little girl away and be Dr. Geena Hodge again.

So what are my priorities here?

Nico. Petrarch’s library. BBC co-financing. Making the boss happy. If she dealt with the second and third things on that list, the fourth would surely follow. Part of that was finding out what exactly had happened down in the subchamber. The Chamber of Ten, she thought, remembering the Roman numerals written on the door and on those obelisks, as well as the vision that had spilled out of Nico’s mind and into her own. And what of the granite disk set into the stone floor? Could it really cover an entrance into an even deeper chamber?

All of these threads were intertwined. All pieces of some kind of puzzle that, for the moment, had only revealed its edges to her. And she had a feeling if she found the answers to the questions that were plaguing her, she would learn more about what was going on with Nico. If all was well, he would show up early today, either at the university or at the site.

The site. Her head hurt just thinking about it.

The director of the Biblioteca Nazionale Marciana—a petite, blue-eyed Roman named Adrianna Ricci—had no doubt been racing around in a fury for the past two days, trying to figure out who to blame. The water had poured in from the canal, filling Petrarch’s library almost to the ceiling, but only the subterranean chambers had flooded. The Biblioteca itself had suffered no damage. Still, Adrianna would not be pleased with the equipment they were having to bring through in order to deal with the flooded rooms, or the potential damage being done to the building’s foundations.

Geena would sic Howard Finch on Adrianna and he would undoubtedly throw a little BBC money her way, if it hadn’t been done already. The university would show the video to city officials, who would see that the research team had done nothing that would affect the walls of the chamber and—if Geena knew her boss, Tonio, the way she thought she did—would persuade them to blame the Italian government. All of the canal disruptions caused by the MOSE project or any number of a dozen other factors, not least the gradual sinking of the city and rising of the sea level, would be blamed as contributing factors as Venice tried to get Rome to foot the bill for a levee wall beside the foundations of the Biblioteca.