"It's so plain," one the tourists said. "Almost ugly."
"From the thickness of the four marble pieces used to form the chair, which, as you can see, vary, it's clear they were floor stones. Definitely Roman. They must have been salvaged from somewhere special. Apparently they were so important that their appearance didn't matter. On this simple marble chair, with a wooden seat, the Holy Roman Emperor would be crowned, then receive homage from his princes."
She pointed beneath the throne at a small passageway that passed from one side to the other.
"Pilgrims, with backs bent, would creep through under the throne, paying their own homage. For centuries, this place was revered."
She led the group to the other side.
"Now look here." The woman pointed. "See the etchings."
This was what he'd come for. Pictures had been included in the guidebooks, along with various explanations, but he wanted to see for himself.
Faint lines were visible in the rough marble surface. A square enclosing another square, enclosing still another. Halfway along the sides of the largest, a line jutted inward, bisecting the second form and stopping on the line for the inner square. Not all of the lines had survived, but enough for him to mentally form the completed image.
"This is proof," the guide said, "that the marble slabs were originally Roman flooring. This is the board used to play Nine Men's Morris, a combination of checkers, chess, and backgammon. It was a simple game that Romans loved. They would etch the squares into a stone and play away. The game was also popular in Charlemagne's time and is still played today."
"What's it doing on a royal throne?" someone asked.
The guide shook her head. "No one knows. But it is an interesting aspect, wouldn't you say?"
He motioned for Christl to drift away. The guide droned on about the upper gallery and more cameras flashed. The throne seemed to be a great photo op and, thankfully, everyone sported their official wristbands.
He and Christl rounded one of the upper arches, now out of sight of the tour group.
His eyes searched the semi-darkness.
From the choir below he'd surmised that the throne sat in the west gallery. Somewhere up here, he'd hoped, would be a place to hide.
He led Christl into a dark recess in the outer wall and dissolved into its shadows. He motioned for quiet. They listened as the tour group departed the upper gallery and descended back to ground level.
He checked his watch.
7:00 PM.
Closing time.
DOROTHEA WAS IN A QUANDARY. HER HUSBAND APPARENTLY KNEW all about Sterling Wilkerson, which surprised her. But he also knew of the quest with Christl, and that concerned her-along with the fact that Werner was apparently holding Wilkerson prisoner.
What in the world was happening?
They'd boarded a 6:40 PM train out of Munich and headed south to Garmisch. During the eighty-minute trip Werner had said nothing, merely sat and calmly read a Munich newspaper. She'd always found it irritating how he devoured every word, even reading the obituaries and advertisements, commenting here and there on items that struck his interest. She'd wanted to know what he meant by going to see their son but decided not to ask. For the first time in twenty-three years this man had shown a backbone, so she chose to keep quiet and see where things led.
They were now driving north on a darkened highway away from Garmisch, Ettal Monastery, and Reichshoffen. A car had been waiting outside the train station with the keys under the front mat. She now realized where they were headed, a location she'd avoided for the past three years.
She decided to give him no satisfaction. "Actually, Werner, I don't think about you at all."
"I'm not stupid, Dorothea," Werner finally said. "You think I am, but I'm not."
He ignored her jab and kept driving through the cold. Thankfully, no snow was falling. Traveling this road brought back memories she'd fought hard to erase. From five years ago. When Georg's car careened off an unrailed highway in the Tyrolean Alps. He'd been there skiing and had called just before the accident to tell her that he'd be staying at the same inn he always frequented. They'd chatted for a few minutes-light, brief, and casual, mother and son, the kind of idle chitchat that occurred all the time.
But it was the last time she ever spoke to him.
The next time she saw her only child he was laid in a casket, dressed in a gray suit, ready for burial.
The Oberhauser family plot sat beside an ancient Bavarian church, a few kilometers west of Reichshoffen. After the funeral, the family had endowed a chapel there in Georg's name, and for the first two years she'd gone regularly and lit a candle.
But for the past three years she'd stayed away.
Ahead, she spotted the church, its stained-glass windows faintly lit. Werner parked out front.
"Why do we have to be here?" she asked.
"Believe me, if it wasn't important we wouldn't be."
He stepped out into the night. She followed him into the church. No one was inside, but the iron gate to Georg's chapel hung open.
"You haven't been in a while," he said.
"That's my business."
"I've come quite often."
That didn't surprise her.
She approached the gate. A marble priedieu stood before a small altar. Above, St. George, perched atop a silvery horse, was carved into the stone. She rarely prayed and wondered if she was even a believer. Her father had been a devout atheist, her mother a nonpracticing Catholic. If there was a God, she felt nothing but anger toward him for stripping her of the only person she'd ever loved unconditionally.
"I've had enough of this, Werner. What do you want? This is Georg's grave. He deserves our respect. This is not the place to air our differences."
"And do you respect him by disrespecting me?"
"I don't concern myself with you, Werner. You have your life and I have mine."
"It's over, Dorothea."
"I agree. Our marriage has been over a long time."
"That's not what I meant. No more men. I'm your husband and you are my wife."
She laughed. "You have to be joking."
"Actually, I'm quite serious."
"And what has suddenly evolved you into a man?"
He retreated to the wall. "At some point the living must let go of the dead. I've come to that point."
"You brought me here to tell me that?"
Their relationship had started through their parents. Not an arranged marriage in the formal sense, but nonetheless planned. Thankfully, an attraction blossomed and their early years had been happy. The birth of Georg brought them both great joy. His childhood and teenage years had likewise been wonderful. But his death created irreconcilable differences. There seemed a need to assign blame, and they each directed their frustrations at the other.
"I brought you here because I had to," he said.
"I haven't come to the point you apparently have."
"It's a shame," he said, appearing not to have heard her. "He would have been a great man."
She agreed.
"The boy had dreams, ambitions, and we could have fueled his every desire. He would have been the best of us both." He turned and faced her. "I wonder what he'd think of us now?"
The question struck her odd. "What do you mean?"
"Neither of us has treated the other kindly."
She needed to know, "Werner, what are you doing?"
"Perhaps he's listening and wants to know your thoughts."
She resented his pressing. "My son would have approved of whatever I did."
"Would he? Would he have approved of what you did yesterday? You killed two people."
"And how do you know that?"
"Ulrich Henn cleaned up your mess."
She was confused and concerned, but she was not going to discuss the issue here, in this sacred place. She stepped toward the gate, but he blocked the way and said, "You cannot flee this time."