“I was wondering about her personal effects,” Corman replied crisply.
“You mean what was on her?” Lang asked. “Nothing. Just that old dress and her panties. No rings on her fingers, or in her ears. Nothing. She didn’t have anything in her pockets.”
“What about in her place?”
“Jesus, Corman, you saw what that was like.”
“I heard there was a diploma from Columbia.”
Lang nodded. “That’s right. A couple Jakes found it the next morning. Framed and everything.”
“Do you have it?”
“We gathered it up, yeah.”
“Anything else?”
“A few odds and ends,” Lang said. He continued to stare at Corman curiously. “Suppose you tell me what this is all about.”
“I can’t,” Corman said truthfully.
“Because it’s top secret, that it?” Lang asked mockingly.
“Because I’m not sure myself.”
“You expect me to believe that?” Lang hooted. “Let me tell you something, Corman. I’ve dealt with you free-lance shooters for thirty years, and I never met one that wasn’t a petty fucking grifter from top to bottom. You telling me you’re different?”
Corman said nothing.
Lang sat back in his seat, placed his large beefy hands behind his head and leaned back into them. “Let me tell you a little story. A few years back, a rookie got a call in the Village. Dog loose, you know?”
Corman nodded.
“The guy goes down, sees the fucking dog running along West Fourth Street. It’s barking and snarling a little, and a few people are scooting into the shops to get away from it. To the rookie, it sounds bad, so he draws his service revolver, calls the goddamn dog, says, ‘Here, boy, here, boy,’ and pats his fucking leg.” He took a puff on the cigar. “The dog turns, starts coming toward the Jake, still barking and snarling and shit. My guy’s beginning to get a little ill at ease, but he knows he can’t run from the son-of-a-bitch, not a cop, not a cop in uniform, not from a goddamn dog. So, well, worse comes to worse, and he plugs it. Puts a bullet right in its face. A patrol car shows up right away, and they hustle the rookie into the back seat. Puff, up comes a shooter. Like a genie out of a fucking bottle. He says he wants to take a picture. He says it’s for his own private collection. He takes a shot of the rookie and the next day it’s on the front page of the News. The rookie has his hands in his face. He looks fucking pitiful. The caption says, DOG TIRED.” Lang laughed edgily and leaned forward. “So what I want to know is, how you going to screw me with this angle you’re working on?”
“I’m interested in the woman,” Corman said. “That’s all.”
“You got a problem with anything else?”
“No.”
“You think I fucked up anything?”
“Not that I saw.”
Lang watched him a moment longer, then relaxed slightly. “Okay,” he said finally. “Who knows, maybe you can do me a favor sometime. What do you want to see?”
“Whatever you picked up in the building.”
Lang shrugged. “Well, we bagged a few items that night,” he said, “but everything else got tossed by the landlord. He had some guys come in and sweep everything out. I guess he wanted to seal it up before some other squatter set up housekeeping.”
“There was still stuff there,” Corman told him.
“Yeah?” Lang said. “How do you know?”
“I went over there.”
“You went inside?”
Corman nodded.
“Find anything?”
Corman thought a moment then decided to tell the truth. “A button.”
Lang laughed. “A button?”
“Yeah.”
“Well, we did better than that,” Lang said. He stood up and waved Corman alongside him. “Come on, I’ll show you.”
Corman followed him downstairs, then into the basement, and finally, through a long, dusty corridor, to a small room in the north corner of the building. The walls were unpainted gray cinder blocks, and overhead, Corman could see the exposed underbelly of the building itself, pipes, electrical cables, the large wooden crossbeams which supported everything.
“If it’s not a mystery,” Lang said, “we keep everything down here, unless somebody claims it.”
“And no one has?”
Lang smiled. ‘Well, we’re not exactly talking about the Queen’s jewels.” He walked to a large metal filing cabinet, pulled out the drawer, and from it, a single manila envelope. “There you have it,” he said as he handed it to Corman. “Her net worth.”
Corman took the envelope over to a small wooden desk, sat down and stared at the name: SARAH JUDITH ROSEN. “Where’s the diploma?” he asked.
“In the envelope,” Lang said. He stepped to the door. “Just be sure to turn out the lights when you’re through in here,” he added as he left the room.
Corman opened the envelope and scattered its contents across the desk. They were only a few items: a rusty nail file, a compact with a cracked mirror, a pack of matches with two left in place, a small pacifier and a baby rattle shaped like a fat clown. There was an oval rubber change purse, the sort that opened up like a small toothless mouth when the ends are pressed together. Crumpled inside, Corman found a receipt from a blood bank operation on the Bowery.
The diploma was in a teakwood frame. The glass was cracked, and one corner of the frame was splintered. It had awarded Sarah Rosen a bachelor of arts degree in 1988.
Everything else had been inventoried on a police property form, then discarded. The form itself had been folded three times and inserted into the manila envelope. Item by item, it listed the rest of Rosen’s worldly goods: a set of toy blocks, along with a plastic pail and shovel, a few infant sleeping suits, one dress, two pairs of jeans, one belt, three pairs of panties, a washcloth and two towels, a pair of sandals, a terry cloth robe, and three dollars and seventy-three cents in cash. There was a notation at the bottom of the list. It said officially what Lang had already told him, that sometime on Saturday the landlord had had the building swept clean of everything else.
Corman let the paper slip from his hand. It fell onto the table, one of its sharp corners piercing the center of the articles spread out around it. It had fallen into an unexpectedly dramatic position, each article at precisely the right angle to another. Corman quickly took out his camera and photographed it. With the right exposure, it would have a sad, haunting quality, perhaps end up as the final picture in Julian’s book, stark, graphic, lonely, a life reduced to what it had left behind … and he hadn’t had to move a single thing.
CHAPTER
SIXTEEN
CORMAN ARRIVED at Bellevue a few minutes before Sarah Rosen’s body was due to be picked up. It was a massive building, bulky, the sort that always looked overfed. The old city had built it while still reeling in the aftershock of yellow fever, and as he stood at the top of its long line of stairs, it was easy for Corman to imagine the final days of the Yellow Jack Plague, the street cries of “Bring out your dead,” the way the people had wrapped the bodies symbolically in yellow sheets before tossing them onto the open lorries that took them to the common burial pit that had been dug at Washington Square. The plague had lasted for many months, and Lazar had often spoken of it, the empty streets and deserted houses, the stricken, feverish looters who’d staggered through the countless abandoned shops, sometimes dying in them, faceup on the floor, their arms still filled with plunder. Only the illustrators of the period had truly flourished, sketching the disaster one line at a time.