Moral support had not been enough. The ship had come in on a shallow slant. Too fast. The wounded motors had not been able to hold her up. The prow had taken the brunt of the punishment. So had those seated in the nose.
Dr. Fetts had held her sons head on her bosom and prayed out loud to her God. Eddie had snored and muttered. Then there was a sound like the clashing of the gates of doom—a tremendous bong as if the ship were a clapper in a gargantuan bell tolling the most frightening message human ears may hear—a blinding blast of light—and darkness and silence.
A few moments later Eddie began crying out in a childish voice, “Don’t leave me to die, mother! Come back! Come back!”
Mother was unconscious by his side, but he did not know that. He wept for a while, then he lapsed back into his rye-fogged stupor—if he had ever been out of it—and slept. Again, darkness and silence.
It was the second day since the crash, if “day” could describe that twilight state on Baudelaire. Dr. Fetts followed her son wherever he went. She knew he was very sensitive and easily upset. All his life she had known it and had tried to get between him and anything that would cause trouble. She had succeeded, she thought, fairly well until three months ago when Eddie had eloped.
The girl was Polina Fameux, the ash-blonde long-legged actress whose tridi image, taped, had been shipped to frontier stars where a small acting talent meant little and a large and shapely bosom much. Since Eddie was a well-known Metro tenor, the marriage made a big splash whose ripples ran around the civilized Galaxy.
Dr. Fetts had felt very bad about the elopement, but she had, she hoped, hidden her grief very well beneath a smiling mask. She didn’t regret having to give him up; after all, he was a full-grown man, no longer her little boy. But, really, aside from the seasons at the Met and his tours, he had not been parted from her since he was eight. That was when she went on a honeymoon with her second husband. And then she and Eddie had not been separated long, for Eddie had gotten very sick, and she’d had to hurry back and take care of him, as he had insisted she was the only one who could make him well.
The ripples caused by her son’s marriage were scarcely a week old before they were followed by even bigger ones. They bore the news of the separation of Eddie and his wife. A fortnight later, Polina applied for divorce on grounds of incompatibility. Eddie was handed the papers in his mother’s apartment. He had come back to her the day he and Polina had agreed they “couldn’t make a go of it,” or, as he phrased it to his mother, “couldn’t get together.”
Dr. Fetts was, of course, very curious about the reason for their parting, but, as she explained to her friends, she “respected” his silence. What she didn’t say was that she had told herself the time would come when he would tell her all.
Eddies “nervous breakdown” started shortly afterward. He had been very irritable, moody, and depressed, but he got worse the day a so-called friend told Eddie that whenever Polina heard his name mentioned, she laughed loud and long. The friend added that Polina had promised to tell someday the true story of their brief merger.
That night his mother had to call in a doctor.
In the days that followed, she thought of giving up her position as research pathologist at De Kruif and taking all her time to help him “get back on his feet.” It was a sign of the struggle going on in her mind that she had not been able to decide within a week’s time. Ordinarily given to swift consideration and resolution of a problem, she could not agree to surrender her beloved quest into tissue regeneration.
Just as she was on the verge of doing what was for her the incredible and the shameful, tossing a coin, she had been vised by her superior. He told her she had been chosen to go with a group of biologists on a research cruise to ten preselected planetary systems.
Joyfully, she had thrown away the papers that would turn Eddie over to a sanatorium. And, since he was quite famous, she had used her influence to get the government to allow him to go along. Ostensibly, he was to make a survey of the development of opera on planets colonized by Terrans. That the yacht was not visiting any colonized globes seemed to have been missed by the bureaus concerned. But it was not the first time in the history of a government that its left hand knew not what its right was doing.
Actually, he was to be “rebuilt” by his mother, who thought herself much more capable of curing him than any of the prevalent A, F, J, R, S, K, or H therapies. True, some of her friends reported amazing results with some of the symbol-chasing techniques. On the other hand, two of her close companions had tried them all and had gotten no benefits from any of them. She was his mother; she could do more for him than any of those “alphabatties”; he was flesh of her flesh, blood of her blood. Besides, he wasn’t so sick. He just got awfully blue sometimes and made theatrical but insincere threats of suicide or else just sat and stared into space. But she could handle him.
So now it was that she followed him from the backward-running clock to his room. And saw him step inside, look for a second, and then turn to her with a twisted face.
“Neddie is ruined, mother. Absolutely ruined.” She glanced at the piano. It had torn loose from the wallracks at the moment of impact and smashed itself against the opposite wall. To Eddie it wasn’t just a piano; it was Neddie. He had a pet name for everything he contacted for more than a brief time. It was as if he hopped from one appellation to the next, like an ancient sailor who felt lost unless he was close to the familiar and designated points of the shoreline. Otherwise, Eddie seemed to be drifting helplessly in a chaotic ocean, one that was anonymous and amorphous.
He did not cry over Neddie. She wished he would. He had been so apathetic during the voyage. Nothing, not even the unparalleled splendor of the naked stars nor the inexpressible alien-ness of strange planets had seemed to lift him very long. If he would only weep or laugh loudly or display some sign that he was reacting violently to what was happening. She would even have welcomed his striking her in anger or calling her “bad” names.
But no, not even during the gathering of the mangled corpses, when he looked for a while as if he were going to vomit, would he give way to his body’s demand for expression. She understood that if he were to throw up, he would be much better for it, would have gotten rid of much of the psychic disturbance along with the physical.
He would not. He had kept on raking flesh and bones into the large plastic bags and kept a fixed look of resentment and sullenness.
She hoped now that the loss of his piano would bring tears and shaking shoulders. Then she could take him in her arms and give him sympathy. He would be her little boy again, afraid of the dark, afraid of the dog killed by a car, seeking her arms for the sure safety, the sure love.
“Never mind, baby,” she said. “When we’re rescued, we’ll get you a new one.”
“When-!”
He lifted his eyebrows and sat down on the bed’s edge.
“What do we do now?”
She became very brisk and efficient.
“The ultrad automatically started working the moment the meteor struck. If it’s survived the crash, it’s still sending SOS’s. If not, then there’s nothing we can do about it. Neither of us knows how to repair it.
“However, it’s possible that in the last five years since this planet was located, other expeditions may have landed here. Not from Earth but from some of the colonies. Or from nonhuman globes. Who knows? It’s worth taking a chance. Let’s see.”