But the student said: “Another season. Let pass another season, and I will do everything you advise.”
Autumn came, and the sycamores of the city of pale towers, that were sheltered from the sea winds by its high wall, dropped leaves like the gold manufactured by their owners. And the wild salt geese streamed among the pale towers, and after them the ossifrage and the lammergeyer. Then the old man sent again for him who had been his student, and said: “Now, surely, you must flesh for yourself a creation of dream as I have instructed you. For the others among the hooded ones grow impatient. Save for us, you are the eldest in the city, and it may be that if you do not act now they will turn you out by winter.”
But the student answered: “I must study further, that I may achieve what I seek. Can you not for one season protect me?” And the old man who had taught him thought of the beauty of the trees that had for so many years delighted his eyes like the white limbs of women.
At length the golden autumn wore away, and Winter came stalking into the land from his frozen capital, where the sun rolls along the edge of the world like a trumpery gilded ball and the fires that flow between the stars and Urth kindle the sky. His touch turned the waves to steel, and the city of the magicians welcomed him, hanging banners of ice from its balconies and heaping its roofs with glaces of snow. The old man summoned his student again, and the student answered as before.
Spring came and with it gladness to all nature, but at spring the city was hung with black; and hatred, and the loathing of one’s own powers — that eats like a worm at the heart — fell on the magicians. For the city had but one law and one curse, and though the law held sway all the year, the curse ruled the spring. In spring, the most beautiful maidens of the city, the daughters of the magicians, were clothed in green; and while the soft winds of spring teased their golden hair, they walked unshod through the portal of the city, and down the narrow path that led to the quay, and boarded the black-sailed ship that waited them. And because of their golden hair, and their gowns of green faille, and because it seemed to the magicians that they were reaped like grain, they were called Corn Maidens.
When the man who had long been the student of the old man but was yet unhooded heard the dirges and laments, and looking from his window saw the maidens filing by, he set aside all his books and began to draw such figures as no man had ever seen, and to write in many languages, as his master had taught him aforetime.
Part II
The Fleshing of the Hero
Day after day he labored. When the first light came at the window, his pen had been a drudge already many hours; and when the moon tangled her crooked back among the pale towers, his lamp shone bright. At first it seemed to him that all the skill his master had taught him of old had deserted him, for from the first light to the moonlight he was alone in his chambers save for the moth that fluttered sometimes to show the insignia of Death at his undaunted candle flame. Then there crept into his dreams, when sometimes he nodded over the table, another; and he, knowing who that other was, welcomed him, though the dreams were fleeting and soon forgotten.
He labored on, and that which he strove to create gathered about him as smoke collects about the new fuel thrown upon a fire almost dead. At times (and particularly when he worked early or late, and when having at long last laid aside all the implements of his art, he stretched himself at length upon the narrow bed provided for those who had not yet earned the many-colored hood) he heard the step, always in another room, of the man he hoped to call into life. In time these manifestations, originally rare, and, indeed, at first limited almost entirely to those nights when thunder rumbled among the pale towers, became common, and there were unmistakable signs of the other’s presence: a book he had not unshelved in decades lying beside a chair; windows and doors that unlocked, as it seemed, of themselves; an ancient alfange, for years past an ornament hardly more deadly than a trompe l’oeil picture, found cleansed of its patina, gleaming and newly sharp.
One golden afternoon, when the wind played the innocent games of childhood with the fresh-fledged sycamores, there came a knock at the door of his study. Not daring to turn or express even the smallest part of what he felt by his voice, or even to desist from his work, he called: “Enter.”
As doors open at midnight though no living thing stirs, the door began, a thread’s width at a time, to swing back. Yet as it moved it seemed to gather strength, so that when it was open (as he judged by the sound) enough that a hand might have been thrust into the room, it seemed that the playful breeze had come in by the window to push life into its wooden heart. And when it was open, as he judged again, wider still, so much so that a diffident helot might have entered with a tray, it seemed a very sea storm seized it and flung it back against the wall. Then he heard strides behind him — quick and resolute — and a voice respectful and youthful, yet deep with a cleanly manhood, addressed him, saying: “Father, I little like to vex you when you are deep in your art. But my heart is sorely troubled and has been so these several days, and I beg you by the love you have for me to suffer my intrusion and counsel me in my difficulties.”
Then the student dared turn himself where he sat, and he saw standing before him a youth haughty of port, wide of shoulder, and mighty of thew. Command was in his firm mouth, knowing wit in his bright eyes, and courage in all his face. Upon his brow sat that crown that is invisible to every eye, but can be seen even by the blind; the crown beyond price that draws brave men to a paladin, and makes weak men brave. Then the student said: “My son, have no fear of disturbing me, now or ever, for there is nothing under Heaven that I should rather see than your face. What is it that troubles you?”
“Father,” the young man said, “every night for many nights my sleep has been rent with the screams of women, and often I have seen, like a green serpent called by the notes of a pipe, a column of green slip down the cliff below our city to the quay. And sometimes it is vouchsafed me in my dream to go near, and then I see that all who walk in that column are fair women, and that they weep and scream and stagger as they walk, so that I might think them a field of young grain beaten by a moaning wind. What is the meaning of this dream?”
“My son,” said the student, “the time has come when I must tell you what I have concealed from you until now, fearing that in the rashness of your youth you might dare too much before the time was ripe. Know that this city is oppressed by an ogre, who each year demands of it its fairest daughters, even as you have seen in your dream.”
At this the young man’s eyes flashed, and he demanded: “Who is this ogre, and what form has he, and where does he dwell?”
“His name no man knows, for no man can approach near enough. His form is that of a naviscaput, which is to say that to men he appears a ship having upon its deck — which is in truth his shoulders — a single castle, which is his head, and in the castle a single eye. But his body swims in the deep waters with the skate and the shark, with arms longer than the most lofty masts and legs like pilings that reach even to the floor of the sea. His harbor is an isle to the west, where a channel with many a twist and bend, dividing and redividing, reaches far inland. It is on this isle, so my lore teaches me, that the Corn Maidens are made to dwell; and there he rides at anchor in the midst of them, turning his eye ever to left and right to watch them in their despair.”
Part III
The Encounter with the Princess
Then the young man fared forth and gathered to him other young men of the city of the magicians to be his crew, and from those who wore the colored hoods he obtained a stout ship, and all that summer he and the young men he had gathered to him armored her, and mounted on her sides the mightiest artillery, and a hundred times practiced the making of sail, and the reefing of sail, and the firing of the guns, until she answered as a blooded mare does to the rein. For the pity they felt for the Corn Maidens, they christened her Land of Virgins.