He turned and peered down at me in puzzlement. “Know your voice, don’t I?” Then I knew his, and his face as well. It was Rudesind the curator, the old man I had met so long before, when Master Gurloes had first sent me to fetch books for the Chatelaine Thecla.
“While ago you come looking for Ultan. Didn’t you find him?”
“Yes, I found him,” I said. “But it wasn’t a short time ago.”
He seemed to grow angry at that. “I didn’t mean today! But it wasn’t long. Why, I recollect the landscape I was working on, so it couldn’t have been that long.”
“So do I,” I told him. “Brown desert reflected in the gold visor of a man in armor.”
He nodded, and his anger seemed to melt away. Gripping the sides of the ladder, he began to descend, his sponge still in his hand. “Exactly. Exactly the one. Want me to show it to you? It came out very nice.”
“We’re not in the same place, Master Rudesind. That was in the Citadel. This is the House Absolute.”
The old man ignored that. “Come out nice… It’s down here a ways, somewhere. Those old artists — you couldn’t beat ’em for drawing, though their colors has gone off now. And let me tell you, I know art. I’ve seen armigers, and exultants too, that come and look at them and say this and that, but they don’t know a thing. Who’s looked at every little bit of these pictures up close?” He thumped his own bosom with the sponge, then bent close to me, whispering though there was no one but ourselves in the long corridor. “Now I’ll tell you a secret they don’t none of them know — one of these is me!”
To be polite, I said I would like to see it.
“I’m looking for it, and when I find it I’ll tell you where. They don’t know, but that’s why I clean them all the time. Why, I could have retired. But I’m still here, and I work longer than any, except maybe Ultan. He can’t see the watchglass.” The old man gave a long, cracked laugh.
“I wonder if you could help me. There are performers here who have been summoned for the thiasus. Do you know where they’re quartered?”
“I’ve heard tell of it,” he said doubtfully. “The Green Room is what they call it.”
“Can you take me there?”
He shook his head. “There’s no pictures there, so I’ve never been, though there’s a picture of it. Come and walk a ways with me. I’ll find the picture and point it out to you.”
He pulled the edge of my cloak, and I followed him.
“I’d rather you took me to someone who could guide me there.”
“I can do that too. Old Ultan has a map somewhere in his Library. That boy of his will get it for you.”
“This isn’t the Citadel,” I reminded him again. “How did you come to be here, anyway? Did they bring you here to clean these?”
“That’s right. That’s right.” He leaned on my arm. “There’s a logical explanation for everything, and don’t you forget it. That must have been the way. Father Inire wanted me to clean his, so here I am.” He paused, considering. “Wait a bit, I’ve got it wrong. I had talent as a boy, that’s what I’m supposed to say. My parents, you know, always encouraged me, and I’d draw for hours. I recollect one time I spent all one sunny day sketching in chalk on the back of our house.”
A narrower corridor had opened to our left, and he pulled me down it. Though it was less well-lit (nearly dark, in fact) and so cramped that one could not stand at anything like the proper distance from them, it was lined with pictures much larger than those in the main corridor, pictures that stretched from floor to ceiling, and that were far wider than my outstretched arms. From what I could see of them, they appeared very bad — mere daubs. I asked Rudesind who it was who had told him he must tell me about his childhood.
“Why, Father Inire,” he said, cocking his head up to look at me. “Who do you suppose?” He dropped his voice. “Senile. That’s what they say. Been vizier to I don’t know how many autarchs since Ymar. Now you be quiet and let me talk. I’ll find old Ultan for you.”
“An artist — a real one — came by where we lived. My mother, being so proud of me, showed him some of the things I’d done. It was Fechin, Fechin himself, and the portrait he made of me hangs here to this day, looking out at you with my brown eyes. I’m at a table with some brushes and a tangerine on it. I’d been promised them when I was through sitting.”
I said, “I don’t think I have time to look at it right now.”
“So I became an artist myself. Pretty soon, I took to cleaning and restoring the works of the great ones. Twice I’ve cleaned my own picture. It’s strange, I tell you, for me to wash my own little face like that. I keep wishing somebody would wash mine now, make the dirt of the years come off with his sponge. But that’s not what I’m taking you to see — it’s the Green Room you’re after, ain’t it?”
“Yes,” I said eagerly.
“Well, we’ve a picture of it right here. Have a look. Then when you see it, you’ll know it.”
He indicated one of the wide, coarse paintings. It was not of a room at all, but seemed to show a garden, a pleasance bordered by high hedges, with a lily pond and some willows swept by the wind. A man in the fantastic costume of a Ilanero played a guitar there, as it appeared for no ear but his own. Behind him, angry clouds raced across a sullen sky.
“After this you can go to the library and see Ultan’s map,” the old man said. The painting was of that irritating kind which dissolves into mere blobs of color unless it can be seen as a whole. I took a step backward to get a better perspective of it, then another.
With the third step, I realized I should have made contact with the wall behind me, and that I had not. I was standing instead inside the picture that had occupied the opposite walclass="underline" a dark room of ancient leather chairs and ebony tables. I turned to look at it, and when I turned back, the corridor where I had stood with Rudesind had vanished, and a wall covered with old and faded paper stood in its place.
I had drawn Terminus Est without consciously willing to do so, but there was no enemy to strike. Just as I was on the point of trying the room’s single door, it opened and a figure in a yellow robe entered. Short, white hair was brushed back from his rounded brow, and his face might almost have served a plump woman of forty; about his neck, a phallus-shaped vial I remembered hung on a slender chain.
“Ah,” he said. “I wondered who had come. Welcome, Death.”
With as much composure as I could muster, I said, “I am the Journeyman Severian — of the guild of torturers, as you see. My entrance was entirely involuntary, and to be truthful, I would be very grateful to you if you could explain just how it happened. When I was in the corridor outside, this room appeared to be no more than a painting. But when I took a step or two back to view the one on the other wall, I found myself in here. By what art was that done?”
“No art,” the man in the yellow robe said. “Concealed doors are scarcely an original invention, and the constructor of this room did no more than devise a means of concealing an open door. The room is shallow, as you see; indeed, it is shallower than you perceive even now, unless you’re already aware that the angles of the floor and ceiling converge, and that the wall at the end is not so high as the one through which you came.”
“I see,” I said, and in fact I did. As he spoke that crooked room, which my mind, accustomed always to ordinary ones, had tricked me into believing of normal shape, became itself, with a slanted and trapezoidal ceiling and a trapezoidal floor. The very chairs that faced the wall through which I had come were things of little depth, so that one could hardly have sat on them; the tables were no wider than boards.