"That's a terrible weapon you have there."
"Look," Enderby panted, "that was my stop. I've gone past my bloody stop."
"You can ride back from the next one."
"But I've no money." And then: "Are you all right now? Is she all right now?" They were all all right now except for the shock.
"You can get on without a token," the nun said. "A lot of them do it." And then: "You shouldn't be carrying a thing like that around with you. It's against the law."
"Entitled self-protection. Bugger the law."
"Are you an Englishman?" Nodnod. Nod. "I thought so from your way of swearing. Are you a Protestant?" Shake-shake. "I said to myself you had a Catholic face."
"Aren't you," Enderby said, "frightened? Travelling like this. A lot of thugs and rapists and-"
"I trust in Almighty God."
"He wasn't all that bloody quick in. Coming to your. Help."
"Are you all right now? You look very pale."
"Heart," Enderby said. "Heart."
"I'll say a decade of the rosary for you."
"You have your supper first. A nice veal sandwich. A cup of-"
"What a strange thing to say. I can't stand veal."
Enderby got shakily off at the next stop but would not take a free ride back to 96th Street. Timorousness? No, he did not think it was that. It was rather something to do with vital integrity, not lowering oneself, wearing a suit evocative of an age of decency when gentlemen thrashed niggers but paid their bills. So he walked as far as the Symphony movie house and thought it might be a good plan to sit there, resting in the dark, judging once more, if he had the strength, certain ethical aspects of The Wreck of the Deutschland, and then go home calmly and starving to bed. But, of course, approaching the paybox, he realised once more he had no money. He said, to the bored chewing black bespectacled girl behind the grille: "Look, I just want to go in for a minute. I was involved in the making of this er movie, you see. Something I have to check. Business not pleasure." She did not seem to care. She waved him towards the cavern of the antechamber, see man in charge, man. But there was no one around who cared much. It was past the hour for anyone to care much. Enderby entered tempestuous darkness: the breakers were rolling on the beam of the Deutschland with ruinous shock. And canvas and compass, the whorl and the wheel idle for ever to waft her or wind her with, these she endured. There did not seem to be, now he could see better, many audients taking it all in. An old man slept uneasily. Some blacks chortled inexplicably at the sight of one stirring from the rigging to save the wild womankind below, with a rope's end round the man, handy and brave. Some fine swooping camerawork showed him being pitched to his death at a blow, for all his dreadnought breast and braids of thew. Cut to night roaring, with the heartbreak hearings a heartbroke rabble, the woman's wailing, the crying of child without check. Then a lioness arose breasting the babble. Gertrude, lily, Franciscan robe already rent, spoke of courage, God. Then came the flashback-Deutschland, double a desperate name. Beautifully contrived colour contrasts: black uniforms, white nun flesh, red yelling gob, blood, a patch of yellow convent-garden daffodils crushed under black-booted foot. Hitler appeared briefly, roaring something (beast of the waste wood) to black approbation in the audience.
Away in the loveable west, on a pastoral forehead of Wales, Father Tom Hopkins, S.J., seemed mystically or ESPishly aware of something terrible going on out there somewhere. Putting down his breviary, he dreamed back to boy-and-girl love. A student in Germany, Gertrude not yet coifed, passion amid Vogelgesang in the Schwarzwald. Rather touching, really, but far too naked. Song of Hitlerjugend marching in the distance. Bad times coming for us all. Ja ja, Tom. It all seemed pretty harmless, Enderby thought. It aroused desire to see off the Nazis, no more, but that had already been done, Enderby vaguely assisting. And so he left. He walked down chill blowing Broadway as far as 91st Street, then crossed towards Columbus Avenue. At this point.
At this point it happened again. Pain was pumped rapidly into his chest and he stopped breathing. The surplus of pain overflowed into the left shoulder and went rattling down the arm to the elbow. At the same time both legs went suddenly dead and the tough metalled stick was not enough to sustain him. He went over gently onto the sidewalk and lay, writhing, trying to deal with the pain and the inability to breathe like a pair of messages that both had to be answered at once. Pain passed and breath shot in with the hiss of an airtight can being opened. But still he lay, now feeling the cold. A few people passed by, naturally ignoring him, some junky, a man knifed, dangerous to be involved. And they were right, of course, in a world that thought the worst of involvement. Why did you help him, mister? Got scared, did you? Let's see what you got in your pockets. What's this? A stomach tablet? That's a laaaugh. Soon he was able to get up. Blood and a kind of healthy pain were flowing into his legs. He felt all right, even gently elated. After all, he knew now where he stood. There was no need to plan anything long-that Odontiad, for instance. A loosening artistic obligation. There was only the obligation of setting things in order. He might live a long time yet, but time would be doled out to him in very small denominations, like pocket money. On the other hand, there was no need to work at living a long time. He had not done too badly. He was fifty-six, already had done four years better than Shakespeare. As for poor Gervase Whitelady. Kindly he suddenly decided to allow Whitelady to live till 1637, which meant he could benefit from the critical acumen of Ben Jonson.
He got to the apartment block without difficulty. Mr. Audley, the black guard, sat in his chair in the warmth of the foyer, while the many telescreens showed dull programmes-people muffled up hurrying round the corner, the basement empty, the main porch newly free of entering Enderby. They nodded at each other, Enderby was allowed in, he took the elevator to his floor, he entered his apartment. Thanked, so to speak, Almighty God. He drew his bloody sword and executed a courtly flourish with it at the mess in the kitchen. Then he cleaned off the blood with a dishrag. His stomach, crassly ignoring the day's circulatory warnings, growled at him, knowing it was in the kitchen, messy or not.
There was an episode, Enderby remembered, in Galsworthy's terrible Forsyte or Forsyth epic, in which some old scoundrel of the dynasty faced ruin and determined to kill himself like a gentleman by eating a damn good dinner. In full fig, by George. By George, they had got him an oyster. By George, he had forgotten to put his teeth in, and here was a brace of mutton chops grilled to a turn. A rather repulsive story, but it did not debar Galsworthy from getting the Order of Merit and the Nobel Prize. Enderby had never got or gotten anything, not even the Heinemann Award for Poetry, but he did not give a bugger. He did not now propose to eat himself to death, in a subforsytian manner befitting his station, but rather just not to give a bugger. To take a fairly substantial supper with, since time might be short, a few unwonted luxuries added. Such as that French chocolate ice cream that was iron-hard in the deep freeze. And that small tin of pâté mixed in the great culminatory stew he envisaged after, for tidiness' sake, finishing off his Sara Lee collection and eating the potato pieces and spongemeat that waited for a second chance, nestling ready in their fat. And to get through the mixed pickles and Major Gray's chutney. He had always hated waste.