Then Wildgoose thanked him, and Moonlight said: “Now that Chok See has waited on my lord as well as I, I thank thee on her behalf.” And thus they bowed repeatedly.
Next morning by break of day the General was ready to depart, and said to the two: “There are many who spy and eavesdrop on a long journey, so we may not go together, but as soon as I have completed the marriage awaiting me, you must both come.” Thus he resumed his way.
Once more he reached the capital and reported at the Palace. At this time, too, a letter of submission arrived from the King of Yon, with quantities of tribute, gold, silver, silks, etc. The Emperor, greatly delighted at his success, comforted Yang after the long hardships of the way; congratulated him, and proposed to make him a tributary prince as reward; but Yang, alarmed at this too high favour, bowed low before the throne, asking earnestly to be permitted to decline.
The Emperor, charmed with his modesty, yielded to his wishes and made him only a chief minister as well as Director of the Hallim (College of Literature), besides giving him great rewards. He caused him to be most lavishly honoured by the State, so that history scarcely presents a case of one so markedly distinguished.
After his return, Yang went to pay his respects to the home of Justice Cheung. He and the lady Cheung greeted him with special joy, congratulated him on his high attainments and honour, and were delighted at his being made a minister, so that the whole house was filled with rejoicing.
Yang then went to his quarters in the park pavilion, once more met Cloudlet and renewed the happy relationship with her that had been broken off by his departure.
The Emperor was greatly delighted with the rising fame of Yang So-yoo. He frequently summoned him to the inner palace to talk about history and the Classics, as well as other subjects, so that the days went by imperceptibly.
One evening Yang was detained till late in the presence of the Emperor. On his return to his official quarters, the moon shone softly and his feelings of happiness were so great that sleep refused to come. He went alone up into the upper pavilion, and there leaned on the balustrade and looked out upon the scene so softly gilded by the shining moon. Suddenly he heard on the gently passing breeze the notes of a flute, far off, as though from among the clouds, coming nearer and nearer. He could not distinguish the tune, but the sweetness was such as is not heard among mortals.
Minister Yang then called one of the secretaries of the Hallim and asked him, saying: “Does this music come from outside the palace, or is there someone within the enclosure who is playing?”
The secretary said he did not know. The minister then ordered wine to be brought, and when he had taken a glass or two he called for his flute on which he began to play. The sound of it went up to heaven, and soft tinted clouds came out to listen; the phoenix birds called to each other, and two blue storks came flying from the palace and danced to the music; while all the secretaries looked on in wonder, saying: “Wang Ja-jin [26]
has come down to earth to share our joys and sorrows.”
The Empress Dowager had two sons and one daughter; the Emperor, Prince Wol, and Princess Nan-yang or Orchid. When Orchid was born, a fairy had come down from heaven to the Empress in a dream, and had placed a jewel in her bosom. Such was the princess. When she was grown up she was graceful in form as a flower and all her ways were according to the highest measure of the genii. No marks of earth were there upon her. Marvellously skilled was she, too, in the character, in needlework and embroidery. The Empress loved her better than all others.
Among the tribute paid at this time there was a white stone flute from the western empire of Rome. The form of it was very beautiful, and the Empress ordered the court musicians to try it, but they failed and no sound was forthcoming. In a dream one night the princess met a fairy and learned from her how to play it. After waking she tried this flute of the far west and the tones were exceeding sweet, agreeing in harmony with the laws of the eum-rul (Chinese music).
The Empress Dowager and the Emperor were greatly astonished at this, but no outsiders knew anything of it. At one time when she played the storks gathered in front of the audience hall and danced to the music.
The Empress said to the Emperor: “In ancient days Prince Chin-mok's daughter, Nong-ok [27]
, played beautifully on the crystal flute, and now Orchid plays no less marvellously. Nong-ok found her destined husband by this matchless music of hers. May it be so with Orchid, and may we thus happily settle the question of her marriage.” Though Nan-yang was grown up she had not yet been betrothed.
On this night, Orchid, inspired by the soft light of the moonbeams, played till the storks danced before her, and when she had finished they flew away to the office of the Hallim and danced there likewise; so it became reported throughout the palace that the storks had danced to the music of General Yang. The Emperor heard it, and marvelled as he thought to himself: “The Princess's destiny evidently rests with this man.”
[CUTLINE: The Stork Dance: The Palace Maids in Waiting]
He then reported to the Empress Dowager, saying, “General Yang's age is about the same as that of Princess Orchid, and there is no one in the Court his equal in handsome bearing or ability. Never again can we expect to find his like if we search the whole wide realm.”
The Empress laughed, and said: “Orchid's marriage has not yet been decided upon, and I have been somewhat anxious about it. Now that I hear this, I am sure that Yang So-yoo is God's appointed mate for her; still, I must have a look at him before I decide finally.”
“That will be very easy,” said the Emperor in reply. “I shall summon Yang one of these days to one of my private audiences, have a talk with him on some literary subject, and then you can peep through the screen and see what kind of man he is.”
The Empress was greatly delighted and so the matter rested.
Princess Orchid's special name was So-wha, so called because these two characters were found engraved upon the flute. They meant “flute harmony.”
On a certain day the Emperor took his seat in the Hall of the Fairies, one of the palaces of the Imperial Court, and commanded a eunuch to summon Yang So-yoo. The eunuch went first to the office of the Hallim, but learned there that Yang was out. Then he went post-haste to the home of Justice Cheung and made inquiry, but was told that Yang had not yet returned. So he rushed about here and there but could get no trace of him.
At this time Yang, accompanied by Thirteen, had gone to one of the places of amusement, where he had imbibed so freely that he was very much intoxicated. He was happy and having a hilarious time.
The eunuch hurriedly rushed in and ordered him to report at once to the palace. Thirteen, alarmed by this call, jumped up and went out. But Yang's eyes were heavy with drink and his hair was in disorder. The eunuch addressed him so that he got up and changed his dress and then followed into the inner palace, where he appeared before the Emperor, who commanded him to sit down.
There they discussed the history of the past line of kings, their successes and their failures, and Yang, quick as he was asked, gave answer, his words flowing like running water.
The Emperor, greatly delighted, said: “I should like to ask whom you regard as greatest among the kings of the past, and whom among the ministers.”
The Hallim replied: “Among the kings we rank Yo and Soon [28]
first, but we need not specially dwell on them. Han Ko-jo wrote an essay called, 'The Great Wind,' while Wee Ta-jo wrote one called, 'The Bright Wind and Shining Stars.' These come first among the kings. Among ministers are Yi Yung of Sa-kyong, Cho Ja of Up-to, To Yon-myong of Nam-cho, and Sa Yom-eum. These are regarded as the first literary masters. Among the kingdoms Tang is first, and among the Tang kings, Hyon-jong. Among ministers is Yi Tai-baik, who is without a peer in all the world.”