“Like the prettiest picture in a fashion book!” Helen complimented her.
Soon the dressing room was crowded with excited, chattering models. Everyone praised Nancy’s costume. A few minutes before the show was scheduled to start, Bess and George came backstage.
“Nearly everyone of importance in River Heights is here,” George told Nancy. “Even the Mayor!”
“Mrs. Alexandra came too with Anna,” Bess added.
“She made the effort for Katherine’s sake,” Nancy said.
“Mrs. Alexandra like you very much too, Nancy,” Katherine put in.
The orchestra had begun to play, and the models were told to take their places. One after another they stepped out from the wings.
“Now!” Katherine whispered, her voice tense.
The moment had arrived for her model to walk out upon the stage! Nancy made an effective entrance, carrying herself well. Each model had been greeted with a polite ripple of applause. Now the handclapping was loud and spontaneous.
Gracefully Nancy approached the carpeted steps which would carry her to the level of the audience. She saw Mrs. Alexandra’s beaming face, and below her in the front row, Mr. Ellington, the artist. He nodded approvingly.
“He likes the gown!” she thought joyously.
Keeping perfect time to the music, Nancy moved down the first two steps. As she reached the third, there was a sudden sideways movement of the board beneath the carpet. Nancy tried to keep her balance. Instead she plunged headlong toward the floor!
As Nancy pitched forward, Mr. Ellington jumped up. Nancy fell directly into the young man’s outstretched arms.
“Oh!” she cried, embarrassed.
There had been an audible gasp from the audience, and the music had ceased abruptly. Many feared the model had been injured.
“Are you hurt?” Mr. Ellington asked as he helped Nancy regain her balance.
Nancy shook her head, trying to recover her poise. She felt sick at heart, not so much for herself as for Katherine. Any chance of the young designer winning a prize was gone, she felt sure.
“Don’t let this disturb you,” Mr. Ellington whispered kindly. “It wasn’t your fault!”
Thus encouraged, Nancy smiled bravely. The orchestra began to play again. She glided down the center aisle and back. During the intermission carpenters repaired the faulty step.
“Oh Katherine, I knew I would ruin your chances!” Nancy cried when she met the designer. “Why did I have to stumble?”
“It wasn’t your fault,” Helen interjected.
Nancy fell directly into the young man’s arms
“No, indeed,” echoed Katherine. “Tomorrow you make a grand entrance!”
Although everyone declared that the accident had been unavoidable, the three girls did not feel very cheerful. They brightened, however, when Mr. Ellington sought out Katherine to tell her that he considered her design the most original one entered in the show.
“If I were one of the judges, I’d vote to give you first prize,” he declared warmly.
Katherine blushed and became flustered. He talked for a long while. It was obvious to Nancy that his interest was more than a professional one.
“What a grand couple they would make!” she remarked to Helen.
“Mr. Ellington is very charming,” Helen agreed. “Isn’t it a pity Michael couldn’t-”
“Sh!” Nancy warned suddenly.
Mrs. Alexandra was approaching, followed by Anna. “You were charming, Nancy,” the former queen said. “Will you have luncheon with me at one o’clock tomorrow? As you say in America, we have some unfinished business.”
“Thank you, but I’m afraid I can’t. I am due here before three for the afternoon showing.”
“I shall see that you are not late.”
Nancy was still hesitant about accepting the invitation. Her last meeting with Michael had been unpleasant, and she feared he might create a scene should he find her a guest in his home.
“Michael will not be there,” Anna whispered.
“I’ll be delighted to come, Mrs. Alexandra,” Nancy accepted at once.
After the former queen and Anna had gone, Michael again became the topic of conversation. Katherine, who had rejoined the girls, admitted that the young man had called her several times.
“He annoy me with attentions I do not like! He send me flowers! He ask me for dates! Always I say No, but it does no good.”
“I’d give anything if I never had traced him for Mrs. Alexandra,” Nancy said soberly.
When she appeared at the woman’s home the next day, the topic of Michael was studiously avoided. A delicious luncheon was served during which biscuits were passed in a quaint wooden basket with a royal crown on the handle.
At the close of the meal Mrs. Alexandra asked Anna to bring the Footman jewel box to her. Tenderly the former queen held the quaint porcelain and enamel figure.
“I shall now open it for you,” she said to Nancy. “Can you guess how it is done?”
“By a secret spring?”
“Yes. First I press the little fellow here.”
Mrs. Alexandra touched the Footman’s left hand. To Nancy’s amazement, the black coat of the figure loosened, enabling the woman to remove it. She pressed another spring and a panel slid open. Inside were a ruby ring, an unset emerald, a necklace of matched pearls, and two diamond bracelets.
“All that remain of my jewels,” Mrs. Alexandra said. “Piece by piece I sold the others.”
“These are exquisite,” Nancy replied. “Did the box ever contain anything except jewelry?”
“No, it has always been used for that purpose. You are disappointed, perhaps?”
“I’m not disappointed, Mrs. Alexandra. I’ll admit, though, that the little nightingale’s words led me to believe this box might contain something else of importance.
“Katherine has told me the people of your country have many secrets,” Nancy went on. “One of them is a process for making noncrackable enamel. I admit I wondered if the Footman might be hiding the lost formula.”
Mrs. Alexandra tried to suppress a smile. “My dear,” she said kindly, “I wonder if the song of the nightingale has not been misinterpreted. The words are so indistinct.”
“Perhaps, but we know the song was added long after the Easter egg was made,” Nancy remarked.
“Until Mr. Faber told you differently, I assumed that the nightingale was exactly as it had been created for me.”
“You have no idea when the addition was made?”
“It must have been during the early days of the Revolution. I was away from the palace when the trouble started. There was such turmoil that I could not get back for some time.”
“Then the song may have been added while you were away,” Nancy suggested. “Perhaps someone tried to provide you with an important clue -a clue meant for no other person. Who besides yourself had access to the Easter egg, Mrs. Alexandra?”
“Only a few trusted servants in the palace.”
“Who in your country was skillful at making music boxes?” Nancy asked eagerly.
“Conrad Nicholas,” Mrs. Alexandra said, “the husband of Nada’s sister. Nada was the nurse of my grandson Michael.”
“Could she have borrowed the Easter egg?”
“Yes.”
“Why, it all fits in beautifully!” Nancy exclaimed. “Mrs. Alexandra, I’m convinced some jewel box contains a vital clue, and it must be this Footman. Maybe it holds a secret greater than all your jewels! The box may have another opening, perhaps in the legs of the Footman.”
“But I have already examined the little statue from his head to the top of his boots! The secret, if there is one, has been cleverly hidden.”
“Mrs. Alexandra, do you mind if I try?”
Smiling, the former queen placed the jewel box in Nancy’s hands. With trembling fingers the young detective began to explore the porcelain and enamel figure inch by inch.
CHAPTER XIV
ALTHOUGH Nancy carefully ran her fingers over the Footman figurine, pressing here and there, she did not discover a spring or release mechanism. The only opening appeared to be the one under the black coat.