Meanwhile, Cipriano Algor had reached the end of the street, turned off into the road that divided the village in two and, neither walking nor dawdling, neither running nor flying, as if he were dreaming that he was trying to break free from himself, but kept stumbling over his own body, he reached the top of the slope where the van was waiting with his son-in-law and his daughter. Before, the sky had seemed set fair, but now a hesitant, indolent rain had begun to fall, it might not perhaps last very long, but it greatly exacerbated the melancholy of these people who were only the turn of a wheel away from leaving much-loved places, even Marçal felt his stomach tighten uneasily. Cipriano Algor got into the van, sat down next to the driver, in the place that had been left for him, and said, Let's go. He would not say another word until they reached the Center, until they got into the service elevator that carried them and their suitcases and packages up to the thirty-fourth floor, until they opened the door of the apartment, until Marçal exclaimed, Here we are, only then did he open his mouth to utter a few organized sounds, albeit nothing very original, he merely repeated his son-in-law's words, with a small rhetorical addition, Yes, here we are. Marta and Marçal had also said very little during the journey. The only words worthy of recording in this story, and only superficially, purely incidentally, because they have to do with people about whom we have only heard, were those they exchanged when the van was going past the house of Marçal's parents, Did you tell them we were leaving, asked Marta, Yes, the day before yesterday, when I came back from the Center, I just popped in, the taxi was waiting, Don't you want to stop, she asked again, No, I'm tired of arguments, fed up to the back teeth, Even so, Remember the way they behaved when we both went to see them, you surely don't want a repeat performance, said Marçal, It's a shame, though, they are your parents after all, It's a funny expression that, What, After all, That's what people say, Yes, I know, but words which, at first sight, seem to be mere adornment and could, in every sense of the word, easily be discarded, become frightening once you start to think about them and realize what they imply, After all, Marta had said, which is another disguised way of saying what else can we do, what do you expect, that's the way things are, or, put more bluntly, resign yourself, We have to live with the parents we've got, said Marçal, Not forgetting that someone will have to live with the parents we will become, concluded Marta. It was then that Marçal glanced to his right and said, smiling, Needless to say, this conversation about warring parents and children does not apply to you, but Cipriano Algor did not respond, he merely nodded vaguely. Sitting behind her husband, Marta could just see her father's profile. I wonder what happened with Isaura, she thought, he obviously didn't just go there, leave Found and come back, judging by the delay, they must have said something to each other, what I wouldn't give to know what he's thinking, his face looks quite serene, but at the same time it's the face of someone who isn't quite in control, someone who has escaped a great danger and is surprised to find himself still alive. She would know much more if she could see her father from the front, then she might perhaps say, I recognize those tears that never fall but are absorbed back into the eyes, I recognize that joyful pain, that painful happiness, that being and not being, that having and not having, that wanting and not being able to act. But it was early days yet for Cipriano Algor to answer her. They had left the village, left behind them the three ruined houses, now they were crossing the bridge over the stream with its dark, evil-smelling waters. Over there, in the middle of the countryside, in the clump of trees hidden by brambles, is where the archaeological treasure from Cipriano Algor's pottery is hidden. Anyone would think that ten thousand years had passed since the last remains of an ancient civilization were dumped there.
When, on the morning after his day off, Marçal left the thirty-fourth floor in order to go to work as a fully fledged resident guard, the apartment was clean, tidy, and orderly, with the things brought from the other house in their proper places, and all that was necessary now was for the inhabitants willingly to take up their rightful places among them. It won't be easy, a person is not like a thing that you put down in one place and leave, a person moves, thinks, asks questions, doubts, investigates, probes, and while it is true that, out of the long habit of resignation, he sooner or later ends up looking as if he has submitted to the objects, don't go thinking that this apparent submission is necessarily permanent. The first problem to be resolved by the new inhabitants, with the exception of Marçal Gacho, who will continue with his familiar, routine work of watching over the security of the people and property institutionally or incidentally associated with the Center, the first problem, we were saying, will be to find a satisfactory answer to the question, And now what am I going to do. Marta is in charge of running the household, when her time comes, she will have a child to bring up, and that will be more than enough to keep her occupied for many hours of the day and for some hours of the night. However, because people are, as pointed out above, subject to both action and thought, we should not be surprised if she should ask herself, in the middle of a task that has already taken up an hour and could well take up another two, And now what am I going to do. In any case, it is Cipriano Algor who is confronted by the worst possible situation, that of looking at his hands and knowing that they are useless, of looking at the clock and knowing that the next hour will be the same as this, of thinking about tomorrow and knowing that it will be as empty as today. Cipriano Algor is no adolescent, he cannot spend the whole day lying on the bed that barely fits into his tiny bedroom, thinking about Isaura Madruga, repeating the words that they said to each other, reliving, if one can give such an ambitious name to the memory's insubstantial operations, their shared kisses and embraces. Some will think that the best medicine for Cipriano Algor's ills would be for him to go down to the garage right now, get into the van and drive off to see Isaura Madruga, who, back in the village, will more than likely be going through the same anxieties of body and soul, and for a man in his position, for whom life holds no more industrial and artistic triumphs of primary or secondary importance, having a woman whom he loves and who has already told him that she reciprocates his love, is the most sublime of blessings and the greatest good fortune. They obviously don't know Cipriano Algor. He has already told us that a man should not ask a woman to marry him if he lacks the means to guarantee his own living, and he would say to us now that he is not someone to take advantage of favorable circumstances and to behave as if he had a right to the resulting satisfactions, however justified by the qualities and virtues that adorn him, by the mere fact of being a man and of having made a particular woman the focus of his male attentions and desires. In other words, put more frankly and directly, what Cipriano Algor is not prepared to do, even though he will pay for it with the bitter pain of solitude, is to see himself playing the part of the fellow who periodically visits his mistress and returns from there with, as his only sentimental souvenirs, an evening or night spent agitating his body and shaking up his senses, then planting an absentminded kiss on a face now bereft of makeup, and in the case in point, patting the head of a canine, See you again soon, Found. Cipriano Algor, therefore, has two ways of escaping the prison which the apartment has, in his eyes, suddenly become, apart from the short-lived and merely palliative act of going over to the window now and then and looking out at the sky through the glass. His first recourse is the city, that is, Cipriano Algor, who has always lived in the insignificant village which we know only slightly and who knows only that part of the city he used to see en route to the Center, will now be able to spend his time strolling, ambling, and airing his feathers, a figurative caricature of an expression that must date from the days in which noblemen and gentlemen of the court wore feathers in their hats and would sally forth to air both hats and feathers. He also has at his disposal the city's public parks and gardens where elderly men tend to gather in the afternoons, men who have the face and typical gestures of the retired and the unemployed, which are two ways of saying the same thing. He could join them and become friends with them, and enthusiastically play cards until dusk, until it is no longer possible for their myopic eyes to tell whether the spots on the cards are red or black. He will demand vengeance if he loses and encourage it in others if he wins, the rules of the park are simple and easy to learn. The second recourse, needless to say, is the Center in which he lives. Naturally, he knows it already from before, but not as well as he knows the city, because, on his few visits to the Center, always with his daughter, just to do a bit of shopping, he could never quite remember how he got where. Now, in a way, the Center is all his, it has been handed to him on a plate of sound and light, he can wander about in it as much as he likes, enjoy the easy-listening music and the inviting voices. If, when they came to visit the apartment for the first time, they had used the elevator on the other side, they would have been able to see, during the slow ride upward, as well as the new arcades, shops, escalators, meeting points, cafés, and restaurants, many other equally interesting and varied installations, for example, a carousel of horses, a carousel of space rockets, a center for toddlers, a center for the Third Age, a tunnel of love, a suspension bridge, a ghost train, an astrologer's tent, a betting shop, a rifle range, a golf course, a luxury hospital, another slightly less luxurious hospital, a bowling alley, a billiard hall, a battery of table football games, a giant map, a secret door, another door with a notice on it saying experience natural sensations, rain, wind, and snow on demand, a wall of china, a taj mahal, an egyptian pyramid, a temple of karnak, a real aqueduct, a mafra monastery, a clerics' tower, a fjord, a summer sky with fluffy white clouds, a lake, a real palm tree, the skeleton of a tyrannosaurus, another one apparently alive, himalayas complete with everest, an amazon river complete with indians, a stone raft, a corcovado christ, a trojan horse, an electric chair, a firing squad, an angel playing a trumpet, a communications satellite, a comet, a galaxy, a large dwarf, a small giant, a list of prodigies so long that not even eighty years of leisure time would be enough to take them all in, even if you had been born in the Center and had never left it for the outside world.