I was amused to learn that you had to devote your wedding night to typing the story afresh. Perhaps your loss of the original transcription was a lucky chance which you should continue to embrace. I trust you will permit a fellow dreamer to observe that your courtship and marriage appear to have distracted you from your true purpose in the world. I fervently hope that you have not grown unable to dream freely now that you are no longer alone. May your wife be preventing you from visiting sites which are fertile with dreams, or from employing relics to bring dreams to your bed? You will have noticed that I have moved onwards from my previous abode, having exhausted the site of which I wrote to you. I believe my new situation will provide me with a portal to dreams no living man has begun to experience.
In the meantime I have read your brace of tales which recently saw publication. The musician Zann and his street are dreams, are they not? Only in dreams may streets remain unmapped. Is the abyss which the music summons not a glimpse or a hint of the source of the ultimate dream? And Carter's graveyard reverie conjures up the stuff of dream.3 It rightly stays unnameable, for the essence of dreams neither can nor should be named. You mentioned that these tales were composed before your courtship. May I take the liberty of suggesting that they remind you what you are in peril of abandoning? The dreamer ought to be a solitary man, free to follow all the promptings of his mind.
At least while you are unable to write, you are still communicating visions—my own. Now that you have become my American representative I shall be pleased if you will call me Thad. It is the name I would ask a friend to use, and it sounds quite American, does it not? Let me take this opportunity to send you three more tales for your promotion. I am satisfied with them and with their titles. May I ask you not to show them to any of your circle or to mention me? I prefer not to be heard of until I am published. I hope that the magazine will deign to exhibit both of our names on the cover. Let the spiritless scribblers be confined within, if they must continue to infest its sheets.
Yours in anticipation of print,
Thad Nash.
18, Old Sarum Road,
Salisbury,
Wiltshire,
Great Britain.
February 14th, 1926.
Dear Howard Phillips Lovecraft,
I am grateful to you for your attempt to place my work. You had previously mentioned that Farthingsworth Wrong4 tends to be unreceptive to the truly unique. I am certain that you must have done everything in your power to persuade him to your opinion of my tales. Are there other markets where you will do your best to sell them, or is it more advisable to wait for his tastes to mature? You will appreciate that I am relying on your experience in these matters.
I do not recall your mentioning that you had written new fiction last summer. I am relieved to learn that your marital subjugation has not permanently crippled your ability to dream. May I assume that these stories did not hinder your marketing of my work? I believe that our writing has little in common other than the title you provided, but I wonder if the editor's judgement may have been adversely affected by your sending him too many pieces all at once. Perhaps in future it would be wise to submit my work separately from your own, and with a reasonable interval between them.
I am heartened by the information that you plan to write a history of supernatural literature. I am sure that your appreciation of the form will produce a guide which should be on the shelves of every dreamer. I look forward eagerly to reading it. If I can advise or in any way aid you, please do not hesitate to ask.
You will be anxious to hear about the progress of my own work. Please reassure yourself that your failure to place my stories has not cast me down. Rather has it goaded me to venture deeper into dream, whence I shall return bearing prizes no less wonderful than dreadful. I shall tell ancient truths which no reader will be able to deny and no editor dare to suppress. I am certain that the nearby sites contain unsuspected relics, although soon I may have no more need of them. However it is used, a relic is but the germ of a dream, just as your dreams are the germs of your fiction. I wonder to what extent your dreams have become fixed on your native Providence? Perhaps your desire to return there is draining your imagination of the energy to rise higher and voyage farther. I hope you will ultimately find as congenial an environment as I have myself.
I await news of your efforts.
Yours for the supremacy of dream,
Cameron Thad Nash.
1, Toad Place,
Berkeley,
Gloucestershire,
Great Britain.
May 23rd, 1926.
Dear HPL,
I write to alert you that, like yours, my body has found a new lodging. It became necessary for me to decamp to an unfamiliar town. I had been surprised one night in the process of obtaining a relic. The donor of the item could have made no further use of it, but I fear that the mob and its uninformed, uniformed representatives of unformed uniformity have little understanding of the dreamer's needs. The resultant pursuit was unwelcome, and a source of distraction to me. For several nights I was annoyed by dreams of this mere chase, and they led to my seeking a home elsewhere.
Well, I am done with graves and brains and the infusion of them. I am safe inside my skull, where the mob cannot spy, nor even dreamers like yourself. I have learned to rise above the use of material aids to dream. I require but a single talisman—the night and the infinite darkness of which it is the brink. Let the puny scientists strive to design machines to fly to other worlds! This dreamer has preceded them, employing no device save his own mind. The darkness swarms with dreams, which have been formed by the consciousnesses of creatures alien beyond the wildest fancies of man. Each dream which I add to my essence leads me deeper into uncharted space. A lesser spirit would shrivel with dread of the ultimate destination. In my tales I can only hint at the stages of my quest, for fear that even such a reader as yourself may quail before the face of revelation.
I see you are content to have reverted to your native Providence. I hope that your contentment will provide a base from which you may venture into the infinite. I have read your recent contributions to Farthingsworth's rag. Will you forgive my opining that your story of the dreamer by the ancestral tomb seems a trifle earthbound? I had higher expectations of the other tale, but was disappointed when the narrator's dreams urged him to climb the tower not to vistas of infinity but to a view of the dull earth. No wonder he found nothing worthy of description in the mirror.5 I wonder if, while immolated in your marriage, you became so desperate to dream that you were unable to direct the process. I counsel you to follow my example. The dreamer must tolerate no distractions, neither family nor those that call themselves friends. None of these is worth the loss of a solitary dream.
At your urging I recently viewed the moving picture of The Phantom of the Opera. You mentioned that you fell asleep several times during the picture, and I have to inform you that you must have been describing your own dream of the conclusion rather than the finale which appears on the screen. I assure you that no "nameless legion of things" welcomes the Phantom to his watery grave. I am glad that they at least remained nameless in your mind. No dream ought to be named, for words are less than dreams.
I look forward to reading your short novel about the island raised by the marine earthquake, although would an unknown island bear such a name as "L'yeh" or indeed any name?6 And I am anxious to read your survey of supernatural literature when it, too, is completed. In the meantime, here are three new tales of mine for your perusal and advancement. Please do make all speed to advise me as soon as there is news.