The sense of time was already hopelessly confused. One hour was like another, the sea looked always the same, morning was indistinguishable from afternoon—and was it Tuesday or Wednesday? Mr. Arcularis was sitting in the smoking room, in his favorite corner, watching the parson teach Miss Dean to play chess. On the deck outside he could see the people passing and repassing in their restless round of the ship. The red jacket went by, then the black hat with the white feather, then the purple scarf, the brown tweed coat, the Bulgarian mustache, the monocle, the Scotch cap with fluttering ribbons, and in no time at all the red jacket again, dipping past the windows with its own peculiar rhythm, followed once more by the black hat and the purple scarf. How odd to reflect on the fixed little orbits of these things—as definite and profound, perhaps, as the orbits of the stars, and as important to God or the Absolute. There was a kind of tyranny in this fixedness, too—to think of it too much made one uncomfortable. He closed his eyes for a moment, to avoid seeing for the fortieth time the Bulgarian mustache and the pursuing monocle. The parson was explaining the movements of knights. Two forward and one to the side. Eight possible moves, always to the opposite color from that on which the piece stands. Two forward and one to the side: Miss Dean repeated the words several times with reflective emphasis. Here, too, was the terrifying fixed curve of the infinite, the creeping curve of logic which at last must become the final signpost at the edge of nothing. After that—the deluge. The great white light of annihilation. The bright flash of death.… Was it merely the sea which made these abstractions so insistent, so intrusive? The mere notion of orbit had somehow become extraordinarily naked; and to rid himself of the discomfort and also to forget a little the pain which bothered his side whenever he sat down, he walked slowly and carefully into the writing room, and examined a pile of superannuated magazines and catalogues of travel. The bright colors amused him, the photographs of remote islands and mountains, savages in sampans or sarongs or both—it was all very far off and delightful, like something in a dream or a fever. But he found that he was too tired to read and was incapable of concentration. Dreams! Yes, that reminded him. That rather alarming business—sleep-walking!
Later in the evening—at what hour he didn’t know—he was telling Miss Dean about it, as he had intended to do. They were sitting in deck chairs on the sheltered side. The sea was black, and there was a cold wind. He wished they had chosen to sit in the lounge.
Miss Dean was extremely pretty—no, beautiful. She looked at him, too, in a very strange and lovely way, with something of inquiry, something of sympathy, something of affection. It seemed as if, between the question and the answer, they had sat thus for a very long time, exchanging an unspoken secret, simply looking at each other quietly and kindly. Had an hour or two passed? And was it at all necessary to speak?
“No,” she said, “I never have.”
She breathed into the low words a note of interrogation and gave him a slow smile.
“That’s the funny part of it. I never had either until last night. Never in my life. I hardly ever even dream. And it really rather frightens me.”
“Tell me about it, Mr. Arcularis.”
“I dreamed at first that I was walking, alone, in a wide plain covered with snow. It was growing dark, I was very cold, my feet were frozen and numb, and I was lost. I came then to a signpost—at first it seemed to me there was nothing on it. Nothing but ice. Just before it grew finally dark, however, I made out on it the one word ‘Polaris.’”
“The Pole Star.”
“Yes—and you see, I didn’t myself know that. I looked it up only this morning. I suppose I must have seen it somewhere? And of course it rhymes with my name.”
“Why, so it does!”
“Anyway, it gave me—in the dream—an awful feeling of despair, and the dream changed. This time, I dreamed I was standing outside my stateroom in the little dark corridor, or cul-de-sac, and trying to find the door-handle to let myself in. I was in my pajamas, and again I was very cold. And at this point I woke up.… The extraordinary thing is that’s exactly where I was!”
“Good heavens. How strange!”
“Yes. And now the question is, Where had I been? I was frightened, when I came to—not unnaturally. For among other things I did have, quite definitely, the feeling that I had been somewhere. Somewhere where it was very cold. It doesn’t sound very proper. Suppose I had been seen!”
“That might have been awkward,” said Miss Dean.
“Awkward! It might indeed. It’s very singular. I’ve never done such a thing before. It’s this sort of thing that reminds one—rather wholesomely, perhaps, don’t you think?”—and Mr. Arcularis gave a nervous little laugh—“how extraordinarily little we know about the workings of our own minds or souls. After all, what do we know?”
“Nothing—nothing—nothing—nothing,” said Miss Dean slowly.
“Absolutely nothing.”
Their voices had dropped, and again they were silent; and again they looked at each other gently and sympathetically, as if for the exchange of something unspoken and perhaps unspeakable. Time ceased. The orbit—so it seemed to Mr. Arcularis—once more became pure, became absolute. And once more he found himself wondering who it was that Miss Dean—Clarice Dean—reminded him of. Long ago and far away. Like those pictures of the islands and mountains. The little freckle-faced girl at the hospital was merely, as it were, the stepping stone, the signpost, or, as in algebra, the “equals” sign. But what was it they both “equaled”? The jackstones came again into his mind and his Aunt Julia’s rose garden—at sunset; but this was ridiculous. It couldn’t be simply that they reminded him of his childhood! And yet why not?
They went into the lounge. The ship’s orchestra, in the oval-shaped balcony among faded palms, was playing the finale of “Cavalleria Rusticana,” playing it badly.
“Good God!” said Mr. Arcularis, “can’t I ever escape from that damned sentimental tune? It’s the last thing I heard in America, and the last thing I want to hear.”
“But don’t you like it?”
“As music? No! It moves me too much, but in the wrong way.”
“What, exactly, do you mean?”
“Exactly? Nothing. When I heard it at the hospital—when was it?—it made me feel like crying. Three old Italians tootling it in the rain. I suppose, like most people, I’m afraid of my feelings.”