"Sometimes I think that without children we remain beasts or dust. That we are like something lost at sea."
Benna looked at him and blinked, her eyes almost swelling, as if with allergy. She took a long glug of near-beer, swallowed, then shrugged. "Do you?" she said. "I think maybe I'm just too exhausted from work."
"Yes, well," said Gerard, attempting something lighthearted. "I guess that's why they call it work. I guess that's why they don't call it table tennis"
"What are you watching?" Gerard had knocked on her door and sauntered in. Benna was curled under a blanket on the sofa, watching television. Gerard tried to smile, had even been practicing it, feeling the air on his teeth, his cheeks puff up into his vision, the slight rise of his ears up the sides of his head.
"Some science-fiction thing," she said. "Escape from something. Or maybe it's invasion of something. I forget."
"Who are those figures rimmed in neon?" he asked, sitting beside her.
"Those are the love-killers. They love you and then they kill you. They're from another planet. Supposedly."
He looked at her face. It was pale, without make-up, and the narrow planes of her cheeks seemed exquisite as bone. Her hair, pulled off her face into a rubber band, shone auburn in the lamplight. Just as she was, huddled in a blanket that had telltale signs of dog hair and coffee, Gerard wanted more than anything else to hold her in his arms. And so, in a kind of rush out of himself, he leaned over and kissed Benna on the mouth.
"Gerard," she said, pulling away slightly. "I like you very much, but I'm just not feeling sexual these days."
He could feel the dry chap of her lips against his, still there, like a ten-second ghost. "You go out with men," he insisted, quickly hating the tone of his own voice. "I hear them."
"Look. I'm going through life alone now," she said. "I can't think of men or penises or marriage or children. I work too hard. I don't even masturbate."
Gerard sank into the back of the sofa, feeling himself about to speak something bitter, something that tomorrow he would apologize for. What he said was, "What, do you need an audience for everything?" And without waiting for a reply, he got up to return to his own apartment where visitor and home, like a rigged and age-old game, would taunt him even through the blinds. He went back across the hall, where he lived.
Strings Too Short to Use
although i was between jobs and afraid I would slip into the cracks and pauses of two different Major Medical policies, I was pleased when they said I had a lump in my breast. I had discovered it on my own, during a home check, had counted to twenty and checked again, and even though Gerard had kept saying, "Where? There? Is that what you mean? It feels muscular," I brought it in to them.
"Yes," the nurse-practitioner said. "Yes. There's a lump in your breast."
"Yes, there is," said the surgeon standing beside her like a best man.
"Thank you," I said. "Thank you very much." I sat up and put my clothes back on. The surgeon had pictures of his wife and kids on the wall. The whole family looked like it was in high school, pretty and young. I stared at them and thought, So? I slipped my shoes on, zipped up my fly, tried not to feel somehow like a hooker.
This is why I was pleased: The lump was not simply a focal point for my self-pity; it was also a battery propelling me, strengthening me — my very own appointment with death. It anchored and deepened me like a secret. I started to feel it when I walked, just out from under my armpit — hard, achy evidence that I was truly a knotted saint, a bleeding angel. At last it had been confirmed: My life was really as difficult as I had always suspected. "It's true. It's there," I said to Gerard when I got home.
"Who's there?" he muttered, preoccupied and absent as a landlord. He was singing the part of Aeneas in a local production of his own rock opera, and he was on his way downtown to shop for sandals "that sort of crawl up the leg."
"This is not a knock-knock joke, Gerard. The lump. The lump is there. It's now a certified lump."
"Oh," he said slowly, soft and bewildered. "Oh, baby."
I bought big stretchy bras — one size fits all, catches all, ropes all in and presses all against you. I started to think of myself as more than one organism: a symbiotic system, like a rhino and an oxpecker, or a gorgonzola cheese.
gerard and i lived across the hall from each other. Together we had the entire top floor of a small red house on Marini Street. We could prop the doors open with bricks and sort of float back and forth between our two apartments, and although most of the time we would agree that we were living together, other times I knew it wasn't the same. He had moved to Marini Street after I'd been there three years, his way of appeasing my desire to discuss our future. At that point we'd been lovers for nineteen months. The year before he'd unilaterally decided to go on living on the other side of town, in a large "apartment in the forest." (He called my place "the cottage in the city.") It was too expensive, but, he said, all wise sparkle, "far enough away to be lovely," though I never knew what he thought was lovely at that distance — himself or me or the apartment. Perhaps it was the view. Gerard, I was afraid, liked the world best at a distance, as a photograph, as a memory. He liked to kiss me, nuzzle me, when I was scarcely awake and aware — corpse-like with the flu or struck dumb with fatigue. He liked having to chisel at some remove to get to me.
"He's a sexist pig," said Eleanor.
"Maybe he's just a latent necrophiliac," I said, realizing afterward that probably they were the same thing.
"Lust for dust," shrugged Eleanor. "Into a cold one after work."
So we never had the ritual of discussion, decision, and apartment hunting. It was simply that the Indian couple across the hall broke their lease and Gerard suddenly said during the Carson monologue one night, "Hey, maybe I'll move in there. It might be cheaper than the forest."
We had separate rents, separate kitchens, separate phone numbers, separate bathrooms with back-to-back toilets. Sometimes he'd knock on the wall and ask through the pipes how I was doing. "Fine, Gerard. Just fine."
"Great to hear," he'd say. And then we'd flush our toilets in unison.
"Kinky," said Eleanor.
"It's like parallel universes," I said. "It's like living in twin beds."
"It's like Delmar, Maryland, which is the same town as Delmar, Delaware."
"It's like living in twin beds," I said again.
"It's like the Borscht Belt," said Eleanor. "First you try it out in the Catskills before you move it to the big time."
"It's living flush up against rejection," I said.
"It's so like Gerard," said Eleanor. "That man lives across the hall from his own fucking heart."
"He's a musician," I said doubtfully. Too often I made these sorts of excuses, like a Rumpelstiltskin of love, stickily spinning straw into gold.
"Please," cautioned Eleanor, pointing at her stomach. "Please, my B.L.T."
these are the words they used: aspirate, mammogram, surgery, blockage, wait. They first just wanted to wait and see if it was a temporary blockage of milk ducts.
"Milk Duds?" exclaimed Gerard.
"Ducks!" I shouted. "Milk ducks!"
If the lump didn't go away in a month, they would talk further, using the other three words. Aspirate sounded breathy and hopeful, I had always had aspirations; and mammogram sounded like a cute little nickname one gave a favorite grandmother. But the other words I didn't like. "Wait?" I asked, tense as a yellow light. "Wait and see if it goes away? I could have done that all on my own." The nurse-practitioner smiled. I liked her. She didn't attribute everything to "stress" or to my "personal life," a redundancy I was never fond of. "Maybe," she said. "But maybe not." Then the doctor handed me an appointment card and a prescription for sedatives.