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have seen that summer in the freak tent that was for Adults Only. I

see these things in my dreams, yes, but when I visit Kirby in that

place where he still lives, that place where all the windows are

cross-hatched with heavy mesh, I see them in his eyes. I take his

hand and his hand is cold, but I sit with him and sometimes I think:

These things happened to me when I was young.

SLADE

Stephen King

"Slade." The Maine Campus June-August 1970. "Slade" is in some

ways the most exciting of King1s uncollected juvenalia, an

engaging explosion of off the wall humor, literary pastiche, and

cultural criticism, all masquerading as a Western - the adventures

of Slade and his quest for Miss Polly Peachtree of Paduka.

Published in several installments in the UMO college newspaper

during the summer following King's graduation, the story is most

important in showing King reveling in the joy of writing.

-excerpt from "The Annotated Guide to Stephen King, p.45.

It was almost dark when Slade rode into Dead Steer Springs. He

was tall in the saddle, a grim faced man dressed all in black. Even

the handles of his two sinister .45s, which rode low on his hips,

were black. Ever since the early 1870s, when the name of Slade

had begun to strike fear into the stoutest of Western hearts, there

had been many whispered legends about his dress. One story had it

that he wore black as a perpetual emblem of mourning for his

Illinois sweetheart, Miss Polly Peachtree of Paduka, who passed

tragically from this vale of tears when a flaming Montgolfer

balloon crashed into the Peachtree barn while Polly was milking

the cows. But some said he wore black because Slade was the

Grim Reaper's agent in the American Southwest - the devil's

handyman. And then there were some who thought he was queerer

than a three-dollar bill. No one, however, advanced this last idea to

his face.

Now Slade halted his huge black stallion in front of the Brass

Cuspidor Saloon and climbed down. He tied his horse and pulled

one of his famous Mexican cigars from his breast pocket. He lit it

and let the acrid smoke drift out onto the twilight air. From inside

the bat-wing doors of the Brass Cuspidor came noises of drunken

revelry. A honkytonk piano was beating out "Oh, Them Golden

Slippers."

A faint shuffling noise came to Slade's keen ears, and he wheeled

around, drawing both of his sinister.45s in a single blur of motion

"Watch it there, mister!"

Slade shovelled his pistols back into their holsters with a snarl of

contempt. It was an old man in a battered Confederate cap, dusty

jeans and suspenders. Either the town drunk or the village idiot,

Slade surmised. The old man cackled, sending a wave of bad

breath over to Slade. "Thought you wuz gonna hole me fer sure,

Stranger."

Slade smoked and looked at him.

"Yore Jack Slade, ain'tchee, Pard?" The old man showed his

toothless gums in another smile. "Reckon Miss Sandra of the Bar-

T hired you, that right? She's been havin' a passel of trouble with

Sam Columbine since her daddy died an' left her to run the place."

Slade smoked and looked at him. - The old man suddenly rolled

his eyes. "Or mebbe yore workin' fer Sam Columbine hisseif - that

it? I heer he's been hiring a lot of real hardcases to help pry Miss

Sandra off'n the Bar-T. Is that-"

"Old man," Slade said, "I hope you run as fast as you talk. Because

if you don't, you're gonna be takin' from a plot six feet long an'

three wide."'

The old sourdough grimaced with sudden fear. "You-you wouldn't-

"

Slade drew one sinister.45.

The old geezer started to run in grotesque flying hops. Slade

sighted carefully along the barrel of his sinister.45 and winged him

once for luck. Then he dropped his gun back into its holster, turned

and strode into the Brass Cuspidor, pushing the bat-wing doors

wide.

Every eye in the place turned to stare at him. Faces went white.

The bartender dropped the knife he was using to cut off the foamy

beer heads. The fancy dan gambler at the back table dropped three

aces out of his sleeve - two of them were clubs. The piano player

fell off his stool, scrambled up, and ran out the back door. The

bartender's dog, General Custer, whined and crawled under the

card table. And standing at the bar, calmly downing a straight shot

of whiskey, was John "The Backshooter" Parkinan, one of Sam

Columbine's top guns.

A horrified whisper ran through the crowd. "Slade!" "It's Jack

Slade!" "It's Slade!"

There was a sudden general rush for the doors. Outside someone

ran down the street, screaming.

"Slade's in town! Lock yore doors! Jack Slade is in

town an' God help whoever he's after!"

"Parkman!" Slade gritted.

Parkman turned to face Slade. He was chewing a match between

his ugly snaggled teeth, and one hand hovered over the notched

butt of his sinister .41.

"What're you doin' in Dead Steer, Slade?"

"I'm working fer a sweet lady name of Sandra Dawson," Slade said

laconically. "How about yoreself, 'Backshooter'?"

"Workin' fer Sam Columbine, an' go to hell if you don't like the

sound of it, Pard."

"I don't," Slade growled, and threw away his cigar. The bartender,

who was trying to dig a hole in the floor, moaned.

"They say yer fast, Slade."

"Fast enough."

Backshooter grinned evilly. "They also say yore queerer'n a three

dollar bill."

"Fill yore hand, you slimy, snaky son of a bitch!" Slade yelled

`The Backshooter' went for his gun, but before he had even

touched the handle both of Slade's sinister .45s were out and

belching lead. 'Backshooter' was thrown back against the bar,

where he crumpled.

Slade re-holstered his guns and walked over to Parkman, his spurs

jingling. He looked down at him. Slade was a peace-loving man at

heart, and what was more peace-loving than a dead body? The

thought filled him with quiet joy and a sad yearning for his

childhood sweetheart, Miss Polly Peachtree of Paduka, Illinois.

The bartender hurried around the bar and looked at the earthly

remains of John `The Backshooter' Parkman.

"It ain't possible!" He breathed. "Shot in the heart six times and

you could cover all six holes with a twenty-dollar gold piece!"'

Slade pulled one of his famous Mexican cigars from his breast

pocket and lit up. "Better call the undertaker an' cart him out afore

he stinks."

The bartender gave Slade a nervous grin and rushed out through

the bat-wings. Slade went behind the bar, poured himself a shot of

Digger's Rye(190 proof), and thought about the lonely life of a gun

for hire. Every man's hand turned against you, never sure if the

deck was loaded, always expecting a bullet in the back or the gall

bladder, which was even worse. It was sure hard to do your

business with a bullet in the gall bladder. The batwing doors of the

Brass Cuspidor were thrown open, and Slade drew both of his

sinister.45s with a quick, flowing motion. But it was a girl - a

beautiful blonde with a shape which would have made Ponce de

Leon forget about the fountain of youth - Hubba-hubba, Slade

thought to himself. His lips twisted into a thin, lonely smile as he

re-holstered his guns. Such a girl was not for him, he was true - to

the memory of Polly Peachtree, his one true love.

"Are you Jack Slade?" The blonde asked, parting her lovely red

lips, which were the color of cherry blossoms in the month of May.

"Yes ma'am," Slade said, knocking off his shot of Digger's Rye