So, after the funeral, after the horrible, soul-consuming afterbirth of death had passed and he was left with the silence and the solitude, he had returned to the rhythms of the water and the light to try to steady himself all over again. Even in Romy’s absence, he found himself turning to her for help, to her idea of a proper ceremony for rebirth and a new beginning.
The woman in the black Lycra tank suit came to swim laps beside him in the long empty pool every day for twelve consecutive days. She swam exactly half an hour. Sometimes she was there when he arrived, though she seemed to have preceded him by only minutes, and left while he was still swimming. Sometimes she came after he was already well into his laps, and she was still there when he left. Either way, for nearly two weeks they shared the same water and the same silence and the same light.
During those days it had happened a few times, by sheer chance, that they would swim for a while in tandem, and as he turned his head to the side with every other stroke of his arm, he would see her long, sleek body slipping through the water as smoothly as it had ever been done, perhaps as smoothly as it could be done. Her form was impeccable. Then, gradually, his longer strokes would separate them again, and he would see her only in passing.
The twelve days they swam together were odd in just about every respect. Inevitably during that time their eyes connected briefly, but neither of them ever acknowledged the other. They never spoke. Yet by the twelfth day Strand had grown comfortable with her company, something he would not have expected. If he had been told in advance that another person would begin swimming with him at the exact same hour, he would have resented the intrusion immensely. It would have ruined everything that he sought in that particular hour of the day.
As it turned out, that hadn’t happened. Very quickly, by the fifth day, he had begun to accept that she was going to be there. She possessed a discernible serenity that easily counterbalanced what he would otherwise surely have considered a disruption. She blended remarkably well into the equation he sought in those sequestered mornings.
Then she stopped coming. That had been over a month ago, and he hadn’t seen her since.
He had inquired about her. The swimming club was private and very discreet. The only thing he could learn about her was that her name had been listed as Mara Song, recently arrived in Houston from Rome. No address, of course, and no telephone number were available to him. For an instant he thought about leaving a message for her at the club, in the event that she had begun swimming at another time of day, then immediately rejected that as being far too overt. In fact, he didn’t know why he wanted to meet her at all. Just about everything argued against it. If he wanted companionship, if he wanted to begin seeing someone, it didn’t have to happen like this. He knew a number of women who were respectfully keeping their distance-some keeping less of a distance than others, to be sure-waiting for him to decide to resume his life.
He was also aware of the irony of what he wanted. He could easily have spoken to her a dozen times-literally-during the two weeks she had joined him in the water, but he hadn’t. Now that he couldn’t, he wanted to.
So, with some effort, he tried to put the prospect of meeting Mara Song out of his mind. It didn’t really make any sense. But he never swam now without thinking of her, thinking that at any moment she might suddenly be there, slipping through the light-illumined water, a dizzy trail of bubbles shimmering behind her like a visible scent.
CHAPTER 3
After leaving the club, Strand went slightly out of his way home to a small neighborhood bakery with a dozen tables under a rattan-covered patio surrounded by catalpa trees. Every morning Strand was the first of a loyal clientele to arrive.
He always sat at the same table in the patio, the nearest to a large and unusual outdoor aquarium watched over by a pair of small, brilliantly colored macaws that looked as though they had flown through a freshly painted rainbow. He ate breakfast-the only meal served at the bakery-and read the newspaper while the macaws scolded and cajoled the fish and each other, and anything that moved, sometimes inching to the near end of their perch to read over Strand’s shoulder.
Around nine o’clock he pulled into the porte cochere at home and went straight to the kitchen to make a pot of coffee. Harry Strand lived and worked in a two-story home in the museum district, an expensive address just a few streets off Bissonnet. The home was old, with Mediterranean influences and made of stolid, gray limestone. The minute he and Romy had seen it they had loved it and bought it within a week of arriving in Houston. They had lived in Vienna before they were married, and the warm and fertile Mexican Gulf coast was an exotic and welcome change for them.
The house was on a quiet, narrow lane that meandered among other aged and behemoth domiciles, most of them only partially visible behind a well-groomed wilderness of oaks and palms, azaleas and laurel, boxwood, quince, and bougainvillea. Encompassing stone or brick walls shrouded in vines were de rigueur, and privacy was as precious as time itself.
Built on all four sides of a central courtyard, the home sheltered a large carved stone fountain at its heart. Semitropical plants filled the courtyard, and their care and cultivation had been Romy’s abiding passion. Often Strand would watch her from the windows by his desk as she dawdled among the tiled paths, pinching a faded blossom here, monitoring a pale new shoot there, checking the progress of the long awaited efflorescence of a favorite species.
She had been content here, in this home and its environs, and Strand had frequently reminded himself that their shared happiness was uncommon good fortune. It wasn’t anything he had ever experienced before, and he had told himself that he would be a fool if he ever, even for a moment, took for granted the wonderful balance they had managed to achieve together.
He had also known that balance, by its very definition, was fragile.
Meret Spier, Strand’s assistant, had become irreplaceable after Romy’s death. She had begun working for them two years earlier, when their workload had increased to the point that they couldn’t handle it between them. Fresh out of graduate school at the University of Chicago, Meret had recently returned to Houston after failing to find a position with the museums in the Chicago area. After Romy’s death, Meret simply became indispensable. Strand paid her very well and even increased her salary significantly when she had to take over so many of Romy’s responsibilities. She was worth every dime of it. Aside from her impeccable scholarship, she was intelligent and low-key, facile at reading between the lines, and perceptive when assessing personalities, all invaluable attributes when dealing with art collectors, who could be as eccentric as the artists they collected.
The rooms that formed Strand’s offices also served as the showrooms for the drawings he owned and sold. They occupied the entire left wing of the house as seen from the front entry. Most of these rooms were accessible from the peristyle that surrounded the courtyard. The porch of the peristyle was deep, providing a buffering shade from the summer heat and reducing the glare from the sunny courtyard.
Strand’s office was the first in order from the front of the house to the back. It opened onto the broad front entry hall as well as into the courtyard, with a third door communicating with the library that separated Strand’s office from Meret’s. The walls of both offices were covered with framed drawings and a few paintings. In the library a long antique walnut table used for research sat squarely in the center of the room and was usually cluttered with recently consulted volumes, slips of paper protruding from their pages. All of these rooms were generous spaces with sitting areas and comfortable furnishings, and each of them communicated with the others through a short arched passageway with a wrought-iron gate the height of the passageway placed midway. The gates were covered on one side with plate glass to muffle sound for privacy when the gates were closed. A fourth room was for storage, where rows of thin, vertical shelving for paintings and drawings lined the walls. This was also a work area for packaging artwork to be shipped and for receiving.