A Mark XXXI Combat Unit is the finest fighting machine the ancient wars of the Galaxy have ever known. I am not easily neutralized. But I wish that my Commander's voice were with me…
The engine slides to me where the grappler, now unresisted, holds me. I shunt my power flow to an accumulator, hold it until the leads begin to arc, then release it in a burst. The engine bucks, stops dead. Then I turn my attention to the grappler.
I was built to engage the mightiest war engines and destroy them, but I am a realist. In my weakened condition this trivial automaton poses a threat, and I must deal with it. I run through a sequence of motor impulses, checking responses with such somatic sensors as remain intact. I initiate 31,315 impulses, note reactions and compute my mechanical resources. This superficial check requires more than a second, during which time the mindless grappler hesitates, wasting the advantage.
In place of my familiar array of retractable fittings, I find only clumsy grappling arms, cutters, impact tools, without utility to a fighting Unit. However, I have no choice but to employ them. I unlimber two flimsy grapplers, seize the heavy arm which holds me, and apply leverage. The Enemy responds sluggishly, twisting away, dragging me with it. The thing is not lacking in brute strength. I take it above and below its carpal joint and bend it back. It responds after an interminable wait of point three seconds with a lunge against my restraint. I have expected this, of course, and quickly shift position to allow the joint to burst itself over my extended arm. I fire a release detonator, and clatter back, leaving the amputated arm welded to the sprung grappler. It was a brave opponent, but clumsy. I move to a position near the wall.
I attempt to compute my situation based on the meager data I have gathered in my Current Action banks; there is little there to guide me. The appearance of my hull shows that much time has passed since I last inspected it; my personality-gestalt holds an image of my external appearance as a flawlessly complete Unit, bearing only the honorable and carefully preserved scars of battle, and my battle honors, the row of gold-and-enamel crests welded to my fighting turret. Here is a lead, I realize instantly. I focus on my personality center, the basic data cell without which I could not exist as an integrated entity. The data it carries are simple, unelaborated, but battle honors are recorded there. I open the center to a sense impulse.
Awareness. Shapes which do not remain constant. Vibration at many frequencies. This is light. This is sound… A display of "colors." A spectrum of "tones." Hard/soft; big/little; here/there…
… The voice of my Commander. Loyalty. Obedience. Comradeship…
I run quickly past basic orientation data to my self-picture.
… I am strong, I am proud, I am capable. I have a function; I perform it well, and I am at peace with myself. My circuits are balanced, current idles, waiting…
… I fear oblivion. I wish to continue to perform my function. It is important that I do not allow myself to be destroyed…
I scan on, seeking the Experience section. Here…
I am ranked with my comrades on a scarred plain. The command is given and I display the Brigade Battle Anthem. We stand, sensing the contours and patterns of the music as it was recorded in our morale centers. The symbol "Ritual Fire Dance" is associated with the music, an abstraction representing the spirit of our ancient brigade. It reminds us of the loneliness of victory, the emptiness of challenge without an able foe. It tells us that we are the Dinochrome, ancient and worthy.
The Commander stands before me, he places the decoration against my fighting turret, and at his order I weld it in place. Then my comrades attune to me and I relive the episode…
I move past the blackened hulk of a comrade, send out a recognition signal, find his flicker of response. He has withdrawn to his survival center safely. I reassure him, continue. He is the fourth casualty I have seen. Never before has the Dinochrome met such power. I compute that our envelopment will fail unless the enemy's firepower is reduced. I scan an oncoming missile, fix its trajectory, detonate it harmlessly twenty-seven hundred four point nine meters overhead. It originated at a point nearer to me than to any of my comrades. I request permission to abort my assigned mission and neutralize the battery. Permission is granted. I wheel, move up a slope of broken stone. I encounter high temperature beams, neutralize them.
I fend off probing mortar fire, but the attack against me is redoubled. I bring a reserve circuit into play to handle the interception, but my defenses are saturated. I must take action.
I switch to high speed, slashing a path through the littered shale, my treads smoking. At a frequency of ten projectiles per second, the mortar barrage has difficulty finding me now; but this is an emergency overstrain on my running gear. I sense metal fatigue, dangerous heat levels in my bearings. I must slow.
I am close to the emplacement now. I have covered a mile in twelve seconds during my sprint, and the mortar fire falls off. I sense hard radiation now, and erect my screens. I fear this assault; it is capable of probing even to a survival center, if concentrated enough. But I must go on. I think of my comrades, the four treadless hulks waiting for rescue. We cannot withdraw. I open a pinpoint aperture long enough to snap a radar impulse, bring a launcher to bear, fire my main battery.
The Commander will understand that I do not have time to request permission. The mortars are silenced.
The radiation ceases momentarily, then resumes at a somewhat lower but still dangerous level. Now I must go in and eliminate the missile launcher. I top the rise, see the launching tube before me. It is of the subterranean type, deep in the rock. Its mouth gapes from a burned pit of slag. I will drop a small fusion bomb down the tube, I decide, and move forward, arming the bomb. As I do so, I am enveloped with a rain of burn-bombs. My outer hull is fused in many places; I flash impulses to my secondary batteries, but circuit-breakers snap; my radar is useless; the shielding has melted, forms a solid inert mass now under my outer plating. The Enemy has been clever; at one blow he has neutralized my offenses.
I sound the plateau ahead, locate the pit. I throw power to my treads; they are fused; I cannot move. Yet I cannot wait here for another broadside. I do not like it, but I must take desperate action; I blow my treads.
The shock sends me bouncing-just in time. Flame splashes over the gray-chipped pit of the blast crater. I grind forward now on my stripped drive wheels, maneuvering awkwardly. I move into position over the mouth of the tube. Using metal-to-metal contact, I extend a sensory impulse down the tube.
An armed missile moves into position, and in the same instant an alarm circuit closes; the firing command is countermanded and from below probing impulses play over my hull. But I stand fast; the tube is useless until I, the obstruction, am removed. I advise my Commander of the situation. The radiation is still at a high level, and I hope that relief will arrive soon. I observe, while my comrades complete the encirclement, and the Enemy is stilled…
I withdraw from personality center. I am consuming too much time. I understand well enough now that I am in the stronghold of the Enemy, that I have been trapped, crippled. My corroded hull tells me that much time has passed. I know that after each campaign I am given depot maintenance, restored to full fighting efficiency, my original glittering beauty. Years of neglect would be required to pit my hull so. I wonder how long I have been in the hands of the Enemy, how I came to be here.
I have another thought. I will extend a sensory feeler to the metal wall against which I rest, follow up the leads which I scorched earlier. Immediately I project my awareness along the lines, bring the distant microphone to life by fusing a switch. I pick up a rustle of moving gasses, the grate of non-metallic molecules. I step up sensitivity, hear the creak and pop of protoplasmic contractions, the crackle of neuroelectric impulses. I drop back to normal audio ranges and wait. I notice the low-frequency beat of modulated air vibrations, tune, adjust my time regulator to the pace of human speech. I match the patterns to my language index, interpret the sounds.